Style Performance Bowed String by Cyr Mary (43 results)

Soft cover. Condition: Very Good. xiii, 256 pages; index, bib., illus., music. VG.

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the contrebasse. Part III addresses issues and conventions of interpretation such as articulation, tempo and character, inequality, ornamentation, the basse continue, pitch, temperament, and "special effects" such as tremolo and harmonics. Part IV introduces four composer profiles that examine performance issues in the music of Ã?lisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (father and son). The diversity of compositional styles among this group of composers, and the virtuosity they incorporated in their music, generate a broad field for discussing issues of performance practice and offer opportunities to explore controversial themes within the context of specific pieces.…

Condition: New. pp. 280.

Condition: New.

Paperback. Condition: New.

Condition: New. pp. 280.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. Num Pages: 280 pages. BIC Classification: AN; AVGC3; AVR. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 156 x 233 x 21. Weight in Grams: 424. . 2016. 1st Edition. paperback. . . . .

Condition: New. In English.

Condition: New. Num Pages: 280 pages. BIC Classification: AN; AVGC3; AVR. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 156 x 233 x 21. Weight in Grams: 424. . 2016. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Paperback. Condition: Brand New. reprint edition. 280 pages. 9.21x6.14x0.79 inches. In Stock.

Condition: New. Mary Cyr is Professor Emerita of Music at the University of Guelph, Canada.Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Speci.

Taschenbuch. Condition: Neu. Style and Performance for Bowed String Instruments in French Baroque Music | Mary Cyr | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2016 | Routledge | EAN 9781138248373 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Paperback. Condition: New. Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the contrebasse. Part III addresses issues and conventions of interpretation such as articulation, tempo and character, inequality, ornamentation, the basse continue, pitch, temperament, and "special effects" such as tremolo and harmonics. Part IV introduces four composer profiles that examine performance issues in the music of Ã?lisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (father and son). The diversity of compositional styles among this group of composers, and the virtuosity they incorporated in their music, generate a broad field for discussing issues of performance practice and offer opportunities to explore controversial themes within the context of specific pieces.…

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 280 17 Illus.

Condition: New. pp. 280 Index.

Condition: New.

Condition: New. pp. 280.