Sound Zero by Dehò (24 results)

Hardcover. Condition: Very Good. Sound Zero This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

200 Seiten. Überwiegend illustriert. Gr.-8°, Illustrierter Pappeinband. Einband an den Kapitalen gering bestoßen und etwas gestaucht sowie gering angeschmutzt. Sonst in einwandfreiem Zustand. Sprache: Deutsch.

Hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 189 pages; Physical desc. : 189 p. : ill. (chiefly col.) ; 24 cm. Published to accompany the exhibition, Sound Zero: Art and Music from Pop to Street Art, 9 Sept. 2006-7 Jan. 2007, at the Kunst merano arte. Subjects: Pop art --Exhibitions --Posters --Sound recordings --Album covers --Popular culture --Art, Modern --20th century. Summary: As the Velvet Underground put it, "I'll be your mirror, reflect what you are, in case you don't know. " Sound Zero opens on the Velvet Underground's work with Warhol, and follows the close, even mimetic, relationship between Pop Art and pop music through the psychedelic explosion of the 70s and the graffiti, hip-hop and skate punk of the 80s and beyond. From Pop's simple and direct communication, colorful and clean, through psychedelia's overabundance of symphonic chaos, to the remixed and appropriated work of street artists and musicians, the interrelations are clear, and clearly influential. Sound Zero tracks them in over 100 color illustrations of paintings, photographs, objects, installations, graphics, placards, video and paintings, and a parallel universe of record covers, posters and performances. It features works by Robert Rauschenberg, Raymond Pettibon, Richard Hamilton, Jean-Michel Basquiat, Keith Haring, Chris Johanson, Barry McGee and Ari Marcopoulos; an interview with Aaron Rose; and a timeline showing developments in Pop, psychedelic and street art alongside the history of popular music. 1 Kg.…

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 189 pages; Physical desc. : 189 p. : ill. (chiefly col.) ; 24 cm. Published to accompany the exhibition, Sound Zero: Art and Music from Pop to Street Art, 9 Sept. 2006-7 Jan. 2007, at the Kunst merano arte. Subjects: Pop art --Exhibitions --Posters --Sound recordings --Album covers --Popular culture --Art, Modern --20th century. Summary: As the Velvet Underground put it, "I'll be your mirror, reflect what you are, in case you don't know. " Sound Zero opens on the Velvet Underground's work with Warhol, and follows the close, even mimetic, relationship between Pop Art and pop music through the psychedelic explosion of the 70s and the graffiti, hip-hop and skate punk of the 80s and beyond. From Pop's simple and direct communication, colorful and clean, through psychedelia's overabundance of symphonic chaos, to the remixed and appropriated work of street artists and musicians, the interrelations are clear, and clearly influential. Sound Zero tracks them in over 100 color illustrations of paintings, photographs, objects, installations, graphics, placards, video and paintings, and a parallel universe of record covers, posters and performances. It features works by Robert Rauschenberg, Raymond Pettibon, Richard Hamilton, Jean-Michel Basquiat, Keith Haring, Chris Johanson, Barry McGee and Ari Marcopoulos; an interview with Aaron Rose; and a timeline showing developments in Pop, psychedelic and street art alongside the history of popular music. 1 Kg.…

Hardback. Condition: New.

Condition: new.

Condition: New.

Condition: New.

Condition: New. New hardcover in publisher's original shrink-wrap. No marks or flaws.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Condition: Good. No Jacket. no markings, edges slightly bumped.

Condition: New.

Condition: New. 2011. Hardcover. . . . . . Books ship from the US and Ireland.

Condition: New. In the 60 s a new form of realism came onto the international scene with a simple and direct language: Pop Art. With more than 100 poster paint images, record sleeves, videos and performances this book offers a fascinating journey through the history of art.

Condition: Buone. italiano Condizioni dell'esterno: Discrete con difetti, macchie Condizioni dell'interno: Buone.

Hardback. Condition: New.

Condition: NEW.

Rilegato. Condition: fine. A cura di Dehò V.Traduzione di Kais L., Prammer T. e Sacchetto C.Bologna, 2006; ril., pp. 200, 150 ill. b/n e col., cm 16,5x23. Sound Zero explores the artistic crossover between music and art that, since the beginning of the '60s, has affected Pop Art and later street art and graffiti, as well as music design. The book is divided into three sections. The first section, Top of the Pops, spans from artworks to record covers; the second section, entitled In A Gadda Da Vida (after the title of a renown Iron Butterfly album issued in 1968), features psychedelic culture, the emergence of which gave rise to an extremely novel graphic vision; and the last section, Where the Streets have no Name, covers both the American and the European artistic world, with painted walls, historical photographs and recent artworks by artists from the Beautiful Losers generation of today New book that explores the links between Pop Art, street and graffiti art and popular music.Features work by Andy Warhol, Keith Haring, Richard Hamilton, Peter Blake and many more.Over 150 works reproduced in colour, including posters, videos, album covers, performance pieces and wall paintings.Covers 40 years from Pop Art of the '60s to the "Beautiful Losers" generation of today.Chronology timeline showing developments in Pop, street and graffiti art side by side with the history of popular music . Libro.…

Hardcover. Condition: New. As the Velvet Underground put it, "I'll be your mirror, reflect what you are, in case you don't know." Sound Zero opens on the Velvet Underground's work with Warhol, and follows the close, even mimetic, relationship between Pop Art and pop music through the psychedelic explosion of the 70s and the graffiti, hip-hop and skate punk of the 80s and beyond. From Pop's simple and direct communication, colorful and clean, through psychedelia's overabundance of symphonic chaos, to the remixed and appropriated work of street artists and musicians, the interrelations are clear, and clearly influential. Sound Zero tracks them in over 100 color illustrations of paintings, photographs, objects, installations, graphics, placards, video and paintings, and a parallel universe of record covers, posters and performances. It features works by Robert Rauschenberg, Raymond Pettibon, Richard Hamilton, Jean-Michel Basquiat, Keith Haring, Chris Johanson, Barry McGee and Ari Marcopoulos; an interview with Aaron Rose; and a timeline showing developments in Pop, psychedelic and street art alongside the history of popular music.…

gr 8°, geb. Pappeinbd. m. appliziertem Hologramm, 189 S. - sehr gutes Exemplar. Buch.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.