Robert Rauschenberg Gluts (37 results)

Hardcover without dustjacket as issued, 120 pages; in English; good condition: ex-gallery library copy with call number taped around bottom of spine; sticker and stamps and call number on first page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Very Good. M. Knoedler & Company January 1988 Binding: Trade Paperback.

Edition in Italian. Oblong. 117 pages. Printed boards. FIRST EDITION of the Italian language edition. A fine, unread copy.

First Edition. First edition. Oblong softcover. Exhibition catalog for a show that ran November 5 through December 1, 1988. Includes 9 color illustrations. A very near fine copy in stapled wrappers.

Flexi-bound. Condition: Fine Condition. Dust Jacket Condition: No Jacket, As Issued. 119 pages with 81 illustrations in color. Illustrated boards. Oblong. Preface by Richard Armstrong and Philip Rylands. Published on the occasion of the exhibition from the Peggy Guggenheim Collection, Venice May 30-September 20, 2009. Exhibition History.

Paperback. Condition: Fine. 40 pages, colour illustrated exh. catalogue. Unused, a Fine copy.

Hardcover. Condition: Very Good. Hardcover, oblong. Clean copy. Text and images unmarked. Text is in German. Light shelf wear, corners bumped, small tears at top of spine from a hard bump. tbrc/Art.

Softcover, 40 pages, very good condition: except covers faded around edges; no internal marks. Foreign shipping may be extra.

Paperback. Condition: New. In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant. I simply want to present people with their ruins. I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.

Staple-bound Wrappers. Condition: Fine Condition. Small slim volume, unpaginated (30 pages) 15 illustrations in color. Square format. Published on the occasion of the exhibition from Feigen Incorporated, Chicago IL October 12-November 24. 1990. Size: 6 ¾"x 6¾". Book.

First Edition. First edition. Softcover. [36 pages.] Exhibition catalog for a show that ran October 12 through November 24, 1990. Features an essay by Rosetta Brooks. Includes 15 color plates. A fine copy in stapled wrappers.

Softcover. First Edition; First Printing. Wraps, fine. Gallery show of his metal assemblages, all in color.; 8vo 8" - 9" tall.

Condition: as new. Wie neu/Like new.

Paperback. White and color-illustrated wraps with black lettering. 20 pp. Color illustrations. Catalogue of an exhibition from November 5 to December 1, 1988. VG- light wear and scuffing to wraps.

Softcover staple-bound, 20 pages; very good condition; clean and crisp; no internal marks.

Softcover staple-bound, 36 pages, very good condition; clean and crisp, no internal marks.

Original Wraps. Condition: Collectible; Fine. 1st. The catalogue based on the October-November 1990 exhibition at Chicago's Feigen Gallery. Clean and Near Fine in its stapled blue wrappers.

Original Wraps. Condition: Collectible; Fine. 1st. A very sharp copy of the November-December 1987 exhibition at London's Waddingtonm Galleries. Crisp and Near Fine in its yellow wrappers.

Hardcover. Condition: VG- light corner bumping. White and color-illustrated flexible boards with black and orange lettering. 118 pp. Color and BW illustrations. Issued in connection with an exhibition held May 30-Sept. 20, 2009, Peggy Guggenheim Collection, Venice.

Davidson, Susan, David White et al. . ROBERT RAUSCHENBERG: Gluts. 120 pages, illustrated in color and b&w. Oblong 4to, wraps. Venice, Peggy Guggenheim Collection, 2009. Forty pieces constructed of metal from old traffic signs,automobiles, awnings and exhaust pipes.

Hardcover. Condition: Sehr gut. 117 pp. Very well preserved copy 514 Sprache: Englisch Gewicht in Gramm: 1008.

kartoniert. Condition: gut. 1. Einband Lagerspuren, Rückseite Kratzspuren, Ecken leicht angestossen, durchgestrichener Namensstempel auf zwei Seiten, nur erstes Kapitel gelesen In deutscher Sprache. 118 pages. ca. 28,5 x 25 cm.

OBrosch. (laminiert), 53 Seiten mit zahlr. farb. Abb., 22,5 x 30,5 cm, von außen leicht abgegriffen und leicht lichtrandig, innen perfekt, insgesamt sehr guter Zustand. Book Language/s: French.

Condition: New. . hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.

Paperback. Condition: New. In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant. I simply want to present people with their ruins. I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.

Condition: New. . hardcover. . Not a first edition copy. . . .

cm 29x25 pag. 120 ill. decine col c.m. Venezia, Peggy Guggenheim Collection dal 30/05 al 20/09/2009 Inglese.

Couverture rigide. Condition: Comme neuf. Edition originale. Paris 2025. 1 Volume/1. -- Comme Neuf /As New -- Reliure éditeur cartonnée illustrée /Hardback . Format in-4°. ------ pages. ****************** "" Published on the centennial of Robert Rauschenberg s birth, this catalogue celebrates his seminal series Gluts. Comprising archival material and colour reproductions, this bilingual catalogue comprises a text by writer Mark Alizart and makes available Trisha Brown s essay Improvisation: Neapolitan Gluts for Lateral Pass (2009) in French for the first time. "" *********************.

Condition: Good. 8vo. [40] pp. Softcover. Color images. Staple bound. Very good.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.