In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant... I simply want to present people with their ruins... I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.
"synopsis" may belong to another edition of this title.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Seller Inventory # M0892073888Z3
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind. Seller Inventory # rev1736312917
Quantity: 1 available
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover without dustjacket as issued, 120 pages; in English; good condition: ex-gallery library copy with call number taped around bottom of spine; sticker and stamps and call number on first page; no other internal marks. Foreign shipping may be extra. Seller Inventory # RoRaPe30
Seller: Riverrun Books & Manuscripts, ABAA, Ardsley, NY, U.S.A.
Edition in Italian. Oblong. 117 pages. Printed boards. FIRST EDITION of the Italian language edition. A fine, unread copy. Seller Inventory # 404604
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Flexi-bound. Condition: Fine Condition. Dust Jacket Condition: No Jacket, As Issued. 119 pages with 81 illustrations in color. Illustrated boards. Oblong. Preface by Richard Armstrong and Philip Rylands. Published on the occasion of the exhibition from the Peggy Guggenheim Collection, Venice May 30-September 20, 2009. Exhibition History. Seller Inventory # 014619
Seller: medimops, Berlin, Germany
Condition: as new. Wie neu/Like new. Seller Inventory # M00892073888-N
Seller: Ursus Books, Ltd., New York, NY, U.S.A.
Davidson, Susan, David White et al. . ROBERT RAUSCHENBERG: Gluts. 120 pages, illustrated in color and b&w. Oblong 4to, wraps. Venice, Peggy Guggenheim Collection, 2009. Forty pieces constructed of metal from old traffic signs,automobiles, awnings and exhaust pipes. Seller Inventory # 138575
Seller: Buchkanzlei, Bremen, Germany
Hardcover. Condition: Sehr gut. 117 pp. Very well preserved copy 514 Sprache: Englisch Gewicht in Gramm: 1008. Seller Inventory # 40162
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 120 pages. 10.00x11.50x0.75 inches. In Stock. Seller Inventory # 0892073888
Quantity: 1 available
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant. I simply want to present people with their ruins. I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular. Seller Inventory # LU-9780892073887