Opera by Williams Bernard (46 results)

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: As New. 1st Edition. 2006. Yale University Press. 8vo. Hardcover. First edition. Fine in fine DJ. As new.

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Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Pages unmarked. Dust jacket glossy. Binding square & firm. Clean & bright. Book.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Like New. Small Quarto, 149pp. Like new.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Paperback. Condition: new. Paperback. In his last work, one of the great philosophers of the 20th century explores the pleasures of opera Bernard Williams, who died in 2003, was one of the most influential moral philosophers of his generation. A lifelong opera lover, his articles and essays, talks for the BBC, contributions to the Grove Dictionary of Opera, and program notes for the Royal Opera House, Covent Garden, and the English National Opera, generated a devoted following. This elegant volume brings together these widely scattered and largely unobtainable pieces, including two that have not been previously published. It covers an engaging range of topics from Mozart to Wagner, including sparkling essays on specific operas by those composers as well as Verdi, Puccini, Strauss, Debussy, Janacek, and Tippett. Reflecting Williamss brilliance, passion, and clarity of mind, these essays engage with, and illustrate, the enduring appeal of opera as an art form. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. In his last work, one of the great philosophers of the 20th century explores the pleasures of opera Bernard Williams, who died in 2003, was one of the most influential moral philosophers of his generation. A lifelong opera lover, his articles and essays, talks for the BBC, contributions to the Grove Dictionary of Opera, and program notes for the Royal Opera House, Covent Garden, and the English National Opera, generated a devoted following.  This elegant volume brings together these widely scattered and largely unobtainable pieces, including two that have not been previously published. It covers an engaging range of topics from Mozart to Wagner, including sparkling essays on specific operas by those composers as well as Verdi, Puccini, Strauss, Debussy, Janacek, and Tippett. Reflecting Williams's brilliance, passion, and clarity of mind, these essays engage with, and illustrate, the enduring appeal of opera as an art form. …

Paperback. Condition: New. In his last work, one of the great philosophers of the 20th century explores the pleasures of opera Bernard Williams, who died in 2003, was one of the most influential moral philosophers of his generation. A lifelong opera lover, his articles and essays, talks for the BBC, contributions to the Grove Dictionary of Opera, and program notes for the Royal Opera House, Covent Garden, and the English National Opera, generated a devoted following.  This elegant volume brings together these widely scattered and largely unobtainable pieces, including two that have not been previously published. It covers an engaging range of topics from Mozart to Wagner, including sparkling essays on specific operas by those composers as well as Verdi, Puccini, Strauss, Debussy, Janacek, and Tippett. Reflecting Williams's brilliance, passion, and clarity of mind, these essays engage with, and illustrate, the enduring appeal of opera as an art form. …

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Brand New. reprint edition. 176 pages. 9.25x6.12x2.32 inches. In Stock.

Hardcover. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Condition: New.

Condition: New. In English.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Condition: As New. : Este libro de Bernard Williams, con la colaboración de Gabriel Menéndez Torrellas, es una recopilación de trabajos sobre ópera. Williams explora la composición, interpretación y representación operística, destacando su impacto emocional e intelectual. Los ensayos analizan el atractivo duradero de la ópera como forma de arte, ofreciendo una visión profunda y apasionada del género. EAN: 9788420693460 Tipo: Libros Categoría: Arte y Cultura Título: Sobre la ópera Autor: Bernard Williams Editorial: Alianza Editorial Idioma: es-ES Páginas: 208 Formato: tapa blanda.…

paperback. Traduit de l'anglais Dominique Férault. Le Promeneur 2009. in-8. 256 pages. Traduit de l'anglais Dominique Férault. Le Promeneur 2009. in-8. 256 pages. Nb de volume : 1. Couverture à rabats, très bon état . Philosophe parmi les plus influents de sa génération dans les pays anglo-saxons, Bernard Williams fut aussi un mélomane passionné, auteur d'articles, d'essais et de conférences qui, pour n'être pas de son champ de spécialisation, ne s'en distinguent pas moins par la justesse de leur approche et l'acuité de leurs aperçus. Il s'y attache autant à décrire les conditions historiques des ?uvres qu'à apprécier leur portée philosophique et leur organisation thématique. Articulés autour d'un ensemble de réflexions sur les opéras de Mozart et de Wagner, ces essais s'intéressent aussi aux ?uvres de Verdi et Puccini, à Richard Strauss, Debussy, Janacek et Michael Tippett. …

Paperback. Condition: Brand New. reprint edition. 176 pages. 9.25x6.12x2.32 inches. In Stock.

Condition: New. 2016. Reprint. paperback. . . . . . Books ship from the US and Ireland.

Condition: New. pp. 170.

Condition: New. pp. 170.

Hardcover. Condition: Brand New. new title edition. 176 pages. 9.50x6.50x0.75 inches. In Stock.

Condition: New. 2016. Reprint. paperback. . . . . .

Taschenbuch. Condition: Neu. Neuware - Bernard Williams was one of the most influential moral philosophers of his generation. A life-long opera-lover, his articles and essays, talks for the BBC, contributions to the Grove Dictionary of Opera, and programme-notes for The Royal Opera House, Covent Garden, and the English National Opera, generated a devoted following. This elegant volume brings together these widely scattered and largely unobtainable pieces, including two that have not been previously published. It covers an engaging range of topics from Mozart to Wagner, including sparkling essays on specific operas by those composers as well as Verdi, Puccini, Strauss, Debussy, Janacek and Tippett. Two aspects of music are of central importance to Williams: the demands of composing, performing and staging opera on the one hand, and the immediacy and power of its emotional purchase, the ability of music to move both the heart and the intellect, on the other. Reflecting Williams's brilliance, passion, and clarity of mind, these essays engage with, and illustrate, the enduring appeal of opera as an art form. Bernard Williams was Knightsbridge Professor of Philosophy, Cambridge University, Monroe Deutsch Professor of Philosophy, University of California, Berkeley, and White's Professor of Moral Philosophy, Oxford University. He was a member of the board of the English National Opera in London, and author of many articles on music.…

Condition: NEW.