Event by Esch Deborah (46 results)

Paperback. Condition: Very Good. Softcover with only light edge wear. Text is unmarked and binding is tight.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

paperback. Condition: Very Good.

Trade Paperback. Condition: Used Good.

Softcover. Condition: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Condition: New.

Paperback or Softback. Condition: New. In the Event: Reading Journalism, Reading Theory. Book.

Paperback. Condition: New. Assuming the burden of reading imposed by the correlation of the order of language and the order of events, this book argues that the possibility of reading and writing history is tied to the endurance of traces of the past and their coming to legibility, allegorically, at a given time. Through attentive readings of a range of texts-including theoretical writings, diaries, newspaper reports, and "live" television broadcasts-In the Event elaborates the ways in which allegory disrupts our presumptions of continuity and simultaneity between the image (whatever its medium) and what we take it to represent. The author demonstrates that a theoretical corpus must be understood not merely as a discrete set of arguments, but as work that takes place in time and on which time itself is at work. Against the temptation to regard a text (including a text of philosophical aesthetics or critical linguistics) as explained or defined by a fixed temporal context, this book emphasizes the textual operation of time. This attention to temporality opens the possibility of reading the notoriously difficult and resistant text of television. The book's central chapters analyze the seductions of "live" broadcasting: an incisive account of news coverage of the Gulf War, for example, reveals how the unproblematic articulation of "live" television with the real has its impulse in a broader realist ideology that finds its opportunity in the failure to reflect on the distances of space and time that characterize the medium. The author also explores the very different punctuality of the journal in evocative readings of the diaries of Alice James and Derek Jarman, both "journals of survival" written at the uncertain boundary of life and death. Here, and throughout the book, the readings argue that what we take to be historical events are actually produced, even constituted, by an array of discursive technologies, including language itself.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: Good. Used copy in good condition - Usually dispatched within 3 working days.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

Condition: New. pp. 200.

Condition: New. Assuming the burden of reading imposed by the correlation of the order of language and the order of events, this book argues that the possibility of reading and writing history is tied to the endurance of traces of the past and their coming to legibility, allegorically, at a given time. Series: Meridian: Crossing Aesthetics. Num Pages: 200 pages, 8 half-tones. BIC Classification: DSA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5487 x 3556 x 13. Weight in Grams: 242. . 1999. 1st Edition. Paperback. . . . .…

Condition: New. In English.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: Brand New. 1st edition. 200 pages. 8.50x5.75x0.50 inches. In Stock.

Condition: New. pp. 200.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. Assuming the burden of reading imposed by the correlation of the order of language and the order of events, this book argues that the possibility of reading and writing history is tied to the endurance of traces of the past and their coming to legibility, allegorically, at a given time. Series: Meridian: Crossing Aesthetics. Num Pages: 200 pages, 8 half-tones. BIC Classification: DSA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5487 x 3556 x 13. Weight in Grams: 242. . 1999. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condition: New. Assuming the burden of reading imposed by the correlation of the order of language and the order of events, this book argues that the possibility of reading and writing history is tied to the endurance of traces of the past and their coming to legibility, allegorically, at a given time. Through attentive readings of a range of texts-including theoretical writings, diaries, newspaper reports, and "live" television broadcasts-In the Event elaborates the ways in which allegory disrupts our presumptions of continuity and simultaneity between the image (whatever its medium) and what we take it to represent. The author demonstrates that a theoretical corpus must be understood not merely as a discrete set of arguments, but as work that takes place in time and on which time itself is at work. Against the temptation to regard a text (including a text of philosophical aesthetics or critical linguistics) as explained or defined by a fixed temporal context, this book emphasizes the textual operation of time. This attention to temporality opens the possibility of reading the notoriously difficult and resistant text of television. The book's central chapters analyze the seductions of "live" broadcasting: an incisive account of news coverage of the Gulf War, for example, reveals how the unproblematic articulation of "live" television with the real has its impulse in a broader realist ideology that finds its opportunity in the failure to reflect on the distances of space and time that characterize the medium. The author also explores the very different punctuality of the journal in evocative readings of the diaries of Alice James and Derek Jarman, both "journals of survival" written at the uncertain boundary of life and death. Here, and throughout the book, the readings argue that what we take to be historical events are actually produced, even constituted, by an array of discursive technologies, including language itself.…

Condition: New. Assuming the burden of reading imposed by the correlation of the order of language and the order of events, this book argues that the possibility of reading and writing history is tied to the endurance of traces of the past and their coming to legibility, a.

Stanford University Press, Stanford 1999. XV + 177 pages. Orig. softcover. Fine.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very good. First Edition. A very good copy of the first printing in the original dust jacket.

Hardback. Condition: Good. Used copy in good condition - Usually dispatched within 3 working days.

Taschenbuch. Condition: Neu. In the Event | Reading Journalism, Reading Theory | Deborah Esch | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1999 | Stanford University Press | EAN 9780804732512 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardback. Condition: New. Assuming the burden of reading imposed by the correlation of the order of language and the order of events, this book argues that the possibility of reading and writing history is tied to the endurance of traces of the past and their coming to legibility, allegorically, at a given time. Through attentive readings of a range of texts-including theoretical writings, diaries, newspaper reports, and "live" television broadcasts-In the Event elaborates the ways in which allegory disrupts our presumptions of continuity and simultaneity between the image (whatever its medium) and what we take it to represent. The author demonstrates that a theoretical corpus must be understood not merely as a discrete set of arguments, but as work that takes place in time and on which time itself is at work. Against the temptation to regard a text (including a text of philosophical aesthetics or critical linguistics) as explained or defined by a fixed temporal context, this book emphasizes the textual operation of time. This attention to temporality opens the possibility of reading the notoriously difficult and resistant text of television. The book's central chapters analyze the seductions of "live" broadcasting: an incisive account of news coverage of the Gulf War, for example, reveals how the unproblematic articulation of "live" television with the real has its impulse in a broader realist ideology that finds its opportunity in the failure to reflect on the distances of space and time that characterize the medium. The author also explores the very different punctuality of the journal in evocative readings of the diaries of Alice James and Derek Jarman, both "journals of survival" written at the uncertain boundary of life and death. Here, and throughout the book, the readings argue that what we take to be historical events are actually produced, even constituted, by an array of discursive technologies, including language itself.…