Etching Craft Guide Students by Robins (58 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. No Dust Jacket. First Edition. Front cover has darkened areas. Endpapers lightly browned. Name, town, and date written on the fly leaf.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Good. No Dust Jacket. 1st Edition. Brown hardcover in Good condition, ex-library, corners bumped, covers lightly rubbed all else very good. Everything that you would want to know about the craft of etching, drypoint, aquatint, and soft ground etchings. Many illustrations by some of the great etchers of the world. Forward by Martin Hardie. Complete index. 243 pages plus 12 pages of publisher advertising.…

Condition: New.

Condition: New.

Hardback or Cased Book. Condition: New. Etching Craft: A Guide for Students and Collectors. Book.

Condition: New.

Hard Cover. Condition: Fair. No Jacket. Covers scuffed and soiled. Internally quite nice.

Condition: New.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. First edition of Robins's study of the history and techniques of etching. With vignette and full-page illustrations throughout, including ninety-five print reproductions, and twenty illustrations depicting etching techniques. 238 pages plus 5 pages of bibliography and 12 pages of advertising to the rear. In the publisher's original cloth backed paper covered boards. Externally, good, some staining. Edgewear, light chipping and light staining. Paper spine label missing a portion from the center. Internally, very good. Firmly bound. End papers slightly darkened with age. Pages clean and bright with no markings.…

Hardcover. Condition: Good. Second Printing. Large 8vo. Pp. xvi, 243, followed by several page of ads germane to printing and supplies. Foreword by Martin Hardie. Title page vignette. Amply illustrated with many examples of historic genres and milieux, methods, subject matter, etc. Bibliography. Index. Bound in three-quarter blue cloth over decorated paper-covered boards, printed label on spine. Spine label chipped. Wear to extremities of cover. Former owner name, address and date (1942) on front pastedown. Rear free-endpaper with slight loss. Despite the detracting qualities, a sturdy, well-bound copy of this solid reference work. Published the year after the first edition, using the same sheets, with the added imprint of Dodd, Mead. From the technical aspects of printmaking to biographies and analyses of lauded (and less known) printmakers to the mounting and care of prints, the book is a handy reference for the student of print history. Includes reference to William Strang, one of our faves, along with the usual suspects and, happily, some obscure practitioners. Pieter Molyn I (illustrator). …

Paperback. Condition: New. New copy - Usually dispatched within 4 working days.

Hard Back. Condition: Book Good ++. No Dustcover. First Edition. 243 pages incl index and bibliography + 12 pages of adverts. Book has heavy wear to spine ends, & boards' edges & corners , corners are worn round, edges of spine at hinge tops are ragged, front bottom hinge cloth split 43mm from bottom, inner hinge paper cracked to front and half of rear but both holding firm. Library stamps and removed sticker to flyleaf and rear of title page, library card holder to inside of back board Illustrated in b/w. Page-edges lightly/moderately age-yellowed. Some slight brown marks to text, which overall is very clean. (Another copy available, same edition - heavy wear to boards' corners, lighter wear to spine-ends, no dustjacket. Rubbed boards. Contents clean and tidy.).…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

1/2 Blue Cloth. Condition: Moderate Edge Wear and Soiling. No Jacket. First Edition. Paper spine label is chipped, missing portion from the center involving several letters. Internally very clean. Chapters on development; the great etchers and their work; drypoint, aquatint, and soft-ground etchings; printing, mounting, and care of prints; bibliography. Illustrated throughout with 105 plates in black and white. 243pp. + adverts. Size: Tall Octavo.…

Hardcover. Condition: Good. No Dustjacket. Later Edition. ISBN . B01H8U657G Hardback. Second impression. No dustjacket; bound in brown boards with gold gilt lettering on spine. Slight wear to corners and edges; slight dustsoiling and browning throughout; otherwise tight, sound and unmarked in Good to Very Good condition. No Signature.…

Hardcover. Brown boards with dark brown spine and gilt spine lettering. xvi, 245 pp. BW illustrations. Includes a foreword by Martin Hardie. Good, moderate interior discoloration, minor wear to edges and corners of boards.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. 8vo, i-xv, 243 pp plus section of adverts, original cloth backed boards with dust wrapper. A fine clean copy .

Taschenbuch. Condition: Neu. Neuware - Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.…

Condition: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Taschenbuch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Taschenbuch. Condition: Neu. Neuware - 'ETCHING CRAFT a Guide for Students and Collectors' serves as a comprehensive resource for those passionate about the intricate world of intaglio printmaking. Written by W.P. Robins, this work bridges the gap between the technical execution of the artist and the discerning eye of the connoisseur. The volume provides a detailed exploration of various techniques, including drypoint, aquatint, and soft-ground etching, offering practical insights into the preparation of plates and the nuances of the printing press.For the student, the text outlines the essential tools and chemical processes required to master the medium. For the collector, it offers a wealth of knowledge on identifying states, understanding paper quality, and appreciating the historical development of the craft. Spanning the history of the art form from its early masters to the early 20th-century revival, 'ETCHING CRAFT' remains an essential reference that emphasizes the aesthetic value of the etched line and the unique textures achievable through manual and chemical processes. Whether seeking to master the needle or curate a professional collection, readers will find this guide an invaluable companion in understanding one of the most expressive forms of graphic art.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Paperback. Condition: New. Print on Demand. This practical guide to etching, a versatile art form balancing aesthetics and technical mastery, provides a thorough grounding both for aspiring and practicing artists. The author, a Keeper of Engraving, Illustration, and Design at the Victoria and Albert Museum, presents a historical overview of the medium from its genesis to notable contemporary practitioners. The book contains a wealth of information on the methods, tools, and processes involved in etching, and a detailed account of how to create the different types of prints. With advice on everything from biting the plate to mounting the print, the author provides invaluable insights and guidance. This book is essential reading for anyone interested in gaining a deeper understanding of this captivating art form. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

VG . no DJ. In overall very good used condition with only slight signs of age, handling and storage - ends of spine are rolled. some foxing to outer edges of the textblock. ffeps show a brown patch - previous document laid in? Binding tight. no inscriptions or marginalia.

Hardcover/Hardback. Condition: Good. First Edition. General introduction, illustrated: outline and history, practical steps, the great etchers and their work, drypoint, aquatint and soft-ground etchings, printing, mounting, care, and a bibliography, index; advertisements (12pp.) marked 'For Review from Angus and Robertson' and signed by Leon Gellert, a good association. Original cloth and boards. Covers marked, leaning, edgewear. Good only. No dustwrapper. book.…

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Condition: Neu. Neuware - 'ETCHING CRAFT a Guide for Students and Collectors' serves as a comprehensive resource for those passionate about the intricate world of intaglio printmaking. Written by W.P. Robins, this work bridges the gap between the technical execution of the artist and the discerning eye of the connoisseur. The volume provides a detailed exploration of various techniques, including drypoint, aquatint, and soft-ground etching, offering practical insights into the preparation of plates and the nuances of the printing press.For the student, the text outlines the essential tools and chemical processes required to master the medium. For the collector, it offers a wealth of knowledge on identifying states, understanding paper quality, and appreciating the historical development of the craft. Spanning the history of the art form from its early masters to the early 20th-century revival, 'ETCHING CRAFT' remains an essential reference that emphasizes the aesthetic value of the etched line and the unique textures achievable through manual and chemical processes. Whether seeking to master the needle or curate a professional collection, readers will find this guide an invaluable companion in understanding one of the most expressive forms of graphic art.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…