Documenting Performance by Sant Toni (40 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: New.

Condition: As New. Unread book in perfect condition.

Softcover/Paperback. Condition: Gut. 362 p. Good. Ex-library with usual markings. The lamination is peeling off. Clean pages. Sprache: Englisch Gewicht in Gramm: 560.

Condition: New. In English.

paperback. Condition: New.

Condition: New.

Condition: New. . 2017. Paperback. . . . .

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 392.

Condition: New. . 2017. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condition: Brand New. 362 pages. 8.50x5.50x0.50 inches. In Stock.

hardcover. Condition: Fine. New and unread, however there is some shelf wear on cover, including light marking and / or light creasing Shipped from the UK within 2 business days of order being placed.

softback with illus cover, very good condition, 362pp.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on:* the contemporary context for documenting performance* processes of documenting performance* documenting bodies in motion* documenting to createIn each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers.…

Hardcover. Condition: Brand New. 362 pages. 9.00x6.00x1.00 inches. In Stock.

Hardback. Condition: New. Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on:* the contemporary context for documenting performance* processes of documenting performance* documenting bodies in motion* documenting to createIn each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers.…

Condition: New. Editor(s): Sant, Toni. Num Pages: 392 pages, 5 bw illus. BIC Classification: AFKP; AN. Category: (G) General (US: Trade). Dimension: 147 x 223 x 26. Weight in Grams: 606. . 2017. Hardcover. . . . . Books ship from the US and Ireland.

Condition: New. Editor(s): Sant, Toni. Num Pages: 392 pages, 5 bw illus. BIC Classification: AFKP; AN. Category: (G) General (US: Trade). Dimension: 147 x 223 x 26. Weight in Grams: 606. . 2017. Hardcover. . . . .

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: new. Paperback. Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on:* the contemporary context for documenting performance* processes of documenting performance* documenting bodies in motion* documenting to createIn each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. Print on Demand pp. 392.

Condition: New. PRINT ON DEMAND pp. 392.