Arts Crafts Objects by Hart Imogen (22 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. In this groundbreaking reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain, Imogen Hart argues that a sophisticated mode of looking at decorative art developed in England during the second half of the nineteenth century.Bringing to light a significant number of little-known visual and textual sources, Arts and Crafts Objects insists that the history of British design between the 1830s and the 1910s is more complex and interwoven than concepts of clearly differentiated 'movements' allow for. Reinvesting the objects with the original importance ascribed to them by their makers and users, this book places furniture, metalwork, tiles, vases, chintzes, carpets, and wallpaper at the centre of a rigorous reassessment of the concept of 'Arts and Crafts'. The book offers radical new interpretations of the Arts and Crafts Exhibition Society and the homes of William Morris, alongside illuminating analyses of less familiar but equally rich contexts.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. A fascinating reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain. The book's illuminating visual analysis and radical new interpretations of key contexts such as the Arts and Crafts Exhibition Society and the homes of William Morris call for a major reconsideration of the history of Victorian design. -- . A fascinating reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain. The book's illuminating visual analysis and radical new interpretations of key contexts such as the Arts and Crafts Exhibition Society and the homes of William Morris call for a major reconsideration of the history of Victorian design. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 1st edition. 288 pages. 8.50x5.25x0.75 inches. In Stock.

Condition: New. In English.

Softcover (Stiff Card). Condition: Very Good. No Dust Jacket. First Edition. First softcover edition. Size: Octavo (standard book size). Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No foxing in this copy. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; Britain/UK; Philosophy. ISBN: . ISBN/EAN: 9780719079726. All our pictures shown here are of the actual item, not stock photos. Inventory No: 26250. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right. …

Paperback. Condition: New.

Condition: New.

Condition: New. A fascinating reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain. The book's illuminating visual analysis and radical new interpretations of key contexts such as the Arts and Crafts Exhibition Society and the homes of William Morris call for a major reconsideration of the history of Victorian design. Series Editor(s): Breward, Christopher; Sherman, Bill. Series: Studies in Design and Material Culture. Num Pages: 264 pages, Illustrations, black & white|Illustrations, colour. BIC Classification: ACVN. Category: (G) General (US: Trade). Dimension: 210 x 149 x 18. Weight in Grams: 512. . 2010. paperback. . . . .…

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Condition: New. A fascinating reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain. The book's illuminating visual analysis and radical new interpretations of key contexts such as the Arts and Crafts Exhibition Society and the homes of William Morris call for a major reconsideration of the history of Victorian design. Series Editor(s): Breward, Christopher; Sherman, Bill. Series: Studies in Design and Material Culture. Num Pages: 264 pages, Illustrations, black & white|Illustrations, colour. BIC Classification: ACVN. Category: (G) General (US: Trade). Dimension: 210 x 149 x 18. Weight in Grams: 512. . 2010. paperback. . . . . Books ship from the US and Ireland.…

Taschenbuch. Condition: Neu. Neuware - In this groundbreaking reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain, Imogen Hart argues that a sophisticated mode of looking at decorative art developed in England during the second half of the nineteenth century.Bringing to light a significant number of little-known visual and textual sources, Arts and Crafts Objects insists that the history of British design between the 1830s and the 1910s is more complex and interwoven than concepts of clearly differentiated 'movements' allow for. Reinvesting the objects with the original importance ascribed to them by their makers and users, this book places furniture, metalwork, tiles, vases, chintzes, carpets, and wallpaper at the centre of a rigorous reassessment of the concept of 'Arts and Crafts'. The book offers radical new interpretations of the Arts and Crafts Exhibition Society and the homes of William Morris, alongside illuminating analyses of less familiar but equally rich contexts.…

Kartoniert / Broschiert. Condition: New. A fascinating reassessment of the conventional understanding of a cohesive Arts and Crafts movement in Britain. The book s illuminating visual analysis and radical new interpretations of key contexts such as the Arts and Crafts Exhibition Society and the .

Paperback. Condition: new. Paperback. A fascinating reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain. The book's illuminating visual analysis and radical new interpretations of key contexts such as the Arts and Crafts Exhibition Society and the homes of William Morris call for a major reconsideration of the history of Victorian design. -- . A fascinating reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain. The book's illuminating visual analysis and radical new interpretations of key contexts such as the Arts and Crafts Exhibition Society and the homes of William Morris call for a major reconsideration of the history of Victorian design. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: New. In this groundbreaking reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain, Imogen Hart argues that a sophisticated mode of looking at decorative art developed in England during the second half of the nineteenth century.Bringing to light a significant number of little-known visual and textual sources, Arts and Crafts Objects insists that the history of British design between the 1830s and the 1910s is more complex and interwoven than concepts of clearly differentiated 'movements' allow for. Reinvesting the objects with the original importance ascribed to them by their makers and users, this book places furniture, metalwork, tiles, vases, chintzes, carpets, and wallpaper at the centre of a rigorous reassessment of the concept of 'Arts and Crafts'. The book offers radical new interpretations of the Arts and Crafts Exhibition Society and the homes of William Morris, alongside illuminating analyses of less familiar but equally rich contexts.…

Soft cover. Condition: Good. Manchester University Press, 2010, 246 pp. Photos with Artifacts in it.