Arcades Project by Benjamin Walter (64 results)

Paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. "To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.…

Paperback. Condition: Good. "To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.…

paperback. Condition: Acceptable. Acceptable, Reading copy only, with writing/markings, bumps/creasing, and heavy wear. Standard-sized.

Paperback. Condition: Very Good. "To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback or Softback. Condition: New. Arcades Project P. Book.

Condition: New.

Trade Paperback. Condition: Good. First Thus. First Harvard University Press paperback edition 2002; fourth printing 2003. Stretching to top front edge and light corner wear to front cover. Clean, white unmarked pages; inked inscription on half title page. All Orders Shipped With Tracking And Delivery Confirmation Numbers.…

paperback. Condition: New. Condition Notes: New from the publisher.

Hardback. Condition: Fair. Focusing on the arcades of 19th-century Paris, the glass-roofed rows of shops, Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in 36 categories with descriptive rubrics such as "Fashion", "Boredom" or "Prostitution".…

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. META-CLASSIC: MONUMENTAL: FINE First Edition hardcover (Orig. 1999) Unstated First Printing, VERY GOOD handsomely-designed unpriced mylar-protected jacket BUT w/ significant (repaired) creasing at top-left front & 1.0" sq. chip missing at top-left front corner, NEW cover w/ library-durable navy-blue fabric wrapping spine & extending 2.36" onto front & back panels covered in slate-blue paper w/ a portrait of Walter Benjamin printed blue-on-blue on front panel, STRIKING "electric-blue" card-stock end-papers, EXCELLENT unblemished smooth-cut text-block exterior, NEW sewn binding w/ tight signatures, PRISTINE interior handsomely printed in Adobe Bethold Baskerville Book & Bodoni on 45-pound Glatfelter Offset Hi-Opaque paper * 6.86" x 10.18" x 2.12", 1.86 kg, xiv+1074 (1098) pp * ABOUT THE BOOK: "To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 & still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of 13 years: "the theater," as Benjamin called it, "of all my struggles & all my ideas." Focusing on the arcades of 19th-century Paris--glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, & reflections on, 100s of published sources, arranging them in 36 categories w/ descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," & "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age. "The Arcades Project" is Benjamin's effort to represent & to critique the bourgeois experience of 19th-century history, &, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street & interior merge & historical time is broken up into kaleidoscopic distractions & displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things. * HIGHEST PRAISE: "Quite simply, 'The Arcades Project' is one of the 20th-century's greatest efforts of historical comprehension, even in its fragmentary form. And the fragmentary form is in any case not untrue to Benjamin's over-all intentions. The book would surely have remained a palimpsest of quotations, for reasons Benjamin several times explains in his writings: the palimpsest is Benjamin's form, his own eccentric effort at totalization." -T.J. Clark, author of "Farewell to an Idea" * "More than half a century after it was composed, Walter Benjamin's fragmentary 'Arcades Project' still surpasses all other historiographic projects on the 19th-century & its capital, Paris. 'The Arcades Project' remains unequaled in the wealth of perspectives it offers, & no other study has come close to its methodological inventiveness or so exemplarily met its demand that history writing be reinvented for every topic & on every occasion. Benjamin's work is the most advanced, most complex, & most comprehensive study of the dominant motifs of the 19th century--motifs that continue to be critically important for us today." -Werner Hamacher, author of 'Premises' * SHIPPING: MNEMOSYNE carefully wraps, labels & custom-packages this fine book for FREE domestic shipment via USPS MEDIA MAIL or USPS PRIORITY MAIL for a below-cost additional fee & due to its weight to international destinations via postal-regulation-mandated USPS INTERNATIONAL PRIORITY AIRMAIL at nation-by-nation rates available on request. …

Paperback. Condition: new. Paperback. "To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: Fair. Focusing on the arcades of 19th-century Paris, the glass-roofed rows of shops, Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in 36 categories with descriptive rubrics such as "Fashion", "Boredom" or "Prostitution".…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: New. "To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.…

Condition: new.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: New. "To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.…

Condition: New. 2002. Third Printing. Paperback. This work is Benjamin's effort to represent and to critique the bourgeois experience of 19th century history. In it, he looks at 'les passage' of Paris, which he considered the most important architectural forms of the 19th century and which he linked with a number of phenomena characteristic of that century's preoccupations. Editor(s): Tiedemann, Rolf. Translator(s): McLaughlin, Kevin; Eiland, Howard. Num Pages: 1088 pages, 42 halftones. BIC Classification: 1D; 2AB; DNF; HBJD; HBLL. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 254 x 161 x 48. Weight in Grams: 1536. . . . . .…

Condition: New.

Paperback. Condition: New. Special order direct from the distributor.

Condition: As New. Unread book in perfect condition.

Paperback. pp. 1073. 8vo. Light shelfwear; very good.

Condition: New. 2002. Third Printing. Paperback. This work is Benjamin's effort to represent and to critique the bourgeois experience of 19th century history. In it, he looks at 'les passage' of Paris, which he considered the most important architectural forms of the 19th century and which he linked with a number of phenomena characteristic of that century's preoccupations. Editor(s): Tiedemann, Rolf. Translator(s): McLaughlin, Kevin; Eiland, Howard. Num Pages: 1088 pages, 42 halftones. BIC Classification: 1D; 2AB; DNF; HBJD; HBLL. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 254 x 161 x 48. Weight in Grams: 1536. . . . . . Books ship from the US and Ireland.…

Condition: New. In English.

paperback. Condition: New. Condition Notes: New from the publisher.