Capricious Llc (44 results)
- Softcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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£ 17.08
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Paperback. Condition: New. Tuesday or September or The End by Hannah Black is an incisive and playful work of speculative fiction that explores the rupture year of 2020, when aliens finally invaded. Hannah Black is an artist and writer from the UK. She lives in New York. She has written for a number of publications including The… New Inquiry, Artforum, and Bookforum. Her previous books include Dark Pool Party (2016) and Life (2017, with Juliana Huxtable). She is represented by the galleries Arcadia Missa in London and Isabella Bortolozzi in Berlin. Praise for Tuesday or September or the End: Tuesday or September or the End puts calendar time back into messianic time, and also the reverse. An account of the last two disorienting years in history, in our lives, this intimate and funny and abstract fiction uses fable, and unreality, to flood a reader with the real, to remind her what is at stake. - Rachel KushnerAllegory and satire, alert and conscious, Hannah Black's Tuesday or September or the End, is an existential novel. Narrative innocence is not the engine of this work; knowledge of life in the modern is. Bird and Dog, Black's wide awake and dreaming characters, are electric and wise. This novel is fluent in our dystopia and utopia. - Dionne BrandAn acid calendar of planetary rot and revolt, Hannah Black's new novel listens for that alien language of the future: total social transformation. Staging debates on communism and social democracy, or unraveling the double helix of race and capitalism, Black's calendar is one that breathes and breaks, figuring the temporal hiccups of revolution. Suddenly it's no longer endless winter and our narrator Bird, much like chirping in early spring, brings us to witness the reanimation of the world. - Greg NissanIn Tuesday or September or the End, we see ourselves battered by time, which isn't real, and chance, which is. But just as "the world resists its reduction to winter," Hannah Black's writing, in its passionate grasp of possibility, resists spiritual suicide. The book is deeply felt because the pain of attachment is close to its center and funny because life is currently absurd. But what I love most about it, reading its compact brilliant sentences in this sunless covid afternoon, is the way it makes an argument for clarity, which really can-partially, briefly, and when it matters most-sometimes be achieved. - Benjamin Krusling.
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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£ 19.90
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Paperback. Condition: New. Tuesday or September or The End by Hannah Black is an incisive and playful work of speculative fiction that explores the rupture year of 2020, when aliens finally invaded. Hannah Black is an artist and writer from the UK. She lives in New York. She has written for a number of publications including The… New Inquiry, Artforum, and Bookforum. Her previous books include Dark Pool Party (2016) and Life (2017, with Juliana Huxtable). She is represented by the galleries Arcadia Missa in London and Isabella Bortolozzi in Berlin. Praise for Tuesday or September or the End: Tuesday or September or the End puts calendar time back into messianic time, and also the reverse. An account of the last two disorienting years in history, in our lives, this intimate and funny and abstract fiction uses fable, and unreality, to flood a reader with the real, to remind her what is at stake. - Rachel KushnerAllegory and satire, alert and conscious, Hannah Black's Tuesday or September or the End, is an existential novel. Narrative innocence is not the engine of this work; knowledge of life in the modern is. Bird and Dog, Black's wide awake and dreaming characters, are electric and wise. This novel is fluent in our dystopia and utopia. - Dionne BrandAn acid calendar of planetary rot and revolt, Hannah Black's new novel listens for that alien language of the future: total social transformation. Staging debates on communism and social democracy, or unraveling the double helix of race and capitalism, Black's calendar is one that breathes and breaks, figuring the temporal hiccups of revolution. Suddenly it's no longer endless winter and our narrator Bird, much like chirping in early spring, brings us to witness the reanimation of the world. - Greg NissanIn Tuesday or September or the End, we see ourselves battered by time, which isn't real, and chance, which is. But just as "the world resists its reduction to winter," Hannah Black's writing, in its passionate grasp of possibility, resists spiritual suicide. The book is deeply felt because the pain of attachment is close to its center and funny because life is currently absurd. But what I love most about it, reading its compact brilliant sentences in this sunless covid afternoon, is the way it makes an argument for clarity, which really can-partially, briefly, and when it matters most-sometimes be achieved. - Benjamin Krusling.
- Softcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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£ 20.47
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Paperback. Condition: new. Paperback. Tuesday or September or The End by Hannah Black is an incisive and playful work of speculative fiction that explores the rupture year of 2020, when aliens finally invaded.Hannah Black is an artist and writer from the UK. She lives in New York. She has written for a number of publications inc…luding The New Inquiry, Artforum, and Bookforum. Her previous books include Dark Pool Party (2016) and Life (2017, with Juliana Huxtable). She is represented by the galleries Arcadia Missa in London and Isabella Bortolozzi in Berlin.Praise for Tuesday or September or the End: Tuesday or September or the End puts calendar time back into messianic time, and also the reverse. An account of the last two disorienting years in history, in our lives, this intimate and funny and abstract fiction uses fable, and unreality, to flood a reader with the real, to remind her what is at stake. Rachel KushnerAllegory and satire, alert and conscious, Hannah Blacks Tuesday or September or the End, is an existential novel. Narrative innocence is not the engine of this work; knowledge of life in the modern is. Bird and Dog, Blacks wide awake and dreaming characters, are electric and wise. This novel is fluent in our dystopia and utopia. Dionne BrandAn acid calendar of planetary rot and revolt, Hannah Blacks new novel listens for that alien language of the future: total social transformation. Staging debates on communism and social democracy, or unraveling the double helix of race and capitalism, Blacks calendar is one that breathes and breaks, figuring the temporal hiccups of revolution. Suddenly its no longer endless winter and our narrator Bird, much like chirping in early spring, brings us to witness the reanimation of the world. Greg NissanIn Tuesday or September or the End, we see ourselves battered by time, which isnt real, and chance, which is. But just as the world resists its reduction to winter, Hannah Blacks writing, in its passionate grasp of possibility, resists spiritual suicide. The book is deeply felt because the pain of attachment is close to its center and funny because life is currently absurd. But what I love most about it, reading its compact brilliant sentences in this sunless covid afternoon, is the way it makes an argument for clarity, which really canpartially, briefly, and when it matters mostsometimes be achieved. Benjamin Krusling Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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£ 40.16
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Paperback. Condition: new. Paperback. A dual catalogue and archival expose that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist, Julie Tolentino. The bo…ok also chronicles the unprecedented partnership amongst five New York City institutions. Exhibitions and programming of Cantors work were offered by 80WSWE, Maccarone, Foxy Productions, Participant Inc. , Electronic Arts Intermix (EAI), Skowhegan School of Painting, and MOMAhighlighting the lush, visionary, and audacious aspects of Cantors drawings, paintings, curatorial projects, sculpture, assemblage, video, film, and evocative writing. Another section features a reprint of an interview between Cantor and Cerith Wyn Evans, a conversation between Lia Gangitano/Jonathan Berger and Julie Tolentino/Pati Hertling, as well as archival material from Cantors diary entries and never-seen sketches from Cantors personal papers.LIST OF ARTISTS: PAINTING/SCULPTURE/PHOTOGRAPHS: Lynda Benglis, Judith Bernstein, Louise Bourgeois, Ellen Cantor, Patricia Cronin, Mary Beth Edelson, Nicole Eisenman, Nancy Fried, Nan Goldin, Nancy Grossman, Pnina Jalon, G. B. Jones, Doris Kloster, Joyce Kozloff, Zoe Leonard, Monica Majoli, Marilyn Minter, Alice Neel, Lorraine OGrady, Yoko Ono, Carolee Schneemann, Joan Semmel, Cindy Sherman, Nancy Spero, and Hannah WilkeVIDEO/FILM: Peggy Ahwesh, Maria Beatty, Lynda Benglis, Abigail Child, Cicciolina, Kate Dymond, Azian Nurudin, Barbara Hammer, Holly Hughes, Julia Kunin, Blush Productions, Annie Sprinkle, and Ona ZeePERFORMANCES: FlucT, luciana achugar, Kia Labeija, Xandra Ibarra/La Chica Boom, Zackary Drucker & Orlando Tirado, Jim Fletcher, Narcissister, niv Acosta, and Jen Rosenblit and their collaborators. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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£ 40.91
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Hardcover. Condition: new. Hardcover. A beautifully produced monograph on a rising star exploring postcolonialism and gender in photographyShortlisted for the Aperture-Paris Photo Photobook of the Year 2021, Hello Future is a culmination of Farah Al Qasimi's (born 1991) photographic, performance and film practice, unified within… her keen focus on surface and texture, and the revealing visual influences of the splashy and florid. Al Qasimi examines postcolonial structures of power, gender and aesthetics in the Persian Gulf states and global cultural confluence and migration at large. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: Used - As new
£ 39.95
£ 1.96 shippingShips within U.S.A.Quantity: 14 available
Condition: As New. Unread book in perfect condition.
- Hardcover
Seller: Sequitur Books, Boonsboro, MD, U.S.A.Sequitur Books
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Condition: Used - As new
£ 37.41
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hardcover. Condition: As New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. 224 pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.
- Softcover
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
Contact seller4-star sellerCondition: New
£ 39.64
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Condition: New.
- Softcover
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
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£ 36.69
£ 6.50 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Condition: New.
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
Contact seller5-star sellerCondition: New
£ 45.32
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Paperback. Condition: New. A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist, Julie Tolentino. The book also chr…onicles the unprecedented partnership amongst five New York City institutions. Exhibitions and programming of Cantor's work were offered by 80WSWE, Maccarone, Foxy Productions, Participant Inc. , Electronic Arts Intermix (EAI), Skowhegan School of Painting, and MOMA-highlighting the lush, visionary, and audacious aspects of Cantor's drawings, paintings, curatorial projects, sculpture, assemblage, video, film, and evocative writing. Another section features a reprint of an interview between Cantor and Cerith Wyn Evans, a conversation between Lia Gangitano/Jonathan Berger and Julie Tolentino/Pati Hertling, as well as archival material from Cantor's diary entries and never-seen sketches from Cantor's personal papers. LIST OF ARTISTS: PAINTING/SCULPTURE/PHOTOGRAPHS: Lynda Benglis, Judith Bernstein, Louise Bourgeois, Ellen Cantor, Patricia Cronin, Mary Beth Edelson, Nicole Eisenman, Nancy Fried, Nan Goldin, Nancy Grossman, Pnina Jalon, G. B. Jones, Doris Kloster, Joyce Kozloff, Zoe Leonard, Monica Majoli, Marilyn Minter, Alice Neel, Lorraine O'Grady, Yoko Ono, Carolee Schneemann, Joan Semmel, Cindy Sherman, Nancy Spero, and Hannah WilkeVIDEO/FILM: Peggy Ahwesh, Maria Beatty, Lynda Benglis, Abigail Child, Cicciolina, Kate Dymond, Azian Nurudin, Barbara Hammer, Holly Hughes, Julia Kunin, Blush Productions, Annie Sprinkle, and Ona ZeePERFORMANCES: FlucT, luciana achugar, Kia Labeija, Xandra Ibarra/La Chica Boom, Zackary Drucker and Orlando Tirado, Jim Fletcher, Narcissister, niv Acosta, and Jen Rosenblit and their collaborators.
- Hardcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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£ 46.77
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Hardcover. Condition: new. Hardcover. High Tails is an eclectic volume of photography celebrating horses and commemorating Capricious tenth anniversary in publishing and supporting emerging and underrepresented artists . High Tails is a 250+ page book of photographyincluding iconic images of horses throughout the 20th century al…ongside work from contemporary and emerging photographers. Featuring the work of over 80 artists including Dorothea Lange, Robert Mapplethorpe, Nan Goldin, Helmut Newton, Richard Prince, Viviane Sassen, Petra Collins, Collier Schorr and Ryan McGinley. High Tails is an eclectic volume of photography celebrating horses and commemorating Capricious' 10th anniversary in publishing and supporting emerging and underrepresented artists. Including Dorothea Lange, Robert Mapplethorpe, Nan Goldin, Helmut Newton, Richard Prince, Viviane Sassen, Petra Collins, Collier Schorr and Ryan McGinley. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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£ 44.76
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Condition: New.
- Hardcover
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
Contact seller4-star sellerCondition: New
£ 42.78
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Condition: New.
- Hardcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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£ 50.18
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Hardback. Condition: New. High Tails is an eclectic volume of photography celebrating horses and commemorating Capricious' tenth anniversary in publishing and supporting emerging and underrepresented artists . High Tails is a 250+ page book of photography-including iconic images of horses throughout the 20th century alongside wo…rk from contemporary and emerging photographers. Featuring the work of over 80 artists including Dorothea Lange, Robert Mapplethorpe, Nan Goldin, Helmut Newton, Richard Prince, Viviane Sassen, Petra Collins, Collier Schorr and Ryan McGinley.
- Softcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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£ 50.98
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Paperback. Condition: new. Paperback. a slight cast down at the edges of the lips brings together work from the last decade of Katherine Hubbards prolific practice, which intertwines analogue photography, writing, and live performance. Reproductions of exhibited prints, a selection of new photographs, and images created from wit…hin her performances are gathered here, along with four of the artists original written works. This publication marks the first occasion for Hubbards photographs and writings-for-performance to exist on the same scale, that of the book. co-editor, Corrine FitzpatrickThe book is accompanied by a poster with a full-scale detail reproduction of Katherine Hubbard's rip stop weave artwork, printed on glossy tissue paper. Additional contributions by Zoe Leonard, Monica de la Torre, Elisabeth Sherman, and Lynne Tillman. Edited by Corrine Fitzpatrick and Lara Mimosa Montes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
Contact seller5-star sellerCondition: New
£ 51.91
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Paperback. Condition: New. "a slight cast down at the edges of the lips brings together work from the last decade of Katherine Hubbard's prolific practice, which intertwines analogue photography, writing, and live performance. Reproductions of exhibited prints, a selection of new photographs, and images created from within her p…erformances are gathered here, along with four of the artist's original written works. This publication marks the first occasion for Hubbard's photographs and writings-for-performance to exist on the same scale, that of the book. "- co-editor, Corrine FitzpatrickThe book is accompanied by a poster with a full-scale detail reproduction of Katherine Hubbard's rip stop weave artwork, printed on glossy tissue paper. Additional contributions by Zoe Leonard, Mónica de la Torre, Elisabeth Sherman, and Lynne Tillman. Edited by Corrine Fitzpatrick and Lara Mimosa Montes.
- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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£ 39.24
£ 15.00 shippingShips from United Kingdom to U.S.A.Quantity: 14 available
Condition: New.
- Softcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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£ 17.89
£ 37.06 shippingShips within U.S.A.Quantity: 2 available
Paperback. Condition: New. Tuesday or September or The End by Hannah Black is an incisive and playful work of speculative fiction that explores the rupture year of 2020, when aliens finally invaded. Hannah Black is an artist and writer from the UK. She lives in New York. She has written for a number of publications including The… New Inquiry, Artforum, and Bookforum. Her previous books include Dark Pool Party (2016) and Life (2017, with Juliana Huxtable). She is represented by the galleries Arcadia Missa in London and Isabella Bortolozzi in Berlin. Praise for Tuesday or September or the End: Tuesday or September or the End puts calendar time back into messianic time, and also the reverse. An account of the last two disorienting years in history, in our lives, this intimate and funny and abstract fiction uses fable, and unreality, to flood a reader with the real, to remind her what is at stake. - Rachel KushnerAllegory and satire, alert and conscious, Hannah Black's Tuesday or September or the End, is an existential novel. Narrative innocence is not the engine of this work; knowledge of life in the modern is. Bird and Dog, Black's wide awake and dreaming characters, are electric and wise. This novel is fluent in our dystopia and utopia. - Dionne BrandAn acid calendar of planetary rot and revolt, Hannah Black's new novel listens for that alien language of the future: total social transformation. Staging debates on communism and social democracy, or unraveling the double helix of race and capitalism, Black's calendar is one that breathes and breaks, figuring the temporal hiccups of revolution. Suddenly it's no longer endless winter and our narrator Bird, much like chirping in early spring, brings us to witness the reanimation of the world. - Greg NissanIn Tuesday or September or the End, we see ourselves battered by time, which isn't real, and chance, which is. But just as "the world resists its reduction to winter," Hannah Black's writing, in its passionate grasp of possibility, resists spiritual suicide. The book is deeply felt because the pain of attachment is close to its center and funny because life is currently absurd. But what I love most about it, reading its compact brilliant sentences in this sunless covid afternoon, is the way it makes an argument for clarity, which really can-partially, briefly, and when it matters most-sometimes be achieved. - Benjamin Krusling.
- Hardcover
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
Contact seller4-star sellerCondition: New
£ 55.55
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Condition: New.
- Hardcover
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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£ 51.12
£ 8.51 shippingShips from Germany to U.S.A.Quantity: 3 available
Condition: New.
- Softcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
Contact seller5-star sellerCondition: New
£ 38.79
£ 20.41 shippingShips from United Kingdom to U.S.A.Quantity: 5 available
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
- Hardcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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£ 45.47
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Hardback. Condition: New.
- Softcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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£ 57.18
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Condition: New.
Published by Capricious LLC, 2026
- Softcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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£ 41.22
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Paperback. Condition: new. Paperback. Set within the contexts of colonial history and religious syncretism, Transito is a lush study on transformation and resistanceMexican photographer Roberto Tondopo's (born 1978) Transito is a photographic exploration of grief, ritual and identity. This photobook connects the death of Tondopo…'s father, Transito, with the artist's participation in the Chunta, a local festival where men dress as women in honor of Saint Sebastian. By becoming a Chunta, Tondopo pays tribute to his father and reflects on how mourning can prompt personal and cultural transformation. The Fiesta Grande embodies both tradition and contradiction: a deeply conservative community embracing a public ritual of gender fluidity. This tension serves as a point of departure for the project's broader interrogation of identity, focusing on the instability of fixed categories such as masculinity, sexuality and national heritage. The book's special features include a Japanese top-folded interior as well as a tipped-in sticker. 208 pages, Japanese fold. Cover with tipped on photo in three variants. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
Contact seller5-star sellerCondition: New
£ 46.73
£ 18.75 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
£ 53.20
£ 12.50 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paperback. Condition: Brand New. 203 pages. 7.50x9.50x0.51 inches. In Stock.
- Softcover
Seller: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contact seller5-star sellerCondition: New
£ 41.86
£ 27.43 shippingShips from Australia to U.S.A.Quantity: 1 available
Paperback. Condition: new. Paperback. Tuesday or September or The End by Hannah Black is an incisive and playful work of speculative fiction that explores the rupture year of 2020, when aliens finally invaded.Hannah Black is an artist and writer from the UK. She lives in New York. She has written for a number of publications inc…luding The New Inquiry, Artforum, and Bookforum. Her previous books include Dark Pool Party (2016) and Life (2017, with Juliana Huxtable). She is represented by the galleries Arcadia Missa in London and Isabella Bortolozzi in Berlin.Praise for Tuesday or September or the End: Tuesday or September or the End puts calendar time back into messianic time, and also the reverse. An account of the last two disorienting years in history, in our lives, this intimate and funny and abstract fiction uses fable, and unreality, to flood a reader with the real, to remind her what is at stake. Rachel KushnerAllegory and satire, alert and conscious, Hannah Blacks Tuesday or September or the End, is an existential novel. Narrative innocence is not the engine of this work; knowledge of life in the modern is. Bird and Dog, Blacks wide awake and dreaming characters, are electric and wise. This novel is fluent in our dystopia and utopia. Dionne BrandAn acid calendar of planetary rot and revolt, Hannah Blacks new novel listens for that alien language of the future: total social transformation. Staging debates on communism and social democracy, or unraveling the double helix of race and capitalism, Blacks calendar is one that breathes and breaks, figuring the temporal hiccups of revolution. Suddenly its no longer endless winter and our narrator Bird, much like chirping in early spring, brings us to witness the reanimation of the world. Greg NissanIn Tuesday or September or the End, we see ourselves battered by time, which isnt real, and chance, which is. But just as the world resists its reduction to winter, Hannah Blacks writing, in its passionate grasp of possibility, resists spiritual suicide. The book is deeply felt because the pain of attachment is close to its center and funny because life is currently absurd. But what I love most about it, reading its compact brilliant sentences in this sunless covid afternoon, is the way it makes an argument for clarity, which really canpartially, briefly, and when it matters mostsometimes be achieved. Benjamin Krusling Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- Hardcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
Contact seller5-star sellerCondition: New
£ 49.39
£ 20.15 shippingShips from United Kingdom to U.S.A.Quantity: 4 available
Hardback. Condition: New. New copy - Usually dispatched within 4 working days.
- Softcover
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
Contact seller5-star sellerCondition: New
£ 69.63
£ 7.78 shippingShips within U.S.A.Quantity: Over 20 available
Condition: New.
- Softcover
Seller: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contact seller5-star sellerCondition: New
£ 54.89
£ 27.43 shippingShips from Australia to U.S.A.Quantity: 1 available
Paperback. Condition: new. Paperback. A dual catalogue and archival expose that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist, Julie Tolentino. The bo…ok also chronicles the unprecedented partnership amongst five New York City institutions. Exhibitions and programming of Cantors work were offered by 80WSWE, Maccarone, Foxy Productions, Participant Inc. , Electronic Arts Intermix (EAI), Skowhegan School of Painting, and MOMAhighlighting the lush, visionary, and audacious aspects of Cantors drawings, paintings, curatorial projects, sculpture, assemblage, video, film, and evocative writing. Another section features a reprint of an interview between Cantor and Cerith Wyn Evans, a conversation between Lia Gangitano/Jonathan Berger and Julie Tolentino/Pati Hertling, as well as archival material from Cantors diary entries and never-seen sketches from Cantors personal papers.LIST OF ARTISTS: PAINTING/SCULPTURE/PHOTOGRAPHS: Lynda Benglis, Judith Bernstein, Louise Bourgeois, Ellen Cantor, Patricia Cronin, Mary Beth Edelson, Nicole Eisenman, Nancy Fried, Nan Goldin, Nancy Grossman, Pnina Jalon, G. B. Jones, Doris Kloster, Joyce Kozloff, Zoe Leonard, Monica Majoli, Marilyn Minter, Alice Neel, Lorraine OGrady, Yoko Ono, Carolee Schneemann, Joan Semmel, Cindy Sherman, Nancy Spero, and Hannah WilkeVIDEO/FILM: Peggy Ahwesh, Maria Beatty, Lynda Benglis, Abigail Child, Cicciolina, Kate Dymond, Azian Nurudin, Barbara Hammer, Holly Hughes, Julia Kunin, Blush Productions, Annie Sprinkle, and Ona ZeePERFORMANCES: FlucT, luciana achugar, Kia Labeija, Xandra Ibarra/La Chica Boom, Zackary Drucker & Orlando Tirado, Jim Fletcher, Narcissister, niv Acosta, and Jen Rosenblit and their collaborators. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
