Isbn: 9783035802481 - "the Human Face" and Other Writings on His Drawings (25 results)

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Paperback. Condition: New. The first comprehensive collection in English of Antonin Artaud's writings on his artworks. The many major exhibitions of Antonin Artaud's drawings and drawn notebook pages in recent years-at New York's Museum of Modern Art, Vienna's Museum Moderner Kunst, and Paris's Centre Georges Pompidou-have entirely transformed our perception of his work, reorienting it toward the artworks of his final years. This volume collects all three of Artaud's major writings on his artworks. "The Human Face" (1947) was written as the catalog text for Artaud's only gallery exhibition of his drawings during his lifetime, focusing on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. "Ten years that language is gone" (1947) examines the drawings Artaud made in his notebooks-his main creative medium at the end of his life-and their capacity to electrify his creativity when language failed him. "50 Drawings to assassinate magic" (1948), the residue of an abandoned book of Artaud's drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together, these three extraordinary texts-pitched between writing and image-project Artaud's ferocious engagement with the act of drawing.…

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Paperback. Condition: new. Paperback. The first comprehensive collection in English of Antonin Artauds writings on his artworks. The many major exhibitions of Antonin Artauds drawings and drawn notebook pages in recent yearsat New Yorks Museum of Modern Art, Viennas Museum Moderner Kunst, and Pariss Centre Georges Pompidouhave entirely transformed our perception of his work, reorienting it toward the artworks of his final years. This volume collects all three of Artauds major writings on his artworks. The Human Face (1947) was written as the catalog text for Artauds only gallery exhibition of his drawings during his lifetime, focusing on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. Ten years that language is gone (1947) examines the drawings Artaud made in his notebookshis main creative medium at the end of his lifeand their capacity to electrify his creativity when language failed him. 50 Drawings to assassinate magic (1948), the residue of an abandoned book of Artauds drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together, these three extraordinary textspitched between writing and imageproject Artauds ferocious engagement with the act of drawing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Condition: New. The first comprehensive collection in English of Antonin Artaud's writings on his artworks. The many major exhibitions of Antonin Artaud's drawings and drawn notebook pages in recent years-at New York's Museum of Modern Art, Vienna's Museum Moderner Kunst, and Paris's Centre Georges Pompidou-have entirely transformed our perception of his work, reorienting it toward the artworks of his final years. This volume collects all three of Artaud's major writings on his artworks. "The Human Face" (1947) was written as the catalog text for Artaud's only gallery exhibition of his drawings during his lifetime, focusing on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. "Ten years that language is gone" (1947) examines the drawings Artaud made in his notebooks-his main creative medium at the end of his life-and their capacity to electrify his creativity when language failed him. "50 Drawings to assassinate magic" (1948), the residue of an abandoned book of Artaud's drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together, these three extraordinary texts-pitched between writing and image-project Artaud's ferocious engagement with the act of drawing.…

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Paperback. Condition: new. Paperback. The first comprehensive collection in English of Antonin Artauds writings on his artworks. The many major exhibitions of Antonin Artauds drawings and drawn notebook pages in recent yearsat New Yorks Museum of Modern Art, Viennas Museum Moderner Kunst, and Pariss Centre Georges Pompidouhave entirely transformed our perception of his work, reorienting it toward the artworks of his final years. This volume collects all three of Artauds major writings on his artworks. The Human Face (1947) was written as the catalog text for Artauds only gallery exhibition of his drawings during his lifetime, focusing on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. Ten years that language is gone (1947) examines the drawings Artaud made in his notebookshis main creative medium at the end of his lifeand their capacity to electrify his creativity when language failed him. 50 Drawings to assassinate magic (1948), the residue of an abandoned book of Artauds drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together, these three extraordinary textspitched between writing and imageproject Artauds ferocious engagement with the act of drawing. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Paperback. Condition: New. The first comprehensive collection in English of Antonin Artaud's writings on his artworks. The many major exhibitions of Antonin Artaud's drawings and drawn notebook pages in recent years-at New York's Museum of Modern Art, Vienna's Museum Moderner Kunst, and Paris's Centre Georges Pompidou-have entirely transformed our perception of his work, reorienting it toward the artworks of his final years. This volume collects all three of Artaud's major writings on his artworks. "The Human Face" (1947) was written as the catalog text for Artaud's only gallery exhibition of his drawings during his lifetime, focusing on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. "Ten years that language is gone" (1947) examines the drawings Artaud made in his notebooks-his main creative medium at the end of his life-and their capacity to electrify his creativity when language failed him. "50 Drawings to assassinate magic" (1948), the residue of an abandoned book of Artaud's drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together, these three extraordinary texts-pitched between writing and image-project Artaud's ferocious engagement with the act of drawing.…

Taschenbuch. Condition: Neu. Neuware - The many major exhibitions of Antonin Artaud's drawings and drawn notebook pages in recent years-at New York's Museum of Modern Art, Vienna's Museum moderner Kunst (mumok), and Paris's Centre Georges Pompidou-have entirely transformed perceptions of the artits's work, reorienting it towards the artworks of his final years. This volume collects all three of Artaud's major writings on his artworks, undertaken during the same era as his essay on the work of Van Gogh, 'the man suicided by society.' All three texts form intensive anatomical explorations and reconfigurations. Artaud's drawings oscillate between facial portraits and fragmentary arenas of corporeal contestation. 'The Human Face' (1947) was written as the catalogue text for Artaud's one and only gallery exhibition of his drawings during his lifetime, and focuses on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. 'Ten years that language is gone' (1947) examines the drawings Artaud made in his not Elektronisches Buch-his main creative medium at the end of his life-and their capacity to spark his creativity when language failed him. '50 Drawings to assassinate magic' (1948), the residue of an abandoned book of Artaud's drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together these three extraordinary texts-pitched between writing and image-project Artaud's ferocious engagement with the act of drawing.…

Taschenbuch. Condition: Neu. The Human Face and Other Writings on His Drawings | Antonin Artaud | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2022 | diaphanes | EAN 9783035802481 | Verantwortliche Person für die EU: Prolit, Siemensstr. 16, 35463 Fernwald, service[at]prolit[dot]de | Anbieter: preigu.…

Paperback. Condition: New. The first comprehensive collection in English of Antonin Artaud's writings on his artworks. The many major exhibitions of Antonin Artaud's drawings and drawn notebook pages in recent years-at New York's Museum of Modern Art, Vienna's Museum Moderner Kunst, and Paris's Centre Georges Pompidou-have entirely transformed our perception of his work, reorienting it toward the artworks of his final years. This volume collects all three of Artaud's major writings on his artworks. "The Human Face" (1947) was written as the catalog text for Artaud's only gallery exhibition of his drawings during his lifetime, focusing on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. "Ten years that language is gone" (1947) examines the drawings Artaud made in his notebooks-his main creative medium at the end of his life-and their capacity to electrify his creativity when language failed him. "50 Drawings to assassinate magic" (1948), the residue of an abandoned book of Artaud's drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together, these three extraordinary texts-pitched between writing and image-project Artaud's ferocious engagement with the act of drawing.…