Isbn: 9781588398024 - Man Ray: When Objects Dream (38 results)

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Hardback or Cased Book. Condition: New. Man Ray: When Objects Dream. Book.

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Hardcover. Condition: new. Hardcover. The first in-depth study of Man Ray's groundbreaking rayographs of the 1920s and their interconnections with his Dada and Surrealist works Man Ray (18901976) worked in a range of media, but central to his practice was the rayograph, a type of photogram (or camera-less photograph) that he revolutionized and introduced into the Dada and Surrealist milieu of 1920s Paris. Oscillating between representation and abstraction, painting and photography, the rayograph was ambiguous in its making and subject matter, epitomizing avant-garde concerns of the day. This richly illustrated book is the first to look at Man Ray's work through the lens of his eponymous process, tracing a through line from the rayographs to his paintings, photographs, drawings, objects, and films, and highlighting the interconnections and shared motifs among them. Stephanie D'Alessandro and Stephen C. Pinson analyze Man Ray's innovative methods while also exploring key themes across his art production, such as chance, indeterminacy, transformation, and the dualities of solid and transparent, shadow and light, form and space, and object and body. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (September 14, 2025February 1, 2026) Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New. The first in-depth study of Man Ray's groundbreaking rayographs of the 1920s and their interconnections with his Dada and Surrealist works   This is the first in-depth study of the rayograph (or camera-less photograph) pioneered by Man Ray (1890-1976) in 1920s Paris, between the Dada and Surrealist movements. The transformative, magical qualities of these experiments led the poet Tristan Tzara to describe them as capturing moments "when objects dream." Oscillating between representation and abstraction, the rayograph was ambiguous in its making and subject matter, encapsulating avant-garde concerns of the day. This book highlights connections and shared motifs between the rayographs and Man Ray's paintings, photographs, drawings, objects, and films. Stephanie D'Alessandro and Stephen C. Pinson analyze the artist's innovative methods while also exploring key themes across a broad range of his art production, such as chance, indeterminacy, transformation, and preoccupation with dualities.   Published by The Metropolitan Museum of Art/Distributed by Yale University Press  Exhibition Schedule:  The Metropolitan Museum of Art, New York (September 14, 2025-February 1, 2026). …

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D'Alessandro, Stephanie. MAN RAY: When Objects Dream. 320 pages, including 270 color plates. 4to, cloth. New York, The Metropolitan Museum of Art, 2025. The first in-depth study of Man Ray's groundbreaking rayographs of the 1920s and their interconnections with his Dada and Surrealist works.

Hardback. Condition: New. The first in-depth study of Man Ray's groundbreaking rayographs of the 1920s and their interconnections with his Dada and Surrealist works   This is the first in-depth study of the rayograph (or camera-less photograph) pioneered by Man Ray (1890-1976) in 1920s Paris, between the Dada and Surrealist movements. The transformative, magical qualities of these experiments led the poet Tristan Tzara to describe them as capturing moments "when objects dream." Oscillating between representation and abstraction, the rayograph was ambiguous in its making and subject matter, encapsulating avant-garde concerns of the day. This book highlights connections and shared motifs between the rayographs and Man Ray's paintings, photographs, drawings, objects, and films. Stephanie D'Alessandro and Stephen C. Pinson analyze the artist's innovative methods while also exploring key themes across a broad range of his art production, such as chance, indeterminacy, transformation, and preoccupation with dualities.   Published by The Metropolitan Museum of Art/Distributed by Yale University Press  Exhibition Schedule:  The Metropolitan Museum of Art, New York (September 14, 2025-February 1, 2026). …

Hardcover. Condition: Brand New. 320 pages. 10.00x9.00x100.00 inches. In Stock.

Condition: New. In English.

Condition: New.

Hardcover. Condition: Brand New. 320 pages. 10.00x9.00x100.00 inches. In Stock.

Hardcover. Condition: Brand New. 320 pages. 10.00x9.00x100.00 inches. In Stock.

Hardcover. Condition: new. Hardcover. The first in-depth study of Man Ray's groundbreaking rayographs of the 1920s and their interconnections with his Dada and Surrealist works Man Ray (18901976) worked in a range of media, but central to his practice was the rayograph, a type of photogram (or camera-less photograph) that he revolutionized and introduced into the Dada and Surrealist milieu of 1920s Paris. Oscillating between representation and abstraction, painting and photography, the rayograph was ambiguous in its making and subject matter, epitomizing avant-garde concerns of the day. This richly illustrated book is the first to look at Man Ray's work through the lens of his eponymous process, tracing a through line from the rayographs to his paintings, photographs, drawings, objects, and films, and highlighting the interconnections and shared motifs among them. Stephanie D'Alessandro and Stephen C. Pinson analyze Man Ray's innovative methods while also exploring key themes across his art production, such as chance, indeterminacy, transformation, and the dualities of solid and transparent, shadow and light, form and space, and object and body. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (September 14, 2025February 1, 2026) Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condition: New. The first in-depth study of Man Ray's groundbreaking rayographs of the 1920s and their interconnections with his Dada and Surrealist works   This is the first in-depth study of the rayograph (or camera-less photograph) pioneered by Man Ray (1890-1976) in 1920s Paris, between the Dada and Surrealist movements. The transformative, magical qualities of these experiments led the poet Tristan Tzara to describe them as capturing moments "when objects dream." Oscillating between representation and abstraction, the rayograph was ambiguous in its making and subject matter, encapsulating avant-garde concerns of the day. This book highlights connections and shared motifs between the rayographs and Man Ray's paintings, photographs, drawings, objects, and films. Stephanie D'Alessandro and Stephen C. Pinson analyze the artist's innovative methods while also exploring key themes across a broad range of his art production, such as chance, indeterminacy, transformation, and preoccupation with dualities.   Published by The Metropolitan Museum of Art/Distributed by Yale University Press  Exhibition Schedule:  The Metropolitan Museum of Art, New York (September 14, 2025-February 1, 2026). …

Condition: NEW.

Condition: New.

Hardcover. Condition: new. Hardcover. The first in-depth study of Man Ray's groundbreaking rayographs of the 1920s and their interconnections with his Dada and Surrealist works Man Ray (18901976) worked in a range of media, but central to his practice was the rayograph, a type of photogram (or camera-less photograph) that he revolutionized and introduced into the Dada and Surrealist milieu of 1920s Paris. Oscillating between representation and abstraction, painting and photography, the rayograph was ambiguous in its making and subject matter, epitomizing avant-garde concerns of the day. This richly illustrated book is the first to look at Man Ray's work through the lens of his eponymous process, tracing a through line from the rayographs to his paintings, photographs, drawings, objects, and films, and highlighting the interconnections and shared motifs among them. Stephanie D'Alessandro and Stephen C. Pinson analyze Man Ray's innovative methods while also exploring key themes across his art production, such as chance, indeterminacy, transformation, and the dualities of solid and transparent, shadow and light, form and space, and object and body. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (September 14, 2025February 1, 2026) Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…