Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: Greenworld Books, Arlington, TX, U.S.A.
Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.
Language: English
Published by Duke University Press Books, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, U.S.A.
Paperback. Condition: As New. Still shrinkwrapped; Sign, Storage, Transmission; 8vo 8" - 9" tall; 320 pages.
Language: English
Published by Duke University Press, US, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador DalÍ, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how DalÍ conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media.
Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Language: English
Published by MD - Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
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Language: English
Published by Duke University Press 1/21/2022, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. Horn, or The Counterside of Media. Book.
Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
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Language: English
Published by Duke University Press, North Carolina, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador Dali, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how Dali conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media. Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dali to Walter Benjamin, who each explore the interplay between tactility and technological and biological surfaces. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
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Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 308 pages. 9.25x6.25x0.75 inches. In Stock.
Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
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Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
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Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
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Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
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Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
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Language: English
Published by Duke University Press Books 2022-02-25, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
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Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
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Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: Books Puddle, New York, NY, U.S.A.
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Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 308 pages. 9.25x6.25x0.75 inches. In Stock.
Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: Speedyhen, Hertfordshire, United Kingdom
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Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: moluna, Greven, Germany
Condition: New. Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dali to Walter Benjamin, who each explore the interplay between tactility and technological and biological .
Language: English
Published by Duke University Press, North Carolina, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador Dali, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how Dali conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media. Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dali to Walter Benjamin, who each explore the interplay between tactility and technological and biological surfaces. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: preigu, Osnabrück, Germany
Taschenbuch. Condition: Neu. Horn, or The Counterside of Media | Henning Schmidgen | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2022 | Duke University Press | EAN 9781478017721 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.
Language: English
Published by Duke University Press, US, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador DalÍ, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how DalÍ conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media.
Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
£ 24.40
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Add to basketPaperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 522.
Language: English
Published by Duke University Press Jan 2022, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of 'horn'-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador DalÍ, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how DalÍ conceived of images as tactile entities during his 'rhinoceros phase' or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media. 318 pp. Englisch.
Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. PRINT ON DEMAND.
Language: English
Published by Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of 'horn'-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador DalÍ, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how DalÍ conceived of images as tactile entities during his 'rhinoceros phase' or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media.