Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
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Language: English
Published by Duke University Press 9/17/2021, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
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Paperback or Softback. Condition: New. A Fictional Commons: Natsume Soseki and the Properties of Modern Literature. Book.
Language: English
Published by MD - Duke University Press, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
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Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
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Condition: New. pp. 236.
Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
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Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
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Paperback. Condition: Brand New. 248 pages. 9.00x6.00x0.47 inches. In Stock. This item is printed on demand.
Language: English
Published by Duke University Press Sep 2021, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume S seki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For S seki, literature was a means for thinking through-and beyond-private property. Bourdaghs puts S seki into dialogue with thinkers from his own era (including William James and Mizuno Rentar , author of Japan's first copyright law) and discusses how his work anticipates such theorists as Karatani K jin and Franco Moretti. As Bourdaghs shows, S seki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism. 236 pp. Englisch.
Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. PRINT ON DEMAND pp. 236.
Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
Seller: moluna, Greven, Germany
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Michael K. Bourdaghs presents a radical reframing of the works of Natsume Soseki-widely considered to be Japan s greatest modern novelist-as critical and creative responses to the emergence of new forms of property ownership in nineteenth-century Japan.
Language: English
Published by Duke University Press, 2021
ISBN 10: 1478014628 ISBN 13: 9781478014621
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume S seki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For S seki, literature was a means for thinking through-and beyond-private property. Bourdaghs puts S seki into dialogue with thinkers from his own era (including William James and Mizuno Rentar , author of Japan's first copyright law) and discusses how his work anticipates such theorists as Karatani K jin and Franco Moretti. As Bourdaghs shows, S seki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism.