ISBN: 9781032082608 - Einstein on the Beach: Opera Beyond Drama (ashgate Interdisciplinary Studies in Opera) (21 results)

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  • Language: English

    Published by Routledge 2021-08-02, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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  • Language: English

    Published by Routledge, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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  • Language: English

    Published by Routledge, 2021

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    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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  • Language: English

    Published by Routledge, 2021

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  • Language: English

    Published by Routledge, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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  • Language: English

    Published by Taylor & Francis Ltd, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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  • Language: English

    Published by Routledge, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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  • Language: English

    Published by Routledge, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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  • Language: English

    Published by Routledge, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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  • Language: English

    Published by Taylor and Francis Ltd, GB, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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    Paperback. Condition: New. Philip Glass and Robert Wilson's most celebrated collaboration, the landmark opera Einstein on the Beach, had its premiere at the Avignon Festival in 1976. During its initial European tour, Metropolitan Opera premiere, and revivals in 1984 and 1992, Einstein provoked opposed reactions from both audiences and critics. Today, Einstein is well on the way itself to becoming a canonized avant-garde work, and it is widely acknowledged as a profoundly significant moment in the history of opera or musical theater. Einstein created waves that for many years crashed against the shores of traditional thinking concerning the nature and creative potential of audiovisual expression. Reaching beyond opera, its influence was felt in audiovisual culture in general: in contemporary avant-garde music, performance art, avant-garde cinema, popular film, popular music, advertising, dance, theater, and many other expressive, commercial, and cultural spheres. Inspired by the 2012-2015 series of performances that re-contextualized this unique work as part of the present-day nexus of theoretical, political, and social concerns, the editors and contributors of this book take these new performances as a pretext for far-reaching interdisciplinary reflection and dialogue. Essays range from those that focus on the human scale and agencies involved in productions to the mechanical and post-human character of the opera's expressive substance. A further valuable dimension is the inclusion of material taken from several recent interviews with creative collaborators Philip Glass, Robert Wilson, and Lucinda Childs, each of these sections comprising knee plays, or short intermezzo sections resembling those found in the opera Einstein on the Beach itself. The book additionally features a foreword written by the influential musicologist and cultural theorist Susan McClary and an interview with film and theater luminary Peter Greenaway, as well as a short chapter of reminiscences written by the singer-songwriter Suzanne Vega.…

  • Language: English

    Published by Routledge, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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  • Language: English

    Published by Routledge, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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  • Language: English

    Published by Routledge, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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  • Language: English

    Published by Routledge, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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  • Language: English

    Published by Routledge, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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    Language: English

    Published by Routledge, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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    Taschenbuch. Condition: Neu. Einstein on the Beach | Opera beyond Drama | Jelena Novak (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2021 | Routledge | EAN 9781032082608 | Verantwortliche Person für die EU: Taylor and Francis, Taylor & Francis Verlag Gmbh, Kaufingerstr 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu.…

  • Language: English

    Published by Taylor and Francis Ltd, GB, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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    Paperback. Condition: New. Philip Glass and Robert Wilson's most celebrated collaboration, the landmark opera Einstein on the Beach, had its premiere at the Avignon Festival in 1976. During its initial European tour, Metropolitan Opera premiere, and revivals in 1984 and 1992, Einstein provoked opposed reactions from both audiences and critics. Today, Einstein is well on the way itself to becoming a canonized avant-garde work, and it is widely acknowledged as a profoundly significant moment in the history of opera or musical theater. Einstein created waves that for many years crashed against the shores of traditional thinking concerning the nature and creative potential of audiovisual expression. Reaching beyond opera, its influence was felt in audiovisual culture in general: in contemporary avant-garde music, performance art, avant-garde cinema, popular film, popular music, advertising, dance, theater, and many other expressive, commercial, and cultural spheres. Inspired by the 2012-2015 series of performances that re-contextualized this unique work as part of the present-day nexus of theoretical, political, and social concerns, the editors and contributors of this book take these new performances as a pretext for far-reaching interdisciplinary reflection and dialogue. Essays range from those that focus on the human scale and agencies involved in productions to the mechanical and post-human character of the opera's expressive substance. A further valuable dimension is the inclusion of material taken from several recent interviews with creative collaborators Philip Glass, Robert Wilson, and Lucinda Childs, each of these sections comprising knee plays, or short intermezzo sections resembling those found in the opera Einstein on the Beach itself. The book additionally features a foreword written by the influential musicologist and cultural theorist Susan McClary and an interview with film and theater luminary Peter Greenaway, as well as a short chapter of reminiscences written by the singer-songwriter Suzanne Vega.…

  • Language: English

    Published by Routledge Aug 2021, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

    • Softcover

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    Taschenbuch. Condition: Neu. Neuware -Philip Glass and Robert Wilson's most celebrated collaboration, the landmark opera Einstein on the Beach, had its première at the Avignon Festival in 1976. The book features essays from those that focus on the human scale and agencies involved in productions to the mechanical and post-human character of the opera's expressive substance. 352 pp. Englisch.…

  • Language: English

    Published by Routledge Aug 2021, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

    • Softcover
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    Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Philip Glass and Robert Wilson's most celebrated collaboration, the landmark opera Einstein on the Beach, had its premiere at the Avignon Festival in 1976. During its initial European tour, Metropolitan Opera premiere, and revivals in 1984 and 1992, Einstein provoked opposed reactions from both audiences and critics. Today, Einstein is well on the way itself to becoming a canonized avant-garde work, and it is widely acknowledged as a profoundly significant moment in the history of opera or musical theater. Einstein created waves that for many years crashed against the shores of traditional thinking concerning the nature and creative potential of audiovisual expression. Reaching beyond opera, its influence was felt in audiovisual culture in general: in contemporary avant-garde music, performance art, avant-garde cinema, popular film, popular music, advertising, dance, theater, and many other expressive, commercial, and cultural spheres. Inspired by the 2012-2015 series of performances that re-contextualized this unique work as part of the present-day nexus of theoretical, political, and social concerns, the editors and contributors of this book take these new performances as a pretext for far-reaching interdisciplinary reflection and dialogue. Essays range from those that focus on the human scale and agencies involved in productions to the mechanical and post-human character of the opera's expressive substance. A further valuable dimension is the inclusion of material taken from several recent interviews with creative collaborators Philip Glass, Robert Wilson, and Lucinda Childs, each of these sections comprising knee plays, or short intermezzo sections resembling those found in the opera Einstein on the Beach itself. The book additionally features a foreword written by the influential musicologist and cultural theorist Susan McClary and an interview with film and theater luminary Peter Greenaway, as well as a short chapter of reminiscences written by the singer-songwriter Suzanne Vega. 352 pp. Englisch.…

  • Language: English

    Published by Taylor & Francis, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

    • Softcover
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    Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Jelena Novak is Researcher at the Centre for the Study of the Sociology and Aesthetics of Music at NOVA University of Lisbon. Her publications include Opera u doba medija (Opera in the Age of Media), Postopera: Reinventing the Voice-Body, a.…

  • Language: English

    Published by Routledge Aug 2021, 2021

    1032082607 / 9781032082608

    Series: Book 21 of 27 - Ashgate Interdisciplinary Studies in Opera

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    Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Philip Glass and Robert Wilson's most celebrated collaboration, the landmark opera Einstein on the Beach, had its premiere at the Avignon Festival in 1976. During its initial European tour, Metropolitan Opera premiere, and revivals in 1984 and 1992, Einstein provoked opposed reactions from both audiences and critics. Today, Einstein is well on the way itself to becoming a canonized avant-garde work, and it is widely acknowledged as a profoundly significant moment in the history of opera or musical theater. Einstein created waves that for many years crashed against the shores of traditional thinking concerning the nature and creative potential of audiovisual expression. Reaching beyond opera, its influence was felt in audiovisual culture in general: in contemporary avant-garde music, performance art, avant-garde cinema, popular film, popular music, advertising, dance, theater, and many other expressive, commercial, and cultural spheres. Inspired by the 2012-2015 series of performances that re-contextualized this unique work as part of the present-day nexus of theoretical, political, and social concerns, the editors and contributors of this book take these new performances as a pretext for far-reaching interdisciplinary reflection and dialogue. Essays range from those that focus on the human scale and agencies involved in productions to the mechanical and post-human character of the opera's expressive substance. A further valuable dimension is the inclusion of material taken from several recent interviews with creative collaborators Philip Glass, Robert Wilson, and Lucinda Childs, each of these sections comprising knee plays, or short intermezzo sections resembling those found in the opera Einstein on the Beach itself. The book additionally features a foreword written by the influential musicologist and cultural theorist Susan McClary and an interview with film and theater luminary Peter Greenaway, as well as a short chapter of reminiscences written by the singer-songwriter Suzanne Vega.…