ISBN: 9780820456928 - The Visual Grammar of Pablo Picasso: 54 (berkeley Insights in Linguistics and Semiotics) (12 results)

Language: English
Published by Peter Lang Inc., International Academic Publishers, 2003
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Language: English
Published by Peter Lang Inc., International Academic Publishers, 2003
- Hardcover
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Language: English
Published by Peter Lang Inc., International Academic Publishers, 2003
- Hardcover
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Condition: New. Series: Berkeley Insights in Linguistics and Semiotics. Num Pages: 344 pages, 318 fig. BIC Classification: ACV; CB. Category: (G) General (US: Trade). Dimension: 159 x 237 x 25. Weight in Grams: 640. . 2003. New. hardcover. . . . .

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Hardback. Condition: New. Pablo Picasso's continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial language is reflected in the well-established periods in the development of Cubism. Progressively, objects were analyzed first by their image (or retinal) and surface (or external) features as viewed from particular observer-oriented viewpoints during the Pre-Cubist and Cézannian Cubist stages; then by viewer-independent, structural features during Analytic Cubism; and finally by categorial features during Synthetic Cubism. This final re-evaluation allowed the artist to treat pictorial language as truly arbitrary, leading to metaphorical correlations between objects that went beyond what was actually depicted on the surface of the canvas.…

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Condition: New. Series: Berkeley Insights in Linguistics and Semiotics. Num Pages: 344 pages, 318 fig. BIC Classification: ACV; CB. Category: (G) General (US: Trade). Dimension: 159 x 237 x 25. Weight in Grams: 640. . 2003. New. hardcover. . . . . Books ship from the US and Ireland.

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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Pablo Picasso's continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial language is reflected in the well-established periods in the development of Cubism. Progressively, objects were analyzed first by their image (or retinal) and surface (or external) features as viewed from particular observer-oriented viewpoints during the Pre-Cubist and Cézannian Cubist stages; then by viewer-independent, structural features during Analytic Cubism; and finally by categorial features during Synthetic Cubism. This final re-evaluation allowed the artist to treat pictorial language as truly arbitrary, leading to metaphorical correlations between objects that went beyond what was actually depicted on the surface of the canvas.…

- Hardcover
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Hardback. Condition: New. Pablo Picasso's continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial language is reflected in the well-established periods in the development of Cubism. Progressively, objects were analyzed first by their image (or retinal) and surface (or external) features as viewed from particular observer-oriented viewpoints during the Pre-Cubist and Cézannian Cubist stages; then by viewer-independent, structural features during Analytic Cubism; and finally by categorial features during Synthetic Cubism. This final re-evaluation allowed the artist to treat pictorial language as truly arbitrary, leading to metaphorical correlations between objects that went beyond what was actually depicted on the surface of the canvas.…

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Language: English
Published by Peter Lang Ltd. International Academic Publishers Okt 2003, 2003
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Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Pablo Picasso's continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial language is reflected in the well-established periods in the development of Cubism. Progressively, objects were analyzed first by their image (or retinal) and surface (or external) features as viewed from particular observer-oriented viewpoints during the Pre-Cubist and Cézannian Cubist stages; then by viewer-independent, structural features during Analytic Cubism; and finally by categorial features during Synthetic Cubism. This final re-evaluation allowed the artist to treat pictorial language as truly arbitrary, leading to metaphorical correlations between objects that went beyond what was actually depicted on the surface of the canvas. 346 pp. Englisch.…

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Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Pablo Picasso s continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial .…

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Buch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Pablo Picasso's continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial language is reflected in the well-established periods in the development of Cubism. Progressively, objects were analyzed first by their image (or retinal) and surface (or external) features as viewed from particular observer-oriented viewpoints during the Pre-Cubist and Cézannian Cubist stages; then by viewer-independent, structural features during Analytic Cubism; and finally by categorial features during Synthetic Cubism. This final re-evaluation allowed the artist to treat pictorial language as truly arbitrary, leading to metaphorical correlations between objects that went beyond what was actually depicted on the surface of the canvas.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 362 pp. Englisch.…