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The Visual Grammar of Pablo Picasso: 54 (Berkeley Insights in Linguistics and Semiotics) - Hardcover
Synopsis
Pablo Picasso’s continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial language is reflected in the well-established periods in the development of Cubism. Progressively, objects were analyzed first by their image (or retinal) and surface (or external) features as viewed from particular observer-oriented viewpoints during the Pre-Cubist and Cézannian Cubist stages; then by viewer-independent, structural features during Analytic Cubism; and finally by categorial features during Synthetic Cubism. This final re-evaluation allowed the artist to treat pictorial language as truly arbitrary, leading to metaphorical correlations between objects that went beyond what was actually depicted on the surface of the canvas.
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About the Author
The Author: Enrique Mallen earned his doctorate at Cornell University in 1989. He is currently Associate Professor of Hispanic Studies at Texas A & M University in College Station. His publications include Con/figuración Sintáctica: Poesía del Des/lenguaje; The Embodiment of the Pictorial Sign: Pablo Picasso’s Early Cubism; Metaphor and Cognition in Pablo Picasso’s Synthetic Cubism; and A Minimalist Approach to Picasso’s Visual Grammar: Les Demoiselles d’Avignon.
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The Visual Grammar of Pablo Picasso
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Hardback. Condition: New. Pablo Picasso's continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial language is reflected in the well-established periods in the development of Cubism. Progressively, objects were analyzed first by their image (or retinal) and surface (or external) features as viewed from particular observer-oriented viewpoints during the Pre-Cubist and Cézannian Cubist stages; then by viewer-independent, structural features during Analytic Cubism; and finally by categorial features during Synthetic Cubism. This final re-evaluation allowed the artist to treat pictorial language as truly arbitrary, leading to metaphorical correlations between objects that went beyond what was actually depicted on the surface of the canvas. Seller Inventory # LU-9780820456928
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Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Pablo Picasso's continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial language is reflected in the well-established periods in the development of Cubism. Progressively, objects were analyzed first by their image (or retinal) and surface (or external) features as viewed from particular observer-oriented viewpoints during the Pre-Cubist and Cézannian Cubist stages; then by viewer-independent, structural features during Analytic Cubism; and finally by categorial features during Synthetic Cubism. This final re-evaluation allowed the artist to treat pictorial language as truly arbitrary, leading to metaphorical correlations between objects that went beyond what was actually depicted on the surface of the canvas. 346 pp. Englisch. Seller Inventory # 9780820456928
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The Visual Grammar of Pablo Picasso: 54 (Berkeley Insights in Linguistics and Semiotics)
Published by
Peter Lang Publishing Inc, 2003
ISBN 10: 0820456926
ISBN 13: 9780820456928
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Condition: New. Series: Berkeley Insights in Linguistics and Semiotics. Num Pages: 344 pages, 318 fig. BIC Classification: ACV; CB. Category: (G) General (US: Trade). Dimension: 159 x 237 x 25. Weight in Grams: 640. . 2003. New. hardcover. . . . . Books ship from the US and Ireland. Seller Inventory # V9780820456928
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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Pablo Picasso's continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial language is reflected in the well-established periods in the development of Cubism. Progressively, objects were analyzed first by their image (or retinal) and surface (or external) features as viewed from particular observer-oriented viewpoints during the Pre-Cubist and Cézannian Cubist stages; then by viewer-independent, structural features during Analytic Cubism; and finally by categorial features during Synthetic Cubism. This final re-evaluation allowed the artist to treat pictorial language as truly arbitrary, leading to metaphorical correlations between objects that went beyond what was actually depicted on the surface of the canvas. Seller Inventory # 9780820456928