ISBN: 9780816634477 - Brain is the Screen: Deleuze and the Philosophy of Cinema (26 results)

Paperback. Condition: Fair. The first broad-ranging collection on Deleuze's essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing--a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Eric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; Andras Balint Kovacs, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, College International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; Francois Zourabichvili, College International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.…

Paperback. Condition: Good. The first broad-ranging collection on Deleuze's essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing--a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Eric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; Andras Balint Kovacs, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, College International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; Francois Zourabichvili, College International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.…

Paperback. Condition: Fair. The first broad-ranging collection on Deleuze's essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing--a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Eric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; Andras Balint Kovacs, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, College International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; Francois Zourabichvili, College International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.…

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condition: New. Brand New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780816634477. …

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. With owner's name inside cover. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780816634477.…

Condition: new.

Condition: New. pp. 408.

Condition: New. 2000. 1st Edition. Paperback. Num Pages: 405 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 22. Weight in Grams: 540. . . . . .

Paperback. Condition: Brand New. 1st edition. 395 pages. 9.25x6.25x1.00 inches. In Stock.

Condition: New. In English.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. 2000. 1st Edition. Paperback. Num Pages: 405 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 22. Weight in Grams: 540. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 408 Index.

Condition: Muy Bueno. University of Minnesota Press, 2000, 395pp, tapa blanda, muy buen estado//// Nota de la librería: Si no se especifica en la descripción anterior, los libros no tienen subrayados, anotaciones, firmas o defectos reseñables. ATENCIÓN: EL ENVÍO GRATUITO ES ORDINARIO SIN NÚMERO DE SEGUIMIENTO, y puede sufrir retrasos de varios días. Le dejarán un aviso en el buzón PARA LA RECOGIDA EN OFICINA. PRIORITARIO/CERTIFICADO CON ENTREGA A DOMICILIO POR SOLO 2,90 euros. AS5576.…

Originalbroschur. Condition: Gut. X, 395 S. Einband berieben und etwas eselsohrig. - Of Images and Worlds: Toward a Geology of the Cinema JEAN-CLET MARTIN -- Cinema Year Zero GREGORY FLAXMAN -- Escape from the Image: Deleuze's Image-Ontology MARTIN SCHWAB -- The Eye of Montage: Dziga Vertov and Bergsonian Materialism FRANCOIS ZOURABICHVILI -- The Film History of Thought ANDRAS BÁLINT KOVÁCS -- Into the Breach: Between The Movement-Image and The Time-Image ANGELO RESTIVO -- Signs of the Time: Deleuze, Peirce, and the Documentary Image LAURA U.MARKS -- The Roots of the Nomadic: Gilles Deleuze and the Cinema of West Africa DUDLEY ANDREW -- Cinema and the Outside GREGG LAMBERT -- Midday, Midnight: The Emergence of Cine-Thinking ERICALLIEZ -- The Film Event: From Interval to Interstice TOM CONLEY -- The Imagination of Immanence: An Ethics of Cinema PETER CANNING -- The Brain Is the Screen: An Interview with GILLES DELEUZE. ISBN 9780816634477 Sprache: Englisch Gewicht in Gramm: 550.…

Condition: New. KlappentextrnrnIn the nearly twenty years since their publication, Gilles Deleuze s books about cinema have proven as daunting as they are enticing -- a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Ni.

Taschenbuch. Condition: Neu. Brain Is the Screen | Deleuze and the Philosophy of Cinema | Gregory Flaxman | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2000 | University of Minnesota Press | EAN 9780816634477 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The first broad-ranging collection on Deleuze's essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing-a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Éric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; András Bálint Kovács, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, Collége International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; François Zourabichvili, Collége International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania. 408 pp. Englisch.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The first broad-ranging collection on Deleuze's essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing-a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Éric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; András Bálint Kovács, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, Collége International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; François Zourabichvili, Collége International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.…