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9780816634026 - Digital Baroque: New Media Art and Cinematic Folds: 26 Electronic Mediations by Murray, Timothy (23 results)
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Digital Baroque: New Media Art and Cinematic Folds (Volume 26) (Electronic Mediations)
Book 18 of 50: Electronic MediationsLanguage: English
Published by Univ Of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Seller rating 5 out of 5 stars
Condition: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.
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Digital Baroque: New Media Art and Cinematic Folds (Volume 26) (Electronic Mediations)
Book 18 of 50: Electronic MediationsLanguage: English
Published by Univ Of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Soft cover. Condition: Fine. Paperback. Crisp and clean copy, like new condition. Book.
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Digital Baroque: New Media Art and Cinematic Folds (Volume 26) (Electronic Mediations)
Book 18 of 50: Electronic MediationsLanguage: English
Published by Univ Of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Seller: Tangled Web Mysteries and Oddities, Kennebuunkport, ME, U.S.A.
Seller rating 5 out of 5 stars
Paperback. Condition: Good. The first 20 pages have under linings and and markings, remainder of book appears unmarked and unread. Providing superior service since 2001. Dropshippers heartily welcomed.
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Digital Baroque : New Media Art and Cinematic Folds
Book 18 of 50: Electronic MediationsLanguage: English
Published by Univ Of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Condition: As New. Unread book in perfect condition.
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Digital Baroque - New Media Art and Cinematic Folds
Book 18 of 50: Electronic MediationsLanguage: English
Published by MP - University Of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Seller rating 4 out of 5 stars
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Digital Baroque : New Media Art and Cinematic Folds
Book 18 of 50: Electronic MediationsLanguage: English
Published by Univ Of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Condition: New.
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Digital Baroque - New Media Art and Cinematic Folds (eng)
Book 18 of 50: Electronic MediationsLanguage: English
Published by Univ Of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Condition: new.
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Digital Baroque: New Media Art and Cinematic Folds (Volume 26)
Book 18 of 50: Electronic MediationsLanguage: English
Published by University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Condition: Good. Volume 26. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780816634026.
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Digital Baroque: New Media Art and Cinematic Folds: 26 (Electronic Mediations)
Book 18 of 50: Electronic MediationsLanguage: English
Published by University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Condition: New. pp. 320.
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Digital Baroque: New Media Art and Cinematic Folds
Book 18 of 50: Electronic MediationsLanguage: English
Published by University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Seller rating 5 out of 5 stars
Condition: New. Series: Electronic Mediations. Num Pages: 320 pages, 22 b&w illustrations. BIC Classification: AP. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 156 x 22. Weight in Grams: 468. . 2008. Paperback. . . . .
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Digital Baroque: New Media Art and Cinematic Folds
Book 18 of 50: Electronic MediationsLanguage: English
Published by University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Seller rating 5 out of 5 stars
£ 20.02
£ 15.77 shipping
Ships from United Kingdom to U.S.A.Quantity: Over 20 available
Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
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Digital Baroque: New Media Art and Cinematic Folds
Book 18 of 50: Electronic MediationsLanguage: English
Published by University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Condition: New. Series: Electronic Mediations. Num Pages: 320 pages, 22 b&w illustrations. BIC Classification: AP. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 156 x 22. Weight in Grams: 468. . 2008. Paperback. . . . . Books ship from the US and Ireland.
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Digital Baroque: New Media Art and Cinematic Folds: 26 (Electronic Mediations)
Book 18 of 50: Electronic MediationsLanguage: English
Published by University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Condition: New. pp. 320.
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Digital Baroque : New Media Art and Cinematic Folds
Book 18 of 50: Electronic MediationsLanguage: English
Published by Univ Of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: As New. Unread book in perfect condition.
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Digital Baroque: New Media Art and Cinematic Folds (Volume 26)
Book 18 of 50: Electronic MediationsLanguage: English
Published by Univ Of Minnesota Press, 2015
ISBN 10: 0816634025 ISBN 13: 9780816634026
Condition: Good. Volume 26. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780816634026.
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Digital Baroque : New Media Art and Cinematic Folds
Book 18 of 50: Electronic MediationsLanguage: English
Published by Univ Of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: New.
-
Digital Baroque New Media Art and Cinematic Folds
Book 18 of 50: Electronic MediationsLanguage: English
Published by Univ of Minnesota Pr, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Paperback. Condition: Brand New. 309 pages. 8.50x5.75x1.00 inches. In Stock.
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Digital Baroque | New Media Art and Cinematic Folds
Book 18 of 50: Electronic MediationsLanguage: English
Published by University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Taschenbuch. Condition: Neu. Digital Baroque | New Media Art and Cinematic Folds | Timothy Murray | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2008 | University of Minnesota Press | EAN 9780816634026 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.
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Digital Baroque New Media Art and Cinematic Folds
Book 18 of 50: Electronic MediationsLanguage: English
Published by Univ of Minnesota Pr, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Paperback. Condition: Brand New. 309 pages. 8.50x5.75x1.00 inches. In Stock. This item is printed on demand.
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Digital Baroque
Book 18 of 50: Electronic MediationsLanguage: English
Published by University Of Minnesota Press Dez 2008, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Seller rating 5 out of 5 stars
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -A surprising and original application of theories of new media artIn this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art Making an exquisite and unexpected connection between the old and the new, Digital Baroque analyzes the philosophical paradigms that inform contemporary screen arts. Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts' dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works by Toni Dove, David Rokeby, and Jill Scott. Sophisticated readings reveal the electronic psychosocial webs and digital representations that link text, film, and computer. Murray puts forth an innovative Deleuzian psychophilosophical approach-one that argues that understanding new media art requires a fundamental conceptual shift from linear visual projection to nonlinear temporal folds intrinsic to the digital form. 336 pp. Englisch.
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Digital Baroque: New Media Art and Cinematic Folds: 26 (Electronic Mediations)
Book 18 of 50: Electronic MediationsLanguage: English
Published by University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Condition: New. PRINT ON DEMAND pp. 320.
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Digital Baroque
Book 18 of 50: Electronic MediationsLanguage: English
Published by University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt.
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Digital Baroque : New Media Art and Cinematic Folds
Book 18 of 50: Electronic MediationsLanguage: English
Published by University Of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - A surprising and original application of theories of new media artIn this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art Making an exquisite and unexpected connection between the old and the new, Digital Baroque analyzes the philosophical paradigms that inform contemporary screen arts. Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts' dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works by Toni Dove, David Rokeby, and Jill Scott. Sophisticated readings reveal the electronic psychosocial webs and digital representations that link text, film, and computer. Murray puts forth an innovative Deleuzian psychophilosophical approach-one that argues that understanding new media art requires a fundamental conceptual shift from linear visual projection to nonlinear temporal folds intrinsic to the digital form.
