9780719084638 - Screen/space: the Projected Image in Contemporary Art Rethinking Art's Histories (25 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: As New. Unread book in perfect condition.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780719084638.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780719084638.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks.

Paperback. Condition: new. Paperback. Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks. -- . Screen/Space is a collection of nine essays exploring developments in contemporary art informed by re-readings of the history of modernist exhibition design, experimental film festivals and key works in the history of structural and expanded film. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. In.

Condition: New.

Condition: New. 2011. UK ed. Paperback. Screen/Space is a collection of nine essays exploring developments in contemporary art informed by re-readings of the history of modernist exhibition design, experimental film festivals and key works in the history of structural and expanded film. Editor(s): Trodd, Tamara. Series: Rethinking Art's Histories. Num Pages: 240 pages, 33 black & white illustrations. BIC Classification: ACXJ; AFK; AJRD. Category: (UF) Further/Higher Education. Dimension: 232 x 157 x 14. Weight in Grams: 506. . . . . .

Condition: As New. Unread book in perfect condition.

2011, 214pp, paperback. T/m blz. 7 zijn er wat zinnen onderstreept en aantekeningen in de kantlijn geplaatst met potlood. Verder netjes.

Condition: New. 2011. UK ed. Paperback. Screen/Space is a collection of nine essays exploring developments in contemporary art informed by re-readings of the history of modernist exhibition design, experimental film festivals and key works in the history of structural and expanded film. Editor(s): Trodd, Tamara. Series: Rethinking Art's Histories. Num Pages: 240 pages, 33 black & white illustrations. BIC Classification: ACXJ; AFK; AJRD. Category: (UF) Further/Higher Education. Dimension: 232 x 157 x 14. Weight in Grams: 506. . . . . . Books ship from the US and Ireland.

Paperback. Condition: Brand New. 1st edition. 240 pages. 9.25x6.25x0.75 inches. In Stock.

Paperback. Condition: New.

Paperback. Condition: new. Paperback. Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks. -- . Screen/Space is a collection of nine essays exploring developments in contemporary art informed by re-readings of the history of modernist exhibition design, experimental film festivals and key works in the history of structural and expanded film. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: New. Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks.

Condition: New. Print on Demand pp. 240.

Condition: New. Print on Demand pp. 240.

Condition: New. PRINT ON DEMAND pp. 240.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other What is a projected image, and what is the history of projected-image art These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Screen/Space is a collection of nine essays exploring developments in contemporary art informed by re-readings of the history of modernist exhibition design, experimental film festivals and key works in the history of structural and expanded film. -- .

Taschenbuch. Condition: Neu. Screen/Space | The projected image in contemporary art | Tamara Trodd | Taschenbuch | Kartoniert / Broschiert | Englisch | 2011 | Manchester University Press | EAN 9780719084638 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.