Isbn: 9780719083099 - the Continental Connection: German–speaking Émigrés and British Cinema, 1927–45 (21 results)

Hardcover. Condition: Very Good. unmarked, light shelfwear-NICE Standard-sized.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780719083099.…

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780719083099.…

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In.

Condition: New. Presents a study which is a major appraisal of the contributions of German-speaking emigres to British cinema from the late 1920s to the end of World War II. Through a series of film analyses and case studies, this title challenges notions of a self-sufficient British national cinema. Num Pages: 256 pages, Illustrations, black & white. BIC Classification: 1DBK; 1DFG; 3JJG; 3JJH; APF; JFSL. Category: (UF) Further/Higher Education. Dimension: 225 x 145 x 26. Weight in Grams: 460. . 2011. . . . .…

Hardback. Condition: New. This study is a major appraisal of the contributions of German-speaking émigrés to British cinema from the late 1920s to the end of World War II. Through a series of film analyses and case studies, it challenges notions of a self-sufficient British national cinema by advancing the assumption that filmmakers from Berlin, Munich and Vienna had a major influence on aesthetics, themes and narratives, technical innovation, the organisation of work and the introduction of apprenticeship schemes. Whether they came voluntarily or as refugees, their contributions and expertise helped to consolidate the studio system and ultimately made possible the establishment of a viable British film industry.Hochscherf talks about such figures as Ewald André Dupont, Alfred Junge, Oscar Werndorff, Mutz Greenbaum and Werner Brandes, and such companies as Korda's London Film Productions, Powell and Pressburger's The Archers and Michael Balcon's Gaumont-British.…

Hardcover. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: New. Presents a study which is a major appraisal of the contributions of German-speaking emigres to British cinema from the late 1920s to the end of World War II. Through a series of film analyses and case studies, this title challenges notions of a self-sufficient British national cinema. Num Pages: 256 pages, Illustrations, black & white. BIC Classification: 1DBK; 1DFG; 3JJG; 3JJH; APF; JFSL. Category: (UF) Further/Higher Education. Dimension: 225 x 145 x 26. Weight in Grams: 460. . 2011. . . . . Books ship from the US and Ireland.…

Hardback. Condition: New. This study is a major appraisal of the contributions of German-speaking émigrés to British cinema from the late 1920s to the end of World War II. Through a series of film analyses and case studies, it challenges notions of a self-sufficient British national cinema by advancing the assumption that filmmakers from Berlin, Munich and Vienna had a major influence on aesthetics, themes and narratives, technical innovation, the organisation of work and the introduction of apprenticeship schemes. Whether they came voluntarily or as refugees, their contributions and expertise helped to consolidate the studio system and ultimately made possible the establishment of a viable British film industry.Hochscherf talks about such figures as Ewald André Dupont, Alfred Junge, Oscar Werndorff, Mutz Greenbaum and Werner Brandes, and such companies as Korda's London Film Productions, Powell and Pressburger's The Archers and Michael Balcon's Gaumont-British.…

Hardcover. Condition: Brand New. 244 pages. 8.50x5.75x1.00 inches. In Stock.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: New. Print on Demand pp. xii + 244.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Presents a study which is a major appraisal of the contributions of German-speaking emigres to British cinema from the late 1920s to the end of World War II. Through a series of film analyses and case studies, this title challenges notions of a self-suffici.…

Condition: New. Print on Demand pp. xii + 244 Illus.

Condition: New. PRINT ON DEMAND pp. xii + 244.

Buch. Condition: Neu. The continental connection | German-speaking émigrés and British cinema, 1927-45 | Tobias Hochscherf | Buch | Gebunden | Englisch | 2011 | Manchester University Press | EAN 9780719083099 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This study is a major appraisal of the contributions of German-speaking émigrés to British cinema from the late 1920s to the end of World War II. Through a series of film analyses and case studies, it challenges notions of a self-sufficient British national cinema by advancing the assumption that filmmakers from Berlin, Munich and Vienna had a major influence on aesthetics, themes and narratives, technical innovation, the organisation of work and the introduction of apprenticeship schemes. Whether they came voluntarily or as refugees, their contributions and expertise helped to consolidate the studio system and ultimately made possible the establishment of a viable British film industry.Hochscherf talks about such figures as Ewald André Dupont, Alfred Junge, Oscar Werndorff, Mutz Greenbaum and Werner Brandes, and such companies as Korda's London Film Productions, Powell and Pressburger's The Archers and Michael Balcon's Gaumont-British.…