Isbn: 9780262525367 - Semblance and Event: Activist Philosophy and the Occurrent Arts (technologies of Lived Abstraction) (23 results)
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Condition: New. Series: Technologies of Lived Abstraction. Num Pages: 232 pages, 5 b&w illus. BIC Classification: ABA; HPN. Category: (P) Professional & Vocational. Dimension: 221 x 163 x 17. Weight in Grams: 342. . 2013. Reprint. Paperback. . . . .
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Condition: New. Series: Technologies of Lived Abstraction. Num Pages: 232 pages, 5 b&w illus. BIC Classification: ABA; HPN. Category: (P) Professional & Vocational. Dimension: 221 x 163 x 17. Weight in Grams: 342. . 2013. Reprint. Paperback. . . . . Books ship from the US and Ireland.
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Condition: New. Brian Massumi is Professor in the Department of Communication Sciences at the University of Montréal. He is the author of Parables for the Virtual: Movement, Affect, Sensation and A User s Guide to Capitalism and Schizophrenia: Deviations fro.
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Taschenbuch. Condition: Neu. Semblance and Event | Activist Philosophy and the Occurrent Arts | Brian Massumi | Taschenbuch | Englisch | 2013 | MIT Press | EAN 9780262525367 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - An investigation of the "occurrent arts" through the concepts of the "semblance" and "lived abstraction."Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as a way to approach this question. It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: "lived abstraction." A semblance is a lived abstraction. Massumi uses the category of the semblance to investigate practices of art that are relational and event-orientedvariously known as interactive art, ephemeral art, performance art, art interventionwhich he refers to collectively as the "occurrent arts." Each art practice invents its own kinds of relational events of lived abstraction, to produce a signature species of semblance. The artwork's relational engagement, Massumi continues, gives it a political valence just as necessary and immediate as the aesthetic dimension.…
