Isbn: 9780262014045 - Psychedelic: Optical and Visionary Art Since the 1960s (the Mit Press) (32 results)

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. Dust Jacket Condition: very good. A very good hardcover in a very good dust jacket. No markings.

Condition: New.

Hardcover. Condition: new. Hardcover. The history of an aesthetic sensibility that began with Op Art and album covers; with more than seventy-five stunning color images.This eye-popping book offers a visual history of the psychedelic sensibility. In pop culture, that sensibility is associated with lava lamps, album covers, and "teashades," but it first manifested itself in the extreme colors and kaleidoscopic compositions of 1960s Op Artists. The psychedelic sensibility didn't die at the end of the 1960s; Psychedelic traces it through the day-glo colors of painters Peter Saul, Alex Grey, and Kenny Scharf, the pill and hemp leaf paintings of Fred Tomaselli, the intensified palettes of Douglas Bourgeois and Sharon Ellis, and mixed-media and new media works by younger artists in the new millennium.Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world-not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context.Artists includeIsaac Abrams, Albert Alvarez, Richard Anuszkiewicz, Chio Aoshima, Kamrooz Aram, Jeremy Blake, Richie Budd, Gordon Cheung, Judy Chicago, George Cisneros, James Cobb, Steve DiBenedetto, Carole Feuerman, Jack Goldstein, Alex Grey, Peter Halley, Al Held, Mark Hogensen, Constance Lowe, Erik Parker, Ed Paschke, Lari Pittman, Ray Rapp, Deborah Remington, Bridget Riley, Susie Rosmarin, Alex Rubio, Sterling Ruby, Julian Stanczak, Jennifer Steinkamp, Frank Stella, Philip Taaffe, Barbara Takenaga, Fred Tomaselli, Victor Vasarely, Michael Velliquette, Andy Warhol, Robert WilliamsEssays byDavid S. Rubin, Robert C. Morgan, Daniel PinchbeckCopublished with the San Antonio Museum of Art The history of an aesthetic sensibility that began with Op Art and album covers; with more than seventy-five stunning color images. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine.

Hardcover. Condition: New. Contributions from Robert C Morgan and Daniel Pinchbeck.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: As New. As New condition Hardcover in publisher's original shrink wrap. Includes numerous color and b/w illustrations, 138 pages. The exception to the condition is a remainder dot on the bottom of the text block. Size: 8" x 12".

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Like new condition in original shrinkwrap. 138 pages. Mindbending. Size: 8" x 11.5".

Cloth. Condition: Near Fine. Near Fine. 140 pages. Hardcover. Texts in English. Minimal shelfwear to the edges, but corners of the boards are sharp, and dustjacket is unblemished. Binding is tight, and interior is clean and free of markings. Bound in illustrated paper covered boards and wrapped in an illustrated paper dustjacket. Published on the occasion of the exhibition held in San Antonio from March 13-August 1, 2010, and subsequently in Rochester and Savannah. Book.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Pictorial boards, 139 pages, colour illustrations; 32 cm. Published in conjunction with an exhibition held at the San Antonio Museum of Art, March 13 to August 1, 2010; and other venues. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "The history of an aesthetic sensibility that began with Op Art and album covers; with more than seventy-five stunning color images. This eye-popping book offers a visual history of the psychedelic sensibility. In pop culture, that sensibility is associated with lava lamps, album covers, and 'teashades,' but it first manifested itself in the extreme colors and kaleidoscopic compositions of 1960s Op Artists. The psychedelic sensibility didn't die at the end of the 1960s; Psychedelic traces it through the day-glo colors of painters Peter Saul, Alex Grey, and Kenny Scharf, the pill and hemp leaf paintings of Fred Tomaselli, the intensified palettes of Douglas Bourgeois and Sharon Ellis, and mixed-media and new media works by younger artists in the new millennium. Although the term 'psychedelic' was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world-not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context." - Publisher. *** CONTENTS: Stimuli for a new millennium, by David S. Rubin; Eternal moments: artists who explore the prospect for happiness, by Robert C. Morgan; Embracing the archaic: postmodern culture and psychedelic initiation, by Daniel Pinchbeck; Plates; Exhibition checklist. *** Includes: Isaac Abrams - Albert Alvarez - Richard Anuszkiewicz - Chio Aoshima - Kamrooz Aram - Jeremy Blake - Richie Budd - Gordon Cheung - Judy Chicago - George Cisneros - James Cobb - Steve DiBenedetto - Carole Feuerman - Jack Goldstein - Alex Grey - Peter Halley - Al Held - Mark Hogensen - Constance Lowe - Erik Parker - Ed Paschke - Lari Pittman - Ray Rapp - Deborah Remington - Bridget Riley - Susie Rosmarin - Alex Rubio - Sterling Ruby - Julian Stanczak - Jennifer Steinkamp - Frank Stella - Philip Taaffe - Barbara Takenaga - Fred Tomaselli - Victor Vasarely - Michael Velliquette - Andy Warhol - Robert Williams. Size: Folio. Collectible.…

Hardback. Condition: New. The history of an aesthetic sensibility that began with Op Art and album covers; with more than seventy-five stunning color images.This eye-popping book offers a visual history of the psychedelic sensibility. In pop culture, that sensibility is associated with lava lamps, album covers, and "teashades," but it first manifested itself in the extreme colors and kaleidoscopic compositions of 1960s Op Artists. The psychedelic sensibility didn't die at the end of the 1960s; Psychedelic traces it through the day-glo colors of painters Peter Saul, Alex Grey, and Kenny Scharf, the pill and hemp leaf paintings of Fred Tomaselli, the intensified palettes of Douglas Bourgeois and Sharon Ellis, and mixed-media and new media works by younger artists in the new millennium.Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world-not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context.Artists include Isaac Abrams, Albert Alvarez, Richard Anuszkiewicz, Chio Aoshima, Kamrooz Aram, Jeremy Blake, Richie Budd, Gordon Cheung, Judy Chicago, George Cisneros, James Cobb, Steve DiBenedetto, Carole Feuerman, Jack Goldstein, Alex Grey, Peter Halley, Al Held, Mark Hogensen, Constance Lowe, Erik Parker, Ed Paschke, Lari Pittman, Ray Rapp, Deborah Remington, Bridget Riley, Susie Rosmarin, Alex Rubio, Sterling Ruby, Julian Stanczak, Jennifer Steinkamp, Frank Stella, Philip Taaffe, Barbara Takenaga, Fred Tomaselli, Victor Vasarely, Michael Velliquette, Andy Warhol, Robert WilliamsEssays byDavid S. Rubin, Robert C. Morgan, Daniel PinchbeckCopublished with the San Antonio Museum of Art. …

Condition: New. pp. 140 Illustrated edition.

Hardcover. Condition: New.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Pictorial Hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition. Jacket has light general wear plus a bump/crease to rear bottom edge. Book very clean. Binding tight. 138pp Size: 200mm x 310mm. Book.

Condition: New.

Condition: New. pp. 140.

Hardcover. Condition: Brand New. 138 pages. 12.25x8.00x1.00 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. The history of an aesthetic sensibility that began with Op Art and album covers; with more than seventy-five stunning color images.This eye-popping book offers a visual history of the psychedelic sensibility. In pop culture, that sensibility is associated with lava lamps, album covers, and "teashades," but it first manifested itself in the extreme colors and kaleidoscopic compositions of 1960s Op Artists. The psychedelic sensibility didn't die at the end of the 1960s; Psychedelic traces it through the day-glo colors of painters Peter Saul, Alex Grey, and Kenny Scharf, the pill and hemp leaf paintings of Fred Tomaselli, the intensified palettes of Douglas Bourgeois and Sharon Ellis, and mixed-media and new media works by younger artists in the new millennium.Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world-not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context.Artists includeIsaac Abrams, Albert Alvarez, Richard Anuszkiewicz, Chio Aoshima, Kamrooz Aram, Jeremy Blake, Richie Budd, Gordon Cheung, Judy Chicago, George Cisneros, James Cobb, Steve DiBenedetto, Carole Feuerman, Jack Goldstein, Alex Grey, Peter Halley, Al Held, Mark Hogensen, Constance Lowe, Erik Parker, Ed Paschke, Lari Pittman, Ray Rapp, Deborah Remington, Bridget Riley, Susie Rosmarin, Alex Rubio, Sterling Ruby, Julian Stanczak, Jennifer Steinkamp, Frank Stella, Philip Taaffe, Barbara Takenaga, Fred Tomaselli, Victor Vasarely, Michael Velliquette, Andy Warhol, Robert WilliamsEssays byDavid S. Rubin, Robert C. Morgan, Daniel PinchbeckCopublished with the San Antonio Museum of Art The history of an aesthetic sensibility that began with Op Art and album covers; with more than seventy-five stunning color images. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condition: New. The history of an aesthetic sensibility that began with Op Art and album covers; with more than seventy-five stunning color images.This eye-popping book offers a visual history of the psychedelic sensibility. In pop culture, that sensibility is associated with lava lamps, album covers, and "teashades," but it first manifested itself in the extreme colors and kaleidoscopic compositions of 1960s Op Artists. The psychedelic sensibility didn't die at the end of the 1960s; Psychedelic traces it through the day-glo colors of painters Peter Saul, Alex Grey, and Kenny Scharf, the pill and hemp leaf paintings of Fred Tomaselli, the intensified palettes of Douglas Bourgeois and Sharon Ellis, and mixed-media and new media works by younger artists in the new millennium.Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world-not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context.Artists include Isaac Abrams, Albert Alvarez, Richard Anuszkiewicz, Chio Aoshima, Kamrooz Aram, Jeremy Blake, Richie Budd, Gordon Cheung, Judy Chicago, George Cisneros, James Cobb, Steve DiBenedetto, Carole Feuerman, Jack Goldstein, Alex Grey, Peter Halley, Al Held, Mark Hogensen, Constance Lowe, Erik Parker, Ed Paschke, Lari Pittman, Ray Rapp, Deborah Remington, Bridget Riley, Susie Rosmarin, Alex Rubio, Sterling Ruby, Julian Stanczak, Jennifer Steinkamp, Frank Stella, Philip Taaffe, Barbara Takenaga, Fred Tomaselli, Victor Vasarely, Michael Velliquette, Andy Warhol, Robert WilliamsEssays byDavid S. Rubin, Robert C. Morgan, Daniel PinchbeckCopublished with the San Antonio Museum of Art. …

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Condition: New. David S. Rubin is The Brown Foundation Curator of Contemporary Art at the San Antonio Museum of Art.The history of an aesthetic sensibility that began with Op Art and album covers with more than seventy-five stunning color images.This eye-pop.

Buch. Condition: Neu. Neuware - The history of an aesthetic sensibility that began with Op Art and album covers; with more than seventy-five stunning color images.This eye-popping book offers a visual history of the psychedelic sensibility. In pop culture, that sensibility is associated with lava lamps, album covers, and 'teashades,' but it first manifested itself in the extreme colors and kaleidoscopic compositions of 1960s Op Artists. The psychedelic sensibility didn't die at the end of the 1960s; Psychedelic traces it through the day-glo colors of painters Peter Saul, Alex Grey, and Kenny Scharf, the pill and hemp leaf paintings of Fred Tomaselli, the intensified palettes of Douglas Bourgeois and Sharon Ellis, and mixed-media and new media works by younger artists in the new millennium.Although the term 'psychedelic' was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art worldnot necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context.Artists include Isaac Abrams, Albert Alvarez, Richard Anuszkiewicz, Chio Aoshima, Kamrooz Aram, Jeremy Blake, Richie Budd, Gordon Cheung, Judy Chicago, George Cisneros, James Cobb, Steve DiBenedetto, Carole Feuerman, Jack Goldstein, Alex Grey, Peter Halley, Al Held, Mark Hogensen, Constance Lowe, Erik Parker, Ed Paschke, Lari Pittman, Ray Rapp, Deborah Remington, Bridget Riley, Susie Rosmarin, Alex Rubio, Sterling Ruby, Julian Stanczak, Jennifer Steinkamp, Frank Stella, Philip Taaffe, Barbara Takenaga, Fred Tomaselli, Victor Vasarely, Michael Velliquette, Andy Warhol, Robert WilliamsEssays byDavid S. Rubin, Robert C. Morgan, Daniel PinchbeckCopublished with the San Antonio Museum of Art.…