ISBN: 9780226823263 - Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859–1955 (new Material Histories of Music) (20 results)

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  • Language: English

    Published by University of Chicago Press, 2023

    0226823261 / 9780226823263

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    hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

  • Language: English

    Published by University of Chicago Press, 2023

    0226823261 / 9780226823263

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    hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

  • Language: English

    Published by University of Chicago Press, 2023

    0226823261 / 9780226823263

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  • Language: English

    Published by University of Chicago Press, 2023

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  • Language: English

    Published by University of Chicago Press 2023-01-26, 2023

    0226823261 / 9780226823263

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  • Language: English

    Published by University of Chicago Press, 2023

    0226823261 / 9780226823263

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  • Language: English

    Published by The University of Chicago Press, US, 2023

    0226823261 / 9780226823263

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    Hardback. Condition: New. Tuning the World tells the unknown story of how the musical pitch A 440 became the global norm.Now commonly accepted as the point of reference for musicians in the Western world, A 440 hertz only became the standard pitch during an international conference held in 1939. The adoption of this norm was the result of decades of negotiations between countries, involving a diverse group of performers, composers, diplomats, physicists, and sound engineers. Although there is widespread awareness of the variability of musical pitches over time, as attested by the use of lower frequencies to perform early music repertoires, no study has fully explained the invention of our current concert pitch. In this book, Fanny Gribenski draws on a rich variety of previously unexplored archival sources and a unique combination of musicological perspectives, transnational history, and science studies to tell the unknown story of how A 440 became the global norm. Tuning the World demonstrates the aesthetic, scientific, industrial, and political contingencies underlying the construction of one of the most "natural" objects of contemporary musical performance and shows how this century-old effort was ultimately determined by the influence of a few powerful nations.…

  • Language: English

    Published by University of Chicago Press, 2023

    0226823261 / 9780226823263

    • Hardcover

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  • Language: English

    Published by University of Chicago Press, 2023

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    Condition: New. 2023. Hardcover. . . . . .

  • Language: English

    Published by University of Chicago Press, 2023

    0226823261 / 9780226823263

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    Condition: New. In English.

  • Language: English

    Published by University of Chicago Press, 2023

    0226823261 / 9780226823263

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  • Language: English

    Published by Univ of Chicago Pr, 2023

    0226823261 / 9780226823263

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    Hardcover. Condition: Brand New. 272 pages. 9.50x6.50x0.75 inches. In Stock.

  • Language: English

    Published by The University of Chicago Press, 2023

    0226823261 / 9780226823263

    • Hardcover

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  • Language: English

    Published by University of Chicago Press, 2023

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  • Language: English

    Published by University of Chicago Press, 2023

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  • Language: English

    Published by The University Of Chicago Press Jan 2023, 2023

    0226823261 / 9780226823263

    • Hardcover

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    Buch. Condition: Neu. Neuware - Tuning the World tells the unknown story of how the musical pitch A 440 became the global norm. Now commonly accepted as the point of reference for musicians in the Western world, A 440 hertz only became the standard pitch during an international conference held in 1939. The adoption of this norm was the result of decades of negotiations between countries, involving a diverse group of performers, composers, diplomats, physicists, and sound engineers. Although there is widespread awareness of the variability of musical pitches over time, as attested by the use of lower frequencies to perform early music repertoires, no study has fully explained the invention of our current concert pitch. In this book, Fanny Gribenski draws on a rich variety of previously unexplored archival sources and a unique combination of musicological perspectives, transnational history, and science studies to tell the unknown story of how A 440 became the global norm. Tuning the World demonstrates the aesthetic, scientific, industrial, and political contingencies underlying the construction of one of the most 'natural' objects of contemporary musical performance and shows how this century-old effort was ultimately determined by the influence of a few powerful nations.…

  • Language: English

    Published by The University of Chicago Press, 2023

    0226823261 / 9780226823263

    • Hardcover

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    Condition: New. &Uumlber den AutorFanny Gribenski is assistant professor of music at New York University. She is the author of one book in French.

  • Published by University of Chicago press

    0226823261 / 9780226823263

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  • Language: English

    Published by University of Chicago Press, 2023

    0226823261 / 9780226823263

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    Buch. Condition: Neu. Tuning the World | The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 | Fanny Gribenski | Buch | Einband - fest (Hardcover) | Englisch | 2023 | University of Chicago Press | EAN 9780226823263 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

  • Language: English

    Published by The University of Chicago Press, US, 2023

    0226823261 / 9780226823263

    • Hardcover

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    Hardback. Condition: New. Tuning the World tells the unknown story of how the musical pitch A 440 became the global norm.Now commonly accepted as the point of reference for musicians in the Western world, A 440 hertz only became the standard pitch during an international conference held in 1939. The adoption of this norm was the result of decades of negotiations between countries, involving a diverse group of performers, composers, diplomats, physicists, and sound engineers. Although there is widespread awareness of the variability of musical pitches over time, as attested by the use of lower frequencies to perform early music repertoires, no study has fully explained the invention of our current concert pitch. In this book, Fanny Gribenski draws on a rich variety of previously unexplored archival sources and a unique combination of musicological perspectives, transnational history, and science studies to tell the unknown story of how A 440 became the global norm. Tuning the World demonstrates the aesthetic, scientific, industrial, and political contingencies underlying the construction of one of the most "natural" objects of contemporary musical performance and shows how this century-old effort was ultimately determined by the influence of a few powerful nations.…