Isbn: 9780226042015 - the Problem of American Realism: Studies in the Cultural History of a Literary Idea (morality and Society (hardcover)) (25 results)

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardbound with dust jacket. Pages unmarked, modest wear.

Hardcover. Condition: Almost Like New. Dust Jacket Condition: Almost Like New. First Printing. Book is a clean tight unmarked copy.

Hardcover. Condition: Near Fine. Dust Jacket Condition: As New. Hbk, 245pp, prev owner's name discretely on front endpaper, otherwise appears unread and a fine, clean, tight and unmarked copy in fine, unclipped and sleeve-protected dj, as new.

Condition: Used - Very Good. Boom, Brainpower, and Book Smarts! This textbook is in very good condition--gently used with only minor signs of past academic adventures. The pages are crisp, the binding is strong, and it's ready to fuel your next round of genius-level studying.

Condition: New.

Condition: New. Brand New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Hardback. Condition: New. Ever since William Dean Howells declared his "realism war" in the 1880s, literary historians have regarded the rise of realism and naturalism as the signal development in post-Civil War American fiction. Questioning this generalization, Michael Davitt Bell investigates the role that these terms played in the social and literary discourse of the 1880s and 1890s. He argues that "realism" and "naturalism" were ideological categories used to promote a version of "reality" based on radically anti-"literary" and heavily gendered assumptions. In chapters on William Dean Howells, Frank Norris, Mark Twain, Henry James, Stephen Crane, Theodore Dreiser, and Sarah Orne Jewett, Bell examines the effects that ideas about realism and naturalism had on writers. He demonstrates that, for many of them, claiming to be a realist or a naturalist was a way to provide assurance that one was a "real" man rather than an "effeminate" artist.…

Hardcover. Condition: Brand New. 1st edition. 256 pages. 9.25x6.25x1.00 inches. In Stock.

Hardback. Condition: New. New copy - Usually dispatched within 3 working days.

Condition: New.

Gebunden. Condition: New. KlappentextEver since William Dean Howells declared his realism war in the 1880s, literary historians have regarded the rise of realism and naturalism as the signal development in post-Civil War American fiction. Questioning this gener.

Condition: New.

Buch. Condition: Neu. Neuware - Ever since William Dean Howells declared his 'realism war' in the 1880s, literary historians have regarded the rise of 'realism' and 'naturalism' as the great development in American post-Civil War fiction. Yet there are many problems with this generalization. It is virtually impossible, for example, to extract from the novels and manifestoes of American writers of this period any consistent definitions of realism or naturalism as modes of literary representation. Rather than seek common traits in widely divergent 'realist' and 'naturalist' literary works, Michael Davitt Bell focuses here on the role that these terms played in the social and literary discourse of the 1880s and 1890s. Bell argues that in America, 'realism' and 'naturalism' never achieved the sort of theoretical rigor that they did in European literary debate. Instead, the function of these ideas in America was less aesthetic than ideological, promoting as 'reality' a version of social normalcy based on radically anti-'literary' and heavily gendered assumptions. What effects, Bell asks, did ideas about realism and naturalism have on writers who embraced and resisted them To answer this question, he devotes separate chapters to the work of Howells and Frank Norris (the principal American advocates of realism and naturalism in the 1880s and 1890s), Mark Twain, Henry James, Stephen Crane, Theodore Dreiser, and Sarah Orne Jewett. Bell reveals that a chief function of claiming to be a realist or a naturalist was to provide assurance that one was a 'real' man rather than an 'effeminate' artist. Since the 1880s, Bell asserts, all serious American fiction writers have had to contend with this problematic conception of literaryrealism. The true story of the transformation of American fiction after the Civil War is the history of this contention - a history of individual accommodations, evasions, holding actions, and occasional triumphs.…

Hardback. Condition: New. Ever since William Dean Howells declared his "realism war" in the 1880s, literary historians have regarded the rise of realism and naturalism as the signal development in post-Civil War American fiction. Questioning this generalization, Michael Davitt Bell investigates the role that these terms played in the social and literary discourse of the 1880s and 1890s. He argues that "realism" and "naturalism" were ideological categories used to promote a version of "reality" based on radically anti-"literary" and heavily gendered assumptions. In chapters on William Dean Howells, Frank Norris, Mark Twain, Henry James, Stephen Crane, Theodore Dreiser, and Sarah Orne Jewett, Bell examines the effects that ideas about realism and naturalism had on writers. He demonstrates that, for many of them, claiming to be a realist or a naturalist was a way to provide assurance that one was a "real" man rather than an "effeminate" artist.…