Zahn Carl (62 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft Cover. Condition: Like New. Carl F. Zahn (Design) (illustrator). 62 pp. Flawless book.

Paperback. Condition: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. The text block includes extensive photographs to supplement the text. Secure packaging for safe delivery.

Soft cover. Condition: Good. A VG or better 9" x 12" program book. 26 pages. Size: 8" x 11". Book.

Soft cover. Condition: Good. A VG or better 9" x 12" program book. 26 pages. Size: 8" x 11". Book.

Hardcover. Condition: Fine. No Jacket. 1st Edition. Gray and brown cloth, spine panel lettered in gold foil. As issued. Glassine dust wrapper no longer present. Slipcase, printed paper covered boards, shows very slight shelf wear, nearly as issued. Each of the 50 selected volumes is shown, with facing-page commentary. Limited to 3,225 copies. Size: 4to - over 9¾" - 12" tall. Book.

paperback. Condition: Very Good. 1966 Museum of Fine Arts Boston. Pages are all clean tight and bright, no marks. cover is clean and bright, spine is smooth. Light shelf rub to front edge of cover.

Softcover. Condition: As New. Dust Jacket Condition: No Dust Jacket. First Edition Thus. First Printing. Publisher's full paper binding, red lettering on spine and cover. Profusely illustrated with color photographs. . The volume is in perfect, pristine condition, unmarked, tight, square and clean. AS NEW. Color Photographs. 4to 11" - 13" tall. 143 pp.

Paperback. Condition: Very Good. First Edition. First Edition, First Printing. Published by Museum of Fine Arts, 1956. Octavo. Paperback. Book is very good with fading to spine. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Broschur. Condition: gut. 37 S., 24 cm, Lichtrand, Bibliotheksexemplar, leicht geknickt. Sprache: deu.

Quarto softcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.

Hardback. Condition: NF. Dust Jacket Condition: VG+. 1st Edition. Hardback bound in blue cloth-covered boards with the alphabet in gilt Calligraphy form on the cover and gilt title on the spine. No defects to note on the book. Dust jacket has light edge wear along top edge (now protected in archival jacket cover). Since 1948 Zapf has designed 175 alphabets for hand composition, for the Linotype typesetting machine. A listing of the plates is inside the dust jacket flaps so they can be viewed as one reads the book. 254 pages Size: 4to - over 9¾ - 12" tall. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Jacket is rubbed, soiled and heavily edge worn. Wear along jacket flap folds with short tears and chips. Tear to head of front flap fold and tears to head of spine, paper taped on verso. Sticker ghost to rear jacket panel along lower half near spine. Spots of soil to fore-edge of text block. Front free end-paper covered with gift inscriptions. Binding firm, text unmarked.

First Edition. #1009/2500 copies. First Edition. Near Fine condition.

Hardcover. Condition: Very Good-. Lorraine Monk(Editor) Carl Zahn(Designer) (illustrator). First Edition. A Time to Dream: Reveries en Couleurs by Lorraine Monk (editor) A firm square copy with dust-rubbing to the cloth. Yellow cloth, color plate to cover. Color photography. Oversize. 11.25 x 11 inches, approx. **Oversize. Additional postage required for International destinations. Please contact us for a shipping quote.**. BOOK.

Soft Cover. Condition: Very Good. Carl Zahn (Design) (illustrator). 88 pp. Solidly bound copy with moderate use. Small tear on top of front cover. Bottom right corner of front cover is creased.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; unnumbered pages. Notes; 5,000 copies printed in September 19557, Boston, Mass., USA. Subjects; Musée National d'Art Moderne. Paintings. Art Catalogues. 3 Kg.

Soft cover. Condition: Fine. 1st edition. Near Fine. 8vo, 48pp, stapled wrappers. Anti-War Issue of this important and overlooked Beat-era little magazine from Southern California. Unmarked copy, light wear. Not Signed.

Condition: Very Good. Very Good condition. Very Good dust jacket. With remainder mark. [9780821221433] (Landscape Photography, American West, Exhibition Catalogs) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Soft cover. Condition: Very Good-. Dust Jacket Condition: No Dust Jacket. 98 pp.+48 pp. of b/w plates Original tan wraps, moderately soiled w/ mild edge wear. Spine and edges a bit sunned. Previous owner's name on endpapers. Contents nice.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; unnumbered pages. Notes; 5,000 copies printed in September 19557, Boston, Mass., USA. Subjects; Musée National d'Art Moderne. Paintings. Art Catalogues. 1 Kg.

Soft cover. Condition: Good. A bright, tight copy - Covers have minor wear.

Soft cover. Condition: Very Good. 8vo, soft cover, illustrated, (70 p.) In very good condition. Doos G1.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

geheftet, ohne Einband. Condition: gut. Disputatio: 1841-12-23; 34 S., 1 Bl., 21 cm, Bleistiftmarkierung, Ecke geknickt, papierbedingt leicht gebräunt. Sprache: lat Erstausgabe.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Near Very Good. First Edition. First edition, hardcover, has a slight lean to the binding, light bumps to the cover corners, faint sunning to the head, and a previous owner's name penned to the front fly leaf. Overall, this is a solid, bright, Very Good+ copy in a Near Very Good dust jacket, which has bumps with short creased tears to the corners and the head of the spine, toning to the spine, rubbing with some smudging to the covers, a thin area of soiling at the tail of the front, and light wear with short tears to the edges. The jacket is wrapped in Mylar.

Hardcover. Dust Jacket Condition: Near Fine. 240 pages. 9 by 11-1/2 inches. Illustrated mostly in color. Near fine in a near fine dust jacket. A large, heavy book. A very nice copy. The official companion book to the Isabella Stewart Gardner Museum's hundredth anniversary celebration During her lifetime (1840-1924) Isabella Stewart Gardner was at the heart of Victorian Boston's liveliest salon. Henry and William James, Henry Adams, Oliver Wendell Holmes, John LaFarge, James McNeill Whistler, Bernard Berenson, and John Singer Sargent all gathered at Fenway Court, in the company of works by Giotto, Fra Angelico, Titian, Raphael, Rubens, and Rembrandt. One hundred years after its completion, the Isabella Stewart Gardner Museum remains as intrepid and idiosyncratic as its creator. The embodiment of one woman's vision, the Venetian palazzo turned inside out and its wildly eclectic collection of twenty-four centuries of paintings, sculpture, furnishings, and books nonetheless speak very personally to all who enter. At once grand and intimate, the garden courtyard and the terrazzo galleries invite discovery: every visitor (and there have been literally hundreds of thousands), it seems, has a secret corner of the Gardner. In celebration of its centenary, the Gardner Museum has asked artists and thinkers of our own time to go public with their private visions of the Gardner. In this book, filled with 120 color plates, their voices are joined and juxtaposed with those of Mrs. Gardner's contemporaries, allowing readers to see the Gardner's most beloved works through the eyes of such nineteenth- and twentieth-century thinkers as William James and Bill T. Jones, T. S. Eliot and Henry Louis Gates Jr., Julia Ward Howe and Sister Wendy. Robert Campbell takes as his subject the museum's architecture, while Wayne Koestenbaum offers a homoerotic reading of works in the collection. Beautifully designed and extravagantly illustrated, Eye of the Beholder offers a richly textured exploration of one of the world's great art collections.

Condition: As New. Like New condition. Very Good dust jacket. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.