Yolanda Plumley (45 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: As New. Essays in this volume cover topics relevant to medieval Europe including sacred and secular music, historiography, liturgical and biblical studies, sermons and preaching, the architecture of funerary chapels and the role of tombs in literature. Each essay explores the themes using works from the late Middle Ages or early Renaissance. Editor(s): Di Bacco, Giuliano; Plumley, Yolanda. Series: Exeter Studies in Medieval Europe. Num Pages: 288 pages, 20 black and white. BIC Classification: DSBB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 161 x 234 x 23. Weight in Grams: 602. . 2013. hardcover. Not a first edition copy. . . . Books ship from the US and Ireland.…

Condition: As New. Essays in this volume cover topics relevant to medieval Europe including sacred and secular music, historiography, liturgical and biblical studies, sermons and preaching, the architecture of funerary chapels and the role of tombs in literature. Each essay explores the themes using works from the late Middle Ages or early Renaissance. Editor(s): Di Bacco, Giuliano; Plumley, Yolanda. Series: Exeter Studies in Medieval Europe. Num Pages: 288 pages, 20 black and white. BIC Classification: DSBB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 161 x 234 x 23. Weight in Grams: 602. . 2013. hardcover. Not a first edition copy. . . .…

Hardcover. Condition: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Condition: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 288pp hardback, black boards gilt in wrapper.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. volume I only black boards silver-lettered in wrapper, (Exeter Studies in Medieval Europe).

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: As New. Dust Jacket Condition: As New. Volume 2 Cross- disciplinary perspectves on medieval culture. Articles by different contributors.

Condition: As New. Unread book in perfect condition.

paperback. Condition: New. 1st.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: Brand New. 1st edition. 288 pages. 9.75x6.75x1.00 inches. In Stock.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. Just as our society delights in citations, quotations, and allusions in myriad contexts, not least in popular song, late medieval poets and composers knew well that such references could greatly enrich their own works. In The Art of the Grafted Song: Citation and Allusion in the Age of Machaut, author Yolanda Plumley explores the penchant for borrowing in chansons and lyrics from fourteenth-century France, uncovering a practice integral to the experiments in form,genre, and style that ushered in a new school of lyric.Working across disciplinary boundaries, Plumley traces creative appropriations in the burgeoning "fixed forms" of this newtradition to build a more intimate understanding of the shared experience of poetry and music in the generations leading up to, and including, Guillaume de Machaut. Exploring familiar and less studied collections of songs as well as lyrics without music, this book sheds valuable light on the poetic and musical knowledge of authors and their audiences, and on how poets and composers devised their works and engaged their readers or listeners. It presents fresh insights into when and in whichmilieus the classic Ars nova polyphonic chanson took root and flourished, and into the artistic networks of which Machaut formed a part. As Plumley reveals, old songs lingered alongside the new in thecollective imagination well beyond what the written sources imply, reminding us of the continued importance of memory and orality in this age of increasing literacy.The first detailed study of citational practice in the French fourteenth-century song-writing tradition, The Art of Grafted Song will appeal to students and scholars of medieval French music and literature, cultural historians, and others interested in the historical and social context of music and poetry inthe late Middle Ages. In The Art of the Grafted Song: Citation and Allusion in the Age of Machaut, author Yolanda Plumley explores the penchant for borrowing in chansons and lyrics from fourteenth-century France, uncovering a practice integral to the experiments in form, genre, and style that ushered in a new school of lyric. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In The Art of the Grafted Song: Citation and Allusion in the Age of Machaut, author Yolanda Plumley explores the penchant for borrowing in chansons and lyrics from fourteenth-century France, uncovering a practice integral to the experiments in form, genre, and style that ushered in a new school of lyric. Num Pages: 496 pages, 52 figures, 7 tables, 62 poetry examples. BIC Classification: AVA; AVGC2; DSBB; HBLC1. Category: (G) General (US: Trade). Dimension: 162 x 240 x 39. Weight in Grams: 848. . 2013. . . . .…