Will Higbee (153 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Used-Very Good. Pbk. Some shelf-wear. Else, bright, clean copy.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

hardcover. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condition: New. pp. 224.

paperback. Condition: As New. As new paperback in excellent condition. Book is in fine shape with tight spine, crisp clean pages. Spine uncracked. Virtually new.

Condition: New. pp. 224.

Soft cover. Condition: Fine.

Condition: New. pp. 224.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condition: new. Paperback. Moroccan film production has increased rapidly since the late 2000s, and Morocco is a thriving service production hub for international film and television. Taking a transnational approach to Moroccan cinema, this book examines diversity in its production models, its barriers to international distribution and success, its key markets and audiences, as well as the consequences of digital disruption upon it. Taking a transnational approach to Moroccan cinema, this book examines diversity in its production models, its barriers to international distribution and success, its key markets and audiences, as well as the consequences of digital disruption upon it. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. Moroccan film production has increased rapidly since the late 2000s, and Morocco is a thriving service production hub for international film and television. Taking a transnational approach to Moroccan cinema, this book examines diversity in its production models, its barriers to international distribution and success, its key markets and audiences, as well as the consequences of digital disruption upon it.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Mathieu Kassovitz is arguably the most important filmmaker to have emerged from French cinema in the past two decades. As a director, his work often engages with highly controversial socio-political issues whilst still managing to attract and connect with a popular audience - and, above all, with a youth audience.He is also one of the few contemporary French filmmakers who is capable of productively engaging with Hollywood, in terms of cinematic style, narrative and genre, yet still retaining his own identity as a French filmmaker. In addition to his directorial successes, Kassovitz has also achieved considerable critical and commercial success in France as a screen actor. His films - whether directed by or acted in, or both - show an astonishing variety, from his early Métisse (1993), his break-through, La Haine (1995) through to Jeunet's Le fabuleux destin d'Amélie Poulain (2000), Astérix et Obélix: Mission Cléopatre (2002) and Gothika (2003).Will Higbee's study is the first to explore of one of the most fascinating characters in French cinema.…

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Laminated Boards. Condition: Near Fine. No dj. First Edition. Shiny tight clean hardcover, free of markings bumps or wear. Acid free paper and b&w photos in text. 204pp. Size: 4to.

Condition: new.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

New edition. 8vo. xii + 204pp. B/w. illustrations. Paperback in original pictorial blue wrapps. lettered in white and black. Very good. ISBN 9780748697373 US$13.

1st edition, hardback , 8vo, x,222pp, illustrated, clean and tight, no inscriptions, black cloth, Very Good condition / no dustwrapper. . ISBN: 0719071461.

Paperback. Condition: New. Moroccan film production has increased rapidly since the late 2000s, and Morocco is a thriving service production hub for international film and television. Taking a transnational approach to Moroccan cinema, this book examines diversity in its production models, its barriers to international distribution and success, its key markets and audiences, as well as the consequences of digital disruption upon it.…

Condition: As New. Unread book in perfect condition.

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condition: New.

Paperback. Condition: new. Paperback. Since the early 1980s and the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African emigre filmmakers have occupied an increasingly prominent position on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater visibility and move to the mainstream has not, however, automatically meant that these films have lost any of the social or political relevance. Indeed in the 2000s many of these films have increasingly questioned the boundaries between national, transnational and diasporic cinema, whilst simultaneously demanding, either implicitly or explicitly, a reconsideration of the very difference that has traditionally been seen as a barrier to the successful integration of North African immigrants and their descendants into French society.Through a detailed study of this transformative decade for Maghrebi-French and North African emigre filmmaking in France, this book argues for the emergence of a 'Post-Beur' cinema in the 2000s that is simultaneously global and local in its outlook. Its key features include:A comprehensive overview of the key developments in Maghrebi-French and North African emigre filmmaking in France since the 2000s: counter-heritage cinema and the memorialisation of Frances colonial past; journey narratives and the myth of return; the mainstreaming of Maghrebi-French directors and stars; representations of Islam. Detailed case studies of key films from the 2000s that have yet to receive scholarly attention, such as Hors-la-loi, Dernier maquis and Venus noire. An in-depth analysis of trends in production, distribution and exhibition as they relate to Maghrebi-French and North African emigre filmmakers in the 2000s.An absorbing introduction to this recent cinematic tradition, Post-Beur Cinema is essential reading for students and scholars in Film Studies, French Studies and Diaspora Studies. Post-Beur Cinema explores the work of Maghrebi-French and North African emigre filmmakers on both sides of the camera since the 1970s, offering original perspectives and fresh interpretations of key films, both mainstream and independent. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…