Werth Albert (26 results)

Hardcover. Condition: Very Good. No Jacket. 1st Edition. The boards are a bit shelf rubbed.light marks.no inscriptions.well bound.very good copy.[S.K]. Our orders are shipped using tracked courier delivery services.

Soft cover. Condition: Very Good. Wraps are shelf rubbed.Internally clean.Excellent binding.English and Afrikaans text.Very good copy.33 pages.Undated.[R.K]. Our orders are shipped using tracked courier delivery services.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. The boards are a bit rubbed. Internally clean and tightly bound. Our orders are shipped using tracked courier delivery services.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Book is in mint condition. Still in original packaging. Book has no inscriptions. Dust jacket and original slip case have no tears. Binding is excellent, tight and square. multiple copies are available. Our orders are shipped using tracked courier delivery services.

Condition: Good+. Catalogued published for the exhibition of the same title at the Pretoria Art Museum and Goodman Gallery from August to October 1989. 32 Pages. 1st Edition. Condition: Good+. Binding: Softcover.

Softcover. Condition: Near Fine. No Jacket. 32 pages (complete). Published to accompany the exhibitions, of the same name as the title, at The Pretoria Art Museum: 3 August-3 September and Goodman Gallery (Sandton) 7 October-28 October 1989 (although the Afrikaans translation of this information indicates the exhibition in Sandton ending on 21 October!). Soft cover with flaps. The covers have slight wear about the edges. They have some scuffing. They are otherwise smart, neat. The contents are most pleasing. They are vivid, bright, gratifyingly clean and clear, confident, generous. fk. Our orders are shipped using tracked courier delivery services.

Hard Cover. Condition: Good. Dust Jacket Condition: Good. Hardback with dust-wrapper. 126pp. Illustrated throughout. D/w slightly marked and chipped to edges. A pleasing copy. A heavy book, additional postage may be required for orders outside the UK.(bs18).

Softcover. Condition: Very Good. No Jacket. First Edition. 75 pages (complete). An agreeable copy. The covers are tidy and sure. They have light scuffing. Within, the pages are tight, bright, alert, clean and clear. fk. Our orders are shipped using tracked courier delivery services.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Signed by Baldinelli on the frontispage. Publication of 126 pages. Heavy book may require extra postage unless posted within South Africa. Frontispiece. An excellent, vivacious copy. The dust jacket and boards are in near fine condition. Internally the pages are clean and complete. Tightly bound and presented in cellophane. The binding is excellent. The book is housed in an illustrated card slipcase. GK. Our orders are shipped using tracked courier delivery services. Signed.

Soft cover. Condition: Fine. Exhibition 5 - 30 May 1993 catalogue parallel English/Afrikaans. 210 x 260mm. 24pp. saddle-stitched illus. in b/w and colour. Scarce.

Soft cover. Condition: As New. 1st Edition. First Edition. Fine, as new. BoB Africana. Paperback. No dj.

Leinen. 2. Auflage. 23,0 x 16,0 cm. 147 Seiten, 2 Blätter (Inseratenanhang). Typografisch gestalteter Originalleinenband. - Vorderdeckel und Rücken ausgeblichen, etwas stockfleckig, kleines Rückenschild, Stempel auf Titel, ausgeschiedenes Bibliotheksexemplar, innen sauber. Dr.-Ing. A. van der Werth, Patentanwalt in Berlin. Versandhinweis: Die Versandkostenpauschalen basieren auf Sendungen mit einem durchschnittlichen Gewicht. Falls das von Ihnen bestellte Buch besonders schwer oder sperrig sein sollte, werden wir Sie informieren, falls zusätzliche Versandkosten anfallen.

Couverture souple. Condition: Très bon. Edition originale. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.

Couverture souple. Condition: Très bon. Edition originale. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.

Softcover. Condition: Very Good. No Jacket. English and Afrikaans text. The wraps are tidy overall with little edge wear. The binding is secure. Light browning along the edges of the pages. There are no ink inscriptions or annotations. Tall. JHK. Our orders are shipped using tracked courier delivery services.

Hardcover. Condition: Good. Dust Jacket Condition: Very Good. Limited Edition. Limited Edition No. 88 of 250. Originally came with a signed print, sadly it's no longer with the book. Signed by the author in ink on the back of the half title page. The book is in a protective box. The jacket is shelf rubbed with 4 very small closed tears. The boards are edge rubbed with small closed tears and chips on the spine, the corners are knocked. No other ink inscriptions or annotations. Presents well in cellophane. Tall and heavy book, extra postage required unless posted within South Africa. JHK. Our orders are shipped using tracked courier delivery services.

126 S. Mit sehr zahlr., meist farb. Abb. u. einer mont. farb. Abb. Gr.-4°, Orig.-Kunstlederbd. mit -Schutzumschlag. Vom Künstler signiert! - Schutzumschlag mit einer winzigen Läsur, sonst gutes Exemplar. 1600 gr.

Hardcover. Presentation copy signed by Baldinelli and Natalie Knight on half title page. Size: 9.5" x 12.5". 38 tipped-in color plates; 43 b/w plates; 127pp. Top corners lightly bumped, else very good plus, clean & tight condition / lightly soiled and chipped dust jacket / rubbed and worn but still protective cardboard box.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fair. First Edition. 127 pages (complete). Signed (with braggadocio) by Baldinelli on the title page (dated: Jhb 7-6-1977). A vivacious copy. The dustjacket has wear, scuffing, handling and storage marks all about. It is comfortable, sure. The boards are handsome, elegant. The contents are most pleasing. They are fresh-faced, bright, vivid, expressive, impactful, clear, clear, confident, convivial. fk. Our orders are shipped using tracked courier delivery services. Signed.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Good. First Edition. 127 pages (complete). Signed by Baldinelli on the frontispage. The book is housed in an illustrated, card slipcase. The slipcase has some wear about the edges, some scuffing, some storage marks. It is otherwise healthy and sure. The dustjacket has some light wear about the edges from shelving and use. The back cover has storage/ age-related marks, wear. The dj is otherwise secure, sure, agreeable. The black boards are smart, handsome. Within, the contents are benign. The very early, and very late pages have very shallow, very light storage related marks. Otherwise, the contents are most pleasing. They are bright, clean, clear, fresh-faced, enthusiastic, keen, confident, generous, vivid. fk. Our orders are shipped using tracked courier delivery services. Signed.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Limited. 127 pages (complete). Hand-numbered 40 (by Baldinelli) of a limited edition of 250 copies. Signed by Baldinelli on the certification page. Included is an ORIGINAL Lithograph that is numbered and signed by Armando Baldinelli. A placid copy. The dustjacket has a clear plastic protective cover. The dustjacket is bright, tidy, secure and sure. The black boards are cool and elegant. The contents are mild-mannered. The papertrims are very lightly spotted. The contents are agreeably comfortable. There are flushes, blushes, smears of foxing and storage marks here and there. In general and by far, the pages are vivid, vibrant, vivacious, clean, clear, generous, bountiful. fk. Our orders are shipped using tracked courier delivery services. Signed.

1920. Paris Les cahiers d'aujourd'hui n°1 novembre 1920 - Broché 19 cm x 26 cm 54 pages + publicités ills noir et blanc in et hors-texte - Textes de Léon Werth Régis Gignoux André Billy (Léautaud) Marcel Ray (Georges Grosz) Ernest Tisserand René Arcos et Georges Besson (Renoir) ills de Raoul Dufy Dunoyer de Segonzac Albert Marquet Matisse Georges Grosz et Renoir - Rousseurs traces d'humidité sur les dernières pages sinon bon état. Bon état.

In-4, leg. edit., sovracopertina conservata, pp. 125, con molte ill. n.t. anche a colori. Esemplare con firma autografa.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 50. A perfect gift for your loved ones. Reprinted from 1901 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Latin Pages: 50.

. Illustrateur : MATISSE (Henri), MARQUET (Pierre-Albert). (illustrator). Paris, Georges Crès, Les Éditions des "Cahiers d'Aujourd'hui", publié par Georges Besson, 1920, in-4, broché, titre sur la couverture rempliée, 50 pages suivies de 48 reproductions phototypiques d'André Marty. Exemplaire exceptionnel d'Albert Marquet avec une belle dédicace de son ami Henri Matisse. A Bordeaux, en 2009, le Musée des Beaux-Arts présentait une exposition relatant les liens d'amitiés entre Matisse et Marquet au travers leurs correspondances et oeuvres. Infimes insolations, petites restaurations au dos. Livre.

In-4 ( 330 X 250 mm ) en feuilles sous couverture verte rempliée. Edition originale, illustrée de 11 lithographies, eaux-fortes et pointes sèches originales dont 5 hors-texte de Albert MARQUET. Tirage limité et unique à 200 exemplaires numérotés sur vélin blanc, celui-ci ( N°18 ), 1 des 20 premiers enrichi de * une suite des estampes sur papier Japon ancien et * une suite des planches non utilisées. Très bel exemplaire. Très rare avec la suite. lithographie estampe Beaux-arts gravure peinture.