Ware Bill (42 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hard cover, personalized for "Anna", glossy pictorial boards, 18 pages, 6 7/8 x 7 3/4 inches, very good + book condition, no dust jacket, juvenile picture book.

Illustrated Boards. Condition: Very Good. light board edgewear; sticker residue on front board. Draper, Ralph; mcNamee, Bill; Fine, Dave; Flowers, Jean; McCabe, Don; Lavelle, Tom (illustrator).

Trade Paperback. Condition: VG-. used trade paperback edition. lightly shelfworn, corners a bit bumped, some scuffing/wear to covers. binding is straight and tight with no marks to text or other serious flaws.

Cloth Over Boards. Condition: Good. Dust Jacket Condition: Fair. tight binding; clean pages; discolored due to age; wear/tear around edges Size: 8vo - over 7¾" - 9¾" tall. Hughes, Bill (illustrator).

Soft cover. Condition: GOOD, Decent Reading Copy. ARGOSY Men Adventure Magazine Volume 375, #2 (August /1972; Popular Publications;) Photo Front Cover: Shostal Associates; 100 pages including covers; Writers: Robert C. O'Brien; Bruce Cassiday; Gene Lowell; Tom McMorrow; Steve Ferber; William B. Hartley; Bill Surface; Joyce and Wilson Ware; E. Jervis Bloomfield; Tom McCahill; Charles Meyer; Robert McNear; Harry Steeger; Gil Paust; Milt Machlin; Luce Tompkins; Interior Artists: Henry Syverson; Bill Johnson; David Blossom; *** Book Order # ADV182; Condition= G = (2.0) GOOD; (Used Reading Copy); 3" x 1" Paper pull on front cover Tape Residue on covers; Cover creasing; Back cover staining; Price=US$12.00); Size: 4to - over 9¾" - 12" tall TRUE FIRST Edition MAGAZINE Format Thus. Interior Artists: Henry Syverson; Bill Johnson; David Blossom; (illustrator). Book. …

LG Trade PB,comic strip art. Condition: New. First Edition; First Printing. Book New. No notes, names or ANY markings. ; Krazy Kat; 120 pages.

Condition: Very Good. 120 pages. Light edgewear to wrappers. Color comics throughout. This volume finds Herriman flowering into the peak of his inventiveness, liberated at last from the constraints of his syndicate's chosen format. Gorgeous cartoons are augmented by rare bonus materials. This volume is one in a long-term plan to chronologically reprint the entirety of the 28-year run of Krazy Kat's breathtaking Sunday page, most of which has not seen print since originally running in newspapers 75 years ago. Each volume is painstakingly edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware. In addition to the 104 full-page black-and-white Sunday strips from 1929 and 1930 (Herriman did not use color until 1935), the book includes an introduction by Blackbeard and reproductions of rare Herriman ephemera from Ware's own extensive collection, as well as annotations and other notes by Ware and Blackbeard. Record # 352670.…

Magazine. 83, [11]p., 8.5x11 inches, explicit b&w and color photos of nude men, stories, articles, wraps lightly worn, old price penciled on front wrap, otherwise very good semi-glossy gay men's magazine in stapled pictorial wraps.

Hardcover. Condition: Very Good Plus. Very Good Plus. First Edition [stated]. 189 pages. A Crime Club thriller set in Washington, D.C., and New York. Size: 8vo. Jacket photograph by Bill Hughes (illustrator).

Magazine. The November 20, 2005, issue of the Sunday New York Times Magazine, with: part 10 of the graphic novel Building Stories by Chris Ware; chapter 10 of Comfort to the Enemy by Elmore Leonard; a fashion pictorial photographed by Peggy Sirota; Marc Jacobs on Hollywood and fashion; a tour of the home and possessions of Bill T. Jones photographed by Michael Schmelling; the rise of the gifted child industry by Ann Hulbert with a cover photograph by Loretta Lux; an interview with Jean Baudrillard; David Rieff on Evo Morales, the Bolivian Indian running for president, and the cult of Che Guevara with photographs by Kathryn Cook; a profile of Lynne Truss by Deborah Solomon and a portrait by Jillian Lochner; Samuel Alito; and much more. Staple-bound magazine; 130 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine magazine with very light signs of handling/storage. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Hardback. Condition: Good. The luminous work of Bill Armstrong has long stretched the boundaries and expectations of contemporary photography. In his explorations and subversion of the ostensible objectivity and precision that have distinguished photography among the visual arts, Armstrong foregrounds the medium?s qualities that photographers had been attempting to exploit since the beginning of the twentieth century: colour and focus. All a Blur showcases Mr. Armstrong's Infinity series, an ongoing project he has been working on for over 25 years. The book presents 21 different portfolios, all made by using his unique process of photographing a collage of found or appropriated images extremely out of focus or distorted by handheld time exposures. The variety of subjects and results he achieves with this process is so broad it has been said that he has developed a medium of his own invention that lies at the intersection of photography, painting and collage.   With mysterious and poetic images that reflect on history, philosophy, identity and spirituality, Armstrong conjures a unique alternate reality that might exist in dreams, in memory, or, perhaps, in a parallel universe. At the same time, the subject of the work is colour. By taking away focus and the usual expectations of photography, Armstrong is able to investigate the qualities and effects of pure colour in a profound way, freed from the limits of representation.…

Paperback. Condition: Very Good. First Edition. First edition.

Hardback. Condition: Good. The luminous work of Bill Armstrong has long stretched the boundaries and expectations of contemporary photography. In his explorations and subversion of the ostensible objectivity and precision that have distinguished photography among the visual arts, Armstrong foregrounds the medium?s qualities that photographers had been attempting to exploit since the beginning of the twentieth century: colour and focus. All a Blur showcases Mr. Armstrong's Infinity series, an ongoing project he has been working on for over 25 years. The book presents 21 different portfolios, all made by using his unique process of photographing a collage of found or appropriated images extremely out of focus or distorted by handheld time exposures. The variety of subjects and results he achieves with this process is so broad it has been said that he has developed a medium of his own invention that lies at the intersection of photography, painting and collage.   With mysterious and poetic images that reflect on history, philosophy, identity and spirituality, Armstrong conjures a unique alternate reality that might exist in dreams, in memory, or, perhaps, in a parallel universe. At the same time, the subject of the work is colour. By taking away focus and the usual expectations of photography, Armstrong is able to investigate the qualities and effects of pure colour in a profound way, freed from the limits of representation.…

Condition: As New. Unread book in perfect condition.

hardcover. Condition: New. **HARDBACK**.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardcover. Condition: new. Hardcover. The luminous work of Bill Armstrong has long stretched the boundaries and expectations of contemporary photography. In his explorations and subversion of the ostensible objectivity and precision that have distinguished photography among the visual arts, Armstrong foregrounds the mediums qualities that photographers had been attempting to exploit since the beginning of the twentieth century: colour and focus.All a Blur showcases Mr. Armstrong's Infinity series, an ongoing project he has been working on for over 25 years. The book presents 21 different portfolios, all made by using his unique process of photographing a collage of found or appropriated images extremely out of focus or distorted by handheld time exposures. The variety of subjects and results he achieves with this process is so broad it has been said that he has developed a medium of his own invention that lies at the intersection of photography, painting and collage. With mysterious and poetic images that reflect on history, philosophy, identity and spirituality, Armstrong conjures a unique alternate reality that might exist in dreams, in memory, or, perhaps, in a parallel universe. At the same time, the subject of the work is colour. By taking away focus and the usual expectations of photography, Armstrong is able to investigate the qualities and effects of pure colour in a profound way, freed from the limits of representation. All a Blur showcases Mr. Armstrong's Infinity series, an ongoing project he has been working on for over twenty-five years. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardcover. Condition: New. Signed by Author(s).

Condition: New.

Condition: new.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. 2025. hardcover. . . . . .

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

hardcover. Condition: New. Special order direct from the distributor.

Condition: New.