Wakelin Daniel Daniel Wakelin (185 results)

hardcover. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

hardcover. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. For a zitty face. Take urine eight days old and heat it over the fire; wash your face with it morning and night. In late medieval England, ordinary people, apothecaries and physicians gathered up practical medical tips for everyday use. While some were sensible herbal cures, many were weird and wonderful. This book selects some of the most revolting or remarkable remedies from medieval manuscripts in the Bodleian Library in Oxford. There are embarrassing ailments and painful procedures, icky ingredients and bizarre beliefs. The would-be doctors seem oblivious to pain, and any animal, vegetable or mineral, let alone bodily fluid, can be ground up, smeared on or inserted for medical benefit. Similar ingredients are used in recipes for how to make yourself invisible, how to make a woman love you, how to stop dogs from barking at you and how to make freckles disappear. Written in the down-to-earth speech of the time, these remedies often blur the distinction between medicine and magic. They also give a humorous insight into the strange ideas, ingenuity and bravery of men and women in the Middle Ages, and a glimpse of the often gruesome history of medicine through time. The remedies have been collected and transcribed from fifteenth-century manuscripts by students at the University of Oxford. Modern English translations, for easier reading, are given alongside the original Middle English. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Hardcover. Condition: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Hardcover. Condition: Like New. Like New. First Edition. First Edition, First Printing. Not price-clipped ($17.50 price intact). Published by Bodleian Library, 2018. Octavo. Book is like new. Dust jacket is like new with very light creasing to the spine. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. This Element explores the idea of publication in media used before, alongside, and after print. It contrasts multiple traditions of unprinted communication in their diversity and particularity. This decentres print as the means for understanding publication; instead, publication is seen as an heuristic term which identifies activities these traditions share, but which also differ in ways not reducible to comparisons with printing. The Element engages with texts written on papyrus, chiselled in stone, and created digitally; sung, proclaimed, and put on stage; banned, hidden and rediscovered. The authors move between Greek inscriptions and Tibetan edicts, early modern manuscripts and AI-assisted composition, monasteries and courts, constantly questioning the term 'publication' and considering the agency of people publishing and the publics they address. The picture that transpires is that of a colourful variety of contexts of production and dissemination, underlining the value of studying 'unprinted' publication in its own right. …

Hardcover. Condition: Very Good. Support Small Business by buying this book! Family owned bookshop in Steubenville, Ohio. Book in Very Good condition. Binding sound. No marks in text.

Condition: new.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: New. This collection of seventeen original essays by leading authorities offers, for the first time, a comprehensive overview of the significant authors and important aspects of fifteenth-century English poetry.This collection of seventeen original essays by leading authorities offers, for the first time, a comprehensive overview of the significant authors and important aspects of fifteenth-century English poetry. The major poets of thecentury, John Lydgate and Thomas Hoccleve, receive detailed analysis, alongside perhaps lesser-known authors: John Capgrave, Osbern Bokenham, Peter Idley, George Ashby and John Audelay. In addition, several essays examine genres and topics, including romance, popular, historical and scientific poetry, and translations from the classics. Other chapters investigate the crucial contexts for approaching poetry of this period: manuscript circulation, patronageand the influence of Chaucer. Julia Boffey is Professor of Medieval Studies at Queen Mary, University of London; A.S.G. Edwards is Professor of Medieval Manuscripts at the University of Kent. Contributors: Anthony Bale, Julia Boffey, A.S.G. Edwards, Susanna Fein, Alfred Hiatt, Simon Horobin, Sarah James, Andrew King, Sheila Lindenbaum, Joanna Martin, Carol Meale, Robert Meyer-Lee, Ad Putter, John Scattergood, Anke Timmermann, DanielWakelin, David Watt.…

Paperback. Condition: New. This collection of seventeen original essays by leading authorities offers, for the first time, a comprehensive overview of the significant authors and important aspects of fifteenth-century English poetry.This collection of seventeen original essays by leading authorities offers, for the first time, a comprehensive overview of the significant authors and important aspects of fifteenth-century English poetry. The major poets of thecentury, John Lydgate and Thomas Hoccleve, receive detailed analysis, alongside perhaps lesser-known authors: John Capgrave, Osbern Bokenham, Peter Idley, George Ashby and John Audelay. In addition, several essays examine genres and topics, including romance, popular, historical and scientific poetry, and translations from the classics. Other chapters investigate the crucial contexts for approaching poetry of this period: manuscript circulation, patronageand the influence of Chaucer. Julia Boffey is Professor of Medieval Studies at Queen Mary, University of London; A.S.G. Edwards is Professor of Medieval Manuscripts at the University of Kent. Contributors: Anthony Bale, Julia Boffey, A.S.G. Edwards, Susanna Fein, Alfred Hiatt, Simon Horobin, Sarah James, Andrew King, Sheila Lindenbaum, Joanna Martin, Carol Meale, Robert Meyer-Lee, Ad Putter, John Scattergood, Anke Timmermann, DanielWakelin, David Watt.…

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condition: New.

Paperback. Condition: New. New. Daniel Wakelin introduces and reinterprets the misunderstood and overlooked craft practices, cultural conventions and literary attitudes involved in making some of the most important manuscripts in late medieval English literature. In doing so he overturns how we view the role of scribes, showing how they ignored or concealed irregular and damaged parchment; ruled pages from habit and convention more than necessity; decorated the division of the text into pages or worried that it would harm reading; abandoned annotations to poetry, focusing on the poem itself; and copied English poems meticulously, in reverence for an abstract idea of the text. Scribes' interest in immaterial ideas and texts suggests their subtle thinking as craftspeople, in ways that contrast and extend current interpretations of late medieval literary culture, 'material texts' and the power of materials. For students, researchers and librarians, this book offers revelatory perspectives on the activities of late medieval scribes.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. 2017. Hardcover. . . . . .

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: Brand New. 300 pages. 6.00x0.63x9.00 inches. In Stock.

Like New first edition hardback with illustrated laminated boards. 'A richly illustrated exploration of more than eight centuries of English manuscript design, from the Anglo-Saxon period to the early Tudors. Daniel Wakelin examines how medieval scribes, painters and engravers arranged and decorated texts, considering page layout, illustration, bilingual manuscripts, inscriptions and the practical needs of readers. Drawing extensively upon the Bodleian Library's outstanding collections, the book reveals the ingenuity and craftsmanship behind the presentation of written English during the Middle Ages.' The book measures 10½" x 8½", it has 215 pages and is profusely illustrated with colour plates and photographs. The binding and contents are pristine. Like New.…

paperback. Condition: New.

Condition: New. 2024. New. paperback. . . . . .

Condition: new.