Van Buren Robert (55 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft Cover. Condition: Very Good. Softcover in VERY GOOD condition, last 15 pages have light moisture stain near fore edge, otherwise clean; binding tight, spine perfect, covers bright and glossy. Immed shipping.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Trade Paperback. Condition: Good. Ink underlining and marginalia on a few pages, lightly foxed along edges. 1979 Trade Paperback. 96 pp. Maps inside wrappers and in text, color and black-and-white reproductions of numerous historical paintings and illustrations.

Pamphlet. Condition: Very Good. January 2, 1892, pp. 8-10+ Lge FoldOut Illus Plt showing engineering details (21 x 13.5 Inches), Illus, Folio, Extracted from orig vol, thus begins with title page, (Entire Issue), ex llib perfs on Illus Plt else VG (Could be nicely framed).

Soft cover. Condition: Good. No Jacket. 4 books: AMERICAN JOURNAL OF SEMIOTICS. VOL. 8, NO. 4, 1991. Indiana University Press. 1991. 190p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked + New Vocabularies in Film Semiotics : Structuralism, Post-Structuralism, and Beyond. Robert Burgoyne; Sandy Flitterman-Lewis; Robert Stam. Routledge. 1992. 239p. trade paperback, covers bumped/scuffed, binding tight, text has minor underlining on three pages only, rest of text is clean/unmarked + Alice Doesn't: Feminism, Semiotics, Cinema. Teresa de Lauretis. Indiana University Press, 1984.220p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked, name inscribed half-title page + The Modernist Madonna: Semiotics of the Maternal Metaphor (ISBN: 0253205441 / 0-253-20544-1) Jane Silverman Van Buren, Indiana University Press, 1989, 215p, trade pb, covers bumped/scuffed, underlining first 21 pages, otherwise clean text, solid binding, SIGNED/INSCRIBED BY AUTHOR12.00.

Paperback. Condition: Very Good. First Edition. Providence: Department of English / Providence College 1991. First Edition. Softcover. First edition. This copy has been inscribed and signed by one of the book/cover designers, Robert / Bob Booth. Magazine. Pictorial wrappers about 6" x 9" 66 pages, illustrated.Very good with creasing to the bottom corner of the front cover. whb12.

Soft cover. Condition: Fine. 1st Edition. 0738534501 Soft cover with photo pictorial covers, first published in 2003 as stated, no markings, inscribed by authors on title page, no creases or folds.

Condition: very_good.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good. VG+, tight and clean lacking the dust jacket.

Condition: New.

Paperback. Condition: Very Good. Very good paperback. Pages are clean and unmarked. Covers show very minor shelf wear.; 100% Satisfaction Guaranteed! Ships same or next business day!

Condition: New. 2003. Paperback. . . . . .

Hardcover. Condition: Very Good. -------Brown cloth covers with black design and with gilt lettering, book is 7 1/2" tall. 384 pages, with 8 portraits.VERY GOOD CONDITION- - no dust jacket.

Condition: New. 2003. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New. In.

Softcover. First Edition; First Printing. Near Fine in wraps.; Signed by both authors on title page.; 8.9 X 6.2 X 0.4 inches; 128 pages.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: New. In.

Softcover. First Edition; Second Printing. Near Fine in wraps.; Images of America.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. Reference : "Primary Structures : Younger American and British Sculptors" by Kynaston McShine. New York, NY : The Jewish Museum, 1966. New. In publisher's plastic wrap as issued.

Condition: New. &Uumlber den AutorThe authors first collaborated on Historic Beacon, published by Arcadia in 1998. Robert J. Murphy serves as the president of the Beacon Historical Society and editor of its monthly newsletter. Denise Doring VanBuren is.

Paperback. Condition: New. Print on Demand. This book is a collection of essays that analyze the ideas of a series of influential thinkers, each of whom had a profound impact on the development of social and political thought. Beginning with Emanuel Swedenborg and concluding with Ernst Haeckel, the essays explore the ways in which these thinkers challenged prevailing assumptions and offered original insights into the nature of society. The essays examine the writings of Swedenborg on spirituality and scripture, Adam Smith on economics, Jeremy Bentham on law and utilitarianism, Thomas Paine on revolution, Charles Fourier on social harmony, Herbert Spencer on evolution and morality, and Haeckel on the scientific basis for social thought. Through these essays, the book offers a comprehensive overview of the development of social and political thought and underscores the ongoing importance of these thinkers' ideas in shaping our understanding of society. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!