Tyler Green (110 results)

Condition: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly!

Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: New. Hardcover. Publisher overstock, may contain remainder mark on edge.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Brachfeld, Aaron (illustrator). Unread book in perfect condition.

Condition: New. Brachfeld, Aaron (illustrator).

paperback. Condition: Fine. All orders ship by next business day! This is a used book. Grade 4 out of 5 points. Book may have wear due to handling. Has no markings on pages. May not include extra materials like access codes, CDs, accessories, etc. We are a small company and very thankful for your business!

Soft cover. Condition: Very Good. Softcover journal in very good condition. Article topics include: dedication to Mary Hunter Austin; Alfred Henry Lewis: Western storyteller; P. W. Dooner: pioneer editor of Tucson; exploring the Rio Grande: Lt. Duff C. Green's report of 1852; and more. Size: 8vo - over 7¾ - 9¾" tall. Journal.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condition: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: Fine.

Soft cover. Condition: As New. 1st Edition. Comic Book. Magazine Size and Format. First Printing. Color illustrated covers with black/white interior illustrations. AS NEW. Binding tight, without stress creases and square. All corners pointed. Without tears, creases, bumps or chips. Not marked in any way and very clean, glossy and bright. All items carefully wrapped and sent boxed.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Hardcover. Condition: Near Fine. First Edition. Signed by Thrasher and Mudge on the half-title page. A nice, solid copy. ; Color Plates; 8.22 X 0.89 X 10.27 inches; 252 pages; Signed by Author.

Condition: New.

Condition: New.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Condition: As New. Unread book in perfect condition.

Trade Paperback. A paperback copy in very good condition. Back cover bent and small tear on back top corner. "[A] fascinating and indispensable book."--Christopher Knight, Los Angeles Times Best Books of 2018--The Guardian Gold Medal for Contribution to Publishing, 2019 California Book Awards Carleton Watkins (1829-1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union's disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio's horrific photographs of Antietam were on view. Watkins's work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins's pictures, Congress would pass legislation, signed by Abraham Lincoln, that preserved Yosemite as the prototypical "national park," the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth's landmark 1948 "Yosemite: The Story of an Idea." Watkins's photographs helped shape America's idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins's clients, customers, and friends were a veritable "who's who" of America's Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today's America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn't just reflect his time, but acted as an agent of influence. This telling of Watkins's story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.

Condition: New.

Paperback. Condition: New. "[A] fascinating and indispensable book."-Christopher Knight, Los Angeles TimesBest Books of 2018-The Guardian Gold Medal for Contribution to Publishing, 2019 California Book Awards Carleton Watkins (1829-1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias.   Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union's disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio's horrific photographs of Antietam were on view. Watkins's work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union.   Motivated by Watkins's pictures, Congress would pass legislation, signed by Abraham Lincoln, that preserved Yosemite as the prototypical "national park," the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth's landmark 1948 "Yosemite: The Story of an Idea."   Watkins's photographs helped shape America's idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins's clients, customers, and friends were a veritable "who's who" of America's Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today's America.   Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn't just reflect his time, but acted as an agent of influence. This telling of Watkins's story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.

Paperback. Condition: new. Paperback. "[A] fascinating and indispensable book."Christopher Knight, Los Angeles TimesBest Books of 2018The Guardian Gold Medal for Contribution to Publishing, 2019 California Book Awards Carleton Watkins (18291916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Unions disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studios horrific photographs of Antietam were on view. Watkinss work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkinss pictures, Congress would pass legislation, signed by Abraham Lincoln, that preserved Yosemite as the prototypical national park, the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huths landmark 1948 Yosemite: The Story of an Idea. Watkinss photographs helped shape Americas idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkinss clients, customers, and friends were a veritable whos who of Americas Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Fremont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make todays America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didnt just reflect his time, but acted as an agent of influence. This telling of Watkinss story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.