Trehearne Brian (22 results)

Paperback. Condition: Good. In good condition but with some wear. The binding is tight and the pages are clean and intact. The cover is intact but has wear and other blemishes. ; 6 X 1.2 X 9 inches; 488 pages.

Condition: New.

Hardcover. Condition: Near Fine. Near Fine. Book in near fine condition. Book.

Hardcover. Condition: Very Good. 1st Edition.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Near Fine. Near Fine. Book in near fine condition. Book.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 370 pp, index.

Condition: New.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 381 p. 24 cm. Burgundy cloth in dustjacket. Light soiling and discolouration to jacket. Marks on inner hinges. Underlining and marginalia in pencil. A little soiling to text block edges.Upper corners a bit bumped.

Condition: As New. Unread book in perfect condition.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In English.

[0773507104] 1989. (Cloth) As new in as new dust jacket. 370pp.

Condition: Very Good. Dust Jacket Condition: Very Good. 8vo Pp. x 370. Using a wide range of scholarly evidence to support his argument that most poets of the first Canadian modernist generation were strongly influenced by the ideas and practice of literary aestheticism. book.

Soft cover. Condition: Good. Large octavo. 673pp. Good or better in pictorial wraps. Edited by Brian Trehearne. Bright and clean internally with no markings or annotations. Edgewear, shelfwear, and rubbing to wraps. Very small short tear to lower fore-edge of front cover. Small crease to lower front corner wrap. Binding is tight and square, though there are two visible vertical creases along spine. Thumbing to block. Overall a very solid reading copy of a scarce volume indeed.…

Kartoniert / Broschiert. Condition: New. &Uumlber den AutorBrian Trehearne is an associate professor of Canadian Literature at McGill University.KlappentextThe Montreal Forties establishes a new reading of Canadian modernist poetry in .

Taschenbuch. Condition: Neu. Neuware - During the Second World War, a number of young Canadian poets converged on Montreal and, in a few years of little-magazine and small-press publication, rewrote the story of modern English-Canadian poetry. The Montreal Forties establishes a new reading of Canadian modernist poetry in this crucial decade, during which the radical impersonality of high-modernist poetics gave way to an ironic expression of the modern individual in years of unexampled geopolitical and private crisis. The book discusses four major English-Canadian poets of the forties; P.K. Page, A.M. Klein, Irving Layton, and Louis Dudek. The character of the decade's poetry is explored through close scrutiny of the largely unread work published in the little magazines Preview and First Statement, as well as reference to their criticism, correspondence, and journals. Brian Trehearne shows that the Canadian poets emerging in Montreal in the 1940s faced in common a coherent set of artistic challenges general to poetry in English at that time. Chief among these was the function and value of the striking modernist Image in the 'whole' poem newly demanded of a generation at war, a matter vigorously debated by poets in Britain and the United States as well. The Montreal Forties allows us for the first time to see artists as diverse as Page and Layton, Klein and Dudek as part of a single Canadian and international generation, and breaks new ground for critics of Canadian modernist poetry.…

Paperback. Condition: Good. Bookstore notations on first page, else no text markings noted. Stray marks on page edges. Moderate wear at tips of spine. ISBN 978-0-921243-47-2.

Softcover. Condition: Good. lxvii, 673 p. 23 cm. Paperback. Some soiling to text block edge and front cover and slight wear to covers. Arthur James Marshall Smith (1902 1980) was a prominent member of the Montreal Group of poets, including Leon Edel, Leo Kennedy, A. M. Klein, and F. R. Scott, who distinguished themselves by their modernism in a culture still largely Victorian. Essentially Canadian, his poem The Lonely Land (p. 228) was inspired by a Group of Seven exhibition, while other poems refer to Marshall McLuhan and A Fat Willing Girl of Toronto.…

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