Taylor Lynnette (9 results)

Condition: New.

Paperback. Condition: new. Paperback. Written by three veteran interpreters with deep roots in the Deaf community and the performing arts, Sign Language Interpreting for Theatre is the first of its kind: a comprehensive guide to the art of sign language interpreting for the theatre as a collaborative practice. Drawing from their years of experience of interpreting On- and Off-Broadway and blending the theoretical with the practical, Lynnette Taylor, Stephanie Feyne, and Candace Broecker Penn provide guiding principles, best practices, processes, and strategies for creating dynamic, collaborative, culturally grounded sign language translations for theatre performances. Written in an engaging, conversational style, chapters include in-depth discussion of both theory and practice, providing techniques for translation and stagecraft along with practical insights for issues such as interpreting team attributes, character depiction, working with scripts, song translations, interpreting for young audiences, and interpreting virtual and recorded performances. With its emphasis upon dialogic interpretation, shared responsibility, and alliances, this guide is an indispensable resource for interpreters, educators, and theatre professionals. A groundbreaking and comprehensive guide on the art and collaborative practice of sign language interpreting for the theatre written by three veteran performing arts interpreters. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

paperback. Condition: New. Special order direct from the distributor.

Condition: New. 2025. paperback. . . . . .

Paperback. Condition: Brand New. 240 pages. 10.01x7.01x10.00 inches. In Stock.

Condition: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Condition: Neu. Neuware - Written by three veteran interpreters with deep roots in the Deaf community and the performing arts, Sign Language Interpreting for Theatre is the first of its kind: a comprehensive guide to the art of sign language interpreting for the theatre as a collaborative practice. Drawing from their years of experience of interpreting On- and Off-Broadway and blending the theoretical with the practical, Lynnette Taylor, Stephanie Feyne, and Candace Broecker Penn provide guiding principles, best practices, processes, and strategies for creating dynamic, collaborative, culturally grounded sign language translations for theatre performances. Written in an engaging, conversational style, chapters include in-depth discussion of both theory and practice, providing techniques for translation and stagecraft along with practical insights for issues such as interpreting team attributes, character depiction, working with scripts, song translations, interpreting for young audiences, and interpreting virtual and recorded performances. With its emphasis upon dialogic interpretation, shared responsibility, and alliances, this guide is an indispensable resource for interpreters, educators, and theatre professionals.…

72 pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1984 issue of the art magazine Art Com edited by Carl E. Loeffler. Articles include "Beta Reports;" "Television Art;" "We Made Home TV," by Lynnette Taylor; "TV Art in New York;" photo essay by Jaime Davidovich; "Art That Gets 53 Miles Per Gallon: Ashley and Sanborn on Perfect Lives," by Mark Dery; "Sanborn and Winkler: The Making of Perfect Lives," by Lynnette Taylor: "Peter Gordon," interview with Mark Rubin; "Seven Templates: The Video Structure of Perfect Lives," by Lynnette Taylor; "Television Art and the Video Conference," by Carl E. Loeffler; "Learning the Language with Anderson and Winkler: Sharkey's Day - A New Video," by Lynnette Taylor; "The Robotic Revolution," by Willoughby Sharp; "Action Notes," by Darlene Tong; "San Francisco Funderground, Cabaret Performance 1979-1982," by Irwin Irwin "Operat Blanc: A Neoist Musical Tragedy," by Frank Stephanus. Very Good. Light rubbing and bumping of cover edges. Contents clean and unmarked and pages are tight to the spine. …