Tattersfield Nigel (131 results)

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condition: Good. New Ed. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: New.

Paperback. Condition: New. Thomas Bewick (1753-1828) was the foremost wood engraver not only of his generation, but of all subsequent generations, and the quality of his work has remained unsurpassed. His extraordinary woodcuts of animals and birds made him famous, and he dramatically influenced the development of the illustrated book in both England and America. Yet Bewick was no isolated creative genius toiling in an artist's atelier, but a trade engraver in the heart of the city of Newcastle upon Tyne, working at the very moment when the Industrial Revolution was beginning to change the world. His was an exceptional artistic talent, yet his trade engraving shop was tasked with similar commissions to those offered to hundreds of other similar businesses the length and breadth of the kingdom, catering for their local customers. Bewick's own talent, however, meant that he approached the trade commissions with his own particular flair and originality, creating many commercial works that are very little known. The British Museum holds an unrivalled collection of Bewick's works, including those from his commercial ventures, and this book celebrates the skill of the artist by presenting sixty engravings, some never published before, and by offering a historical perspective. Bewick made important - but even today often unrealised - contributions to the development of what we would today call graphic design. From the Victorian times onwards, his work was often separated from his commercial world and he was regarded as an artist-naturalist rather than the artist-craftsman he actually was. This book takes an original approach by addressing this balance for the first time, and places Bewick at the centre of English commercial life in the eighteenth and early nineteenth centuries.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Good. Light wear to boards. Pages tonned. Good DJ with little wear.

Paperback. Condition: New. Thomas Bewick (1753-1828) was the foremost wood engraver not only of his generation, but of all subsequent generations, and the quality of his work has remained unsurpassed. His extraordinary woodcuts of animals and birds made him famous, and he dramatically influenced the development of the illustrated book in both England and America. Yet Bewick was no isolated creative genius toiling in an artist's atelier, but a trade engraver in the heart of the city of Newcastle upon Tyne, working at the very moment when the Industrial Revolution was beginning to change the world. His was an exceptional artistic talent, yet his trade engraving shop was tasked with similar commissions to those offered to hundreds of other similar businesses the length and breadth of the kingdom, catering for their local customers. Bewick's own talent, however, meant that he approached the trade commissions with his own particular flair and originality, creating many commercial works that are very little known. The British Museum holds an unrivalled collection of Bewick's works, including those from his commercial ventures, and this book celebrates the skill of the artist by presenting sixty engravings, some never published before, and by offering a historical perspective. Bewick made important - but even today often unrealised - contributions to the development of what we would today call graphic design. From the Victorian times onwards, his work was often separated from his commercial world and he was regarded as an artist-naturalist rather than the artist-craftsman he actually was. This book takes an original approach by addressing this balance for the first time, and places Bewick at the centre of English commercial life in the eighteenth and early nineteenth centuries.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: new. Paperback. Thomas Bewick (1753-1828) was the foremost wood engraver not only of his generation, but of all subsequent generations, and the quality of his work has remained unsurpassed. His extraordinary woodcuts of animals and birds made him famous, and he dramatically influenced the development of the illustrated book in both England and America. Yet Bewick was no isolated creative genius toiling in an artist's atelier, but a trade engraver in the heart of the city of Newcastle upon Tyne, working at the very moment when the Industrial Revolution was beginning to change the world. His was an exceptional artistic talent, yet his trade engraving shop was tasked with similar commissions to those offered to hundreds of other similar businesses the length and breadth of the kingdom, catering for their local customers. Bewick's own talent, however, meant that he approached the trade commissions with his own particular flair and originality, creating many commercial works that are very little known. The British Museum holds an unrivalled collection of Bewick's works, including those from his commercial ventures, and this book celebrates the skill of the artist by presenting sixty engravings, some never published before, and by offering a historical perspective. Bewick made important - but even today often unrealised - contributions to the development of what we would today call graphic design. From the Victorian times onwards, his work was often separated from his commercial world and he was regarded as an artist-naturalist rather than the artist-craftsman he actually was. This book takes an original approach by addressing this balance for the first time, and places Bewick at the centre of English commercial life in the eighteenth and early nineteenth centuries. The British Museum holds an unrivalled collection of Bewicks works, including those from his commercial ventures, and this book celebrates the skill of the artist by presenting sixty engravings, some never published before, and by offering a historical perspective. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Very Good. [Interesting provenance: From the private library of renowned historian, Philip D. Morgan.] Softcover. Good binding and cover. Shelf wear. Contemporary signature of Morgan on front end page, else unmarked. From the professional library of Dr. Philip D. Morgan, a professor of History at Johns Hopkins University. Morgan specializes in the African-American experience, the history of slavery, the early Caribbean, and the study of the early Atlantic world. Morgan is the author of more than 14 books on Colonial America and African American history. He has won both the Bancroft Prize and the Frederick Douglass Prize for his book Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry (1998).

Condition: NEW.

hardcover. Condition: Very Good. Dust jacket included, minimal curling at edges, book is in very good condition.

Hardcover. Condition: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. With a color frontispiece and many black & white illustrations. 256 pages. 8vo. Hardcover, bound in red cloth. The dust jacket spine is lightly faded. Fine/Very Good.

Hardcover. Condition: Good. Book has a slight lean/twist with little wear to boards. Pages age toned. Complete DJ with little wear.

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: New. pp. 144.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. a nice, clean copy, like new, octavo, 460 pages.

Hardcover. Condition: As New. Dust Jacket Condition: Very Good. Red cloth covered boards with black title block on spine and gold spine titles; jacket has light shelf wear; 8vo - over 7 3/4" to 9 3/4" tall; interior clean and unmarked; 256 pages.

Hardcover. Condition: NF. Hardback in Near Fine condition with Near Fine dust jacket . 8vo 8" - 9" tall. 256 pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Unclipped dust jacket protected by mylar.

Paperback. Condition: Brand New. 144 pages. 7.48x6.77x0.43 inches. In Stock.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Frontispiece, 256p. A nicely illustrated and thorough academic study which also includes a detailed bibliographical catalog of his works. A fresh clean copy.

Soft cover. Condition: Very Good. 1st Edition. All of our books without an ISBN number (normally pre-1970 in date) are described individually in detail. Books with an ISBN number (this one included) are all offered for sale in a good condition or better: some may be in very good, near fine, or fine condition. If the condition is critical to your decision to purchase, then please contact us and we will let you know our view of its condition. If the book is extremely heavy, we will need to contact you before completion of purchase to advise you of extra postage costs.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Ex-lib two small stamps. Dj in loose plastic protective wrapper. 256pp An appreciation of his life Together with a Catalogue of hiss illustrations and designs.

Condition: New. Thomas Bewick (1753-1828) was the foremost wood engraver not only of his generation, but of all subsequent generations, and the quality of his work has remained unsurpassed. This book celebrates the skill of the artist by presenting sixty engravings, and by offering a historical perspective. Num Pages: 144 pages. BIC Classification: AFH. Category: (G) General (US: Trade). Dimension: 190 x 171 x 11. Weight in Grams: 358. . 2014. Paperback. . . . .