Sylvia Legris (97 results)

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Condition: Very Good. Dust Jacket Condition: 39951423. 1785920260. 8/5/2026 8:57:40 AM.

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Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Paperback. Condition: New. how to write about flowers without the nauseating sentimental phraseology? No quaint, no dainty, no winsome. This smells good, that smells bad, my hands rank with manure. This at least is pure.What is a plant in language? Something like a 'morose root', 'cream cinquefoil', or 'bohemian and sozzled with nostalgia'?In Garden Physic, Sylvia Legris's glinting studies on flora - mariner's root, throatwort, wild rocket, cuckoo point - create an abundant and fluorescent vegetal mesh.Combining the histories of botanical manuscripts and pharmacopeias with imagined letters between garden designers Vita Sackville-West and Harold Nicolson and playful illustrations throughout, Legris creates an idiosyncratic botanical glossolalia for her meanderings through the physical space of the garden.These luscious poems are a testament to the imbricated human relationship to plants; a radical defence of how we can utilize our ancient symbiosis with living greenery in order to live, heal, and nourish. …

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Condition: New. Brand New.

Paperback. Condition: New. Self-seeding windis a wind of ever-replenishing breath.        -from "The Walk, or The Principle of Rapid Peering" The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behavior of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of "rapid peering." Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is "where nature converges with words," as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.…

Paperback. Condition: New. Self-seeding windis a wind of ever-replenishing breath.-from 'The Walk, or The Principle of Rapid Peering'The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behaviour of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of 'rapid peering'. Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is 'where nature converges with words,' as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.Features drawings by the poet.…

Paperback. Condition: new. Paperback. Self-seeding windis a wind of ever-replenishing breath.-from 'The Walk, or The Principle of Rapid Peering'The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behaviour of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of 'rapid peering'. Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is 'where nature converges with words,' as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.Features drawings by the poet. An astonishingly meticulous naturalists notebook in verse, Sylvia Legris' new collection takes a lyrical walk through the prairie habitats of her home, observing birds, moths, landscape and the seasons. A poet whose work is 'fizzing with ecological intellect' (Times Literary Supplement) Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Good. A musical celebration of the garden, from chaff to grass, and all of its lowly weeds, herbs, and creatures.

Condition: New.

Paperback. Condition: new. Paperback. Self-seeding windis a wind of ever-replenishing breath. from The Walk, or The Principle of Rapid Peering The title of Sylvia Legris melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behavior of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of rapid peering. Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalists notebook in verse. Here is where nature converges with words, as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance. A lyrical guide through Saskatchewans Aspen Parkland by a poet whose work is fizzing with ecological intellect (Times Literary Supplement). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. Self-seeding windis a wind of ever-replenishing breath.        -from "The Walk, or The Principle of Rapid Peering" The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behavior of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of "rapid peering." Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is "where nature converges with words," as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.…

Condition: As New. Unread book in perfect condition.

Condition: Used: Like New.

Paperback. Condition: new. Paperback. Garden Physic is a radical poetic movement through plant life. With her singular line, she journeys readers through an investigation of how we articulate our ecological surrounds in language through botanical histories.With a structure that emulates the style of classic manuscripts, Legris's book deploys humour, deep intellect, and a fanatical obsession with the potential of language, punching through the cliches of contemporary nature writing. A brief snapshot:how to write about flowers without the nauseating sentimental phraseology?No quaint, no dainty, no winsome. This smells good, that smells bad, my handsrank with manure. This at least is pure.The whole book is a glorious meditation on the garden and the power of plants: how they can heal us, emotionally and physically, and how we communicate with them. Exceptional collection from established Canadian poet writing nature and the politics of the garden and ecology in an utterly new form. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.