Susette Min (60 results)

paperback. Condition: Very Good. Book is in very good condition. Spine is strong and inside pages are clean.

Soft cover. Condition: Near Fine. No Jacket. Accompanies exhibits during 2006 -2008 at Asia Society in NY, Art Museum of University of Houston, Japanese American National Museum in L.A., and Berkeley Art Museum. About 40 pages of text integrated with photos of the artists, etc provide a brief history of Asians in the US, their shifting conflicts and concerns, the Godzilla movement during 1990's. The artists and their work follows. 146 color and 7 black & white illustrations. Heavy, glossy wraps have faintest hint of scuffing. Interior pages are crisp and clean.127 pages, 9" x 9".…

Softcover, 128 pages; very good condition except sticker taped around bottom of spine; no internal marks. Foreign shipping may be extra.

Softcover, 56 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen-its greater visibility-and more in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as "exemplary" instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself.…

Paperback. Condition: New. Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen-its greater visibility-and more in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as "exemplary" instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself.…

Paperback or Softback. Condition: New. Unnamable: The Ends of Asian American Art. Book.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

Paperback. Condition: new. Paperback. Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seenits greater visibilityand more in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as "exemplary" instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Very Good. First Edition; First Printing. Very Good with light wear to covers and no marks to text. First Edition, First Printing (No additional printings stated). Staplebound in card wraps. Art/16.2; 8vo 8" - 9" tall; 23 pages.

Condition: New. pp. 272.

Condition: New. 2018. Paperback. . . . . .

paperback. Condition: New. **PAPERBACK**.

Condition: New. pp. 272.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

PF. Condition: New.

Condition: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. 208 pages. 9.75x7.00x0.87 inches. In Stock.

Paperback. Condition: Brand New. 259 pages. 9.00x6.00x0.50 inches. In Stock.

Paperback. Condition: Brand New. 304 pages. 10.00x7.00x0.75 inches. In Stock.

Paperback. Condition: Brand New. 208 pages. 8.70x0.67x12.05 inches. In Stock.

Condition: very good. no dustjacket. 8vo pp.259. book.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.