Simpson Howard E (50 results)

Soft cover. Condition: Good. ORIGINAL 1932 PUBLICATION; paper wrappers; a couple of small tears along edges of leaves; light browning of leaves; light creasing of corners of wraps and leaves; o/w in good condition. Journal.

Soft cover. Condition: Fair. 1st Edition. See photos for condition details. Softcover, original 1905 publication in original wraps - not a modern reprint or rebound library copy. Dark orange wraps show minor edge and corner bumps/tears, cover is a bit faded on edges with smudge marks present. No signatures or bookplates present, no handwriting, no library markings. Pages are toned due to age and there is some spotting and foxing along with some corner bumps. There is no publication date listed (1929) and there is no title page inside the cover as the first page starts with the table of contents. Issued without separate maps and uncommon to see with orange wraps. The book grades as VG but because of the possible missing title page the condition has been lowered to fair.

Soft cover. Condition: Good. ORIGINAL 1935 PUBLICATION; paper wrappers; small tear on lower edge of front wrap; light browning of leaves; light creasing of corners of wraps and leaves; o/w in good condition. Journal.

Soft cover. Condition: Good. ORIGINAL 1932 PUBLICATION; paper wrappers; ex-corporate library; light browning of leaves, o/w in good condition. Journal.

Soft cover. Condition: Very Good. ORIGINAL 1932 PUBLICATION; paper wrappers; in very good condition. Journal.

Soft cover. Condition: Good. ORIGINAL 1990 PUBLICATION; ex-library; spine reinforced with tape; rear pocket removed (but with folded geologic map present, loosely-inserted; plates complete); o/w in good condition. Book.

Soft cover. Condition: Good. ORIGINAL 1926 PUBLICATION; paper wrappers; a couple of small chips on lower edge of front wrap; light browning of leaves; o/w in good condition. Journal.

Softcover. Condition: Good. No covers. Owner's name on upper margin of title page. ; North Dakota Geological Survey Bulletin 8.

Softcover. Condition: Good. No covers. Owner's name on upper margin of title page. ; North Dakota Geological Survey Bulletin 7.

Paperback. Condition: Very Good. 1st Edition. Water-Supply Paper 598, 312 pp.+ Lge FoldOut Map in Pocket & 2 Photo Plts, Orig Pink Paperback, name on cover else VG, 1st ed.

Wraps. Condition: Very Good. B&W Foldout Maps (illustrator). No publication date given, but information on the status of the mapping is noted as current as of July 1, 1970. Book block clean and intact at binding. Cover soiled; extremities bumped. 41pp. Size: 4to - over 9¾" - 12" tall. Comb-Binding.

Paperback. Condition: Very Good. photos/fold-out Maps (illustrator). 1st. First Edition, First Printing; Texaco, Inc stamp of ownership 124 clean, unmarked pages.

Hardcover. Condition: Very Good. Inscribed by author. Includes the author business card and a card about the book. Hardcover. Good binding and cover. Shelf wear. Clean, unmarked pages. Howard E. Simpson was the chairman and president of the Baltimore & Ohio Railroad Company. Mr. Simpson began his railroad career at the age of 15 when he took a $20-a-month job as an office boy in the passenger department of the Central Railroad of New Jersey. He joined the B.&O. in 1931 as assistant general passenger agent and rose through the ranks to become, in 1953, one of the few railroad presidents to come from the passenger side of the business. Signed.

Soft cover. Condition: Good. ORIGINAL 1929 PUBLICATION; softcover; ex-library; chips/small tears along edges of title page; missing rear pocket (but the folded map is present; loosely-inserted; complete); spine reinforced with tape; o/w in good condition. Book.

Large Softcover. Condition: Very Good. Wrappers a bit rubbed. 1962 Large Softcover. 96 pp. Black-and-white photographs and diagrams throughout. A collection of articles originally published in Yachting, selected 'because of their lasting and practical value.

Soft cover. Condition: Good. First. Colour map in manilla sleeve, some wear to sleeve, ex-institutional reference collection. Some textual material, references. Map I-761-C. Scale 1:24,000. Book.

Soft cover. Condition: Very Good. Stephen Fabian; Jim Pitts; Alfred Klosterman; Russ Nicholson; John Grandfield; Sue Simpson; Dave Carson; Clive Barker; Martin McKenna; J. K. Potter; Allen Koszowski; (illustrator). 1st Edition. Digest format. Lightly rubbed on the corners; no interior markings. Cover art by Stephen Fabian; interiors by: Jim Pitts; Alfred Klosterman; Russ Nicholson; John Grandfield; Sue Simpson; Dave Carson; Clive Barker; Martin McKenna; J. K. Potter; and Allen Koszowski. This issue contains: An Outworn Story by Robert E. Howard; The Last Call by Michael Moorcock; Six Commonplaces by Clive Barker; The Dandelion Chronicles by William F. Nolan; Writer's Curse by Ramsey Campbell; Hell Is a Personal Place by Brian Lumley; North Sea Lament by Steve Eng; The Traveling Salesman and the Farmer's Daughter by C. Bruce Hunter; Ebony Rose by Leilah Wendell; The Hollywood Mandate by Mike Chinn; and The Ghoul of the Four Winds by William Thomas Webb. Size: 12mo. Book.

Softcover. Condition: Very Good. First edition. Small quarto. Wrappers. xix, 491-729pp. Small pen notation on front wrapper and in the contents pages, spine cocked, very good. Reviews: "Edgarpoe and Danhoffman" by Charlotte Kretzoi, "Thom Gunn's Cornucopia" by Raymond Oliver, "Sewall's Life of Emily Dickinson" by John Cody, and more. Poetry: "In Memory of W.H. Auden" by George W. Nitchie, and others. Essays: "Hart Crane and Yvor Winters: A Meeting of Minds" by Thomas Parkinson, "Milton in Old Age" by Frank Kermode, and more. Reviews of "Delusion and Her Daughters: John Berryman's *Recovery*" by William Heyen, and more.

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. 27p.illust. Author was CEO of the B&O Railroad. Maryland Historical Soc. pub. Signed by Simpson on endpaper.Other signed papers laid in. Signed by Author(s). Autobiography.

Paperback. Condition: Good. 1st. B000NPMT9C Maps included. Light wear. Cover corner creased. Good copy.

Softcover. Condition: Near Fine. First edition. Red wrappers. 95-188pp. Spine lightly tanned and cocked, corners bumped, near fine. Articles, notes and queries, and book reviews by Leonard W. Moss, Stephen C. Cappannari, Merle L. Simmons, Robert Stevenson, Morris E. Opler, Macedward Leach, Ed Cray, Tristram P. Coffin, Americo Paredes, S.J. Sackett, Walter E. Boyer, Leonard Roberts, Howard Mumford Jones, Daniel G. Hoffman, Bela Gunda, Morton Y. Jacobs, Claude M. Simpson, Norman Cazden, Morton H. Levine, Arthur Freeman, Richard M. Dorson, Wolf Leslau, Gertrude P. Kurath, Marshall W. Stearns, Charles O. Frake, David Bidney, Bacil F. Kirtley, Carmen Cook de Leonard, and J. David Sapir.

Softcover. Condition: Very Good. USGS, 1929. Wrappers, very good condition. Complete with all maps and plates.

Condition: Fine. *Price HAS BEEN REDUCED by 10% until Monday, July 13 (SALE Item)* 42 pp., softcover, fine in lightly worn original envelope. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condition: Very Good. > SIGNED by Author(s) | Card signed by author at front endpaper; inscription and signed by author at rear endpaper. Spine has light slant. Also booksellers stamp to rear endpaper. 27 pp. > Language: English | > Size: 8vo - over 7 3/4 in - 9 3/4 in Tall | > Media/Binding: Hardcover |. Signed.

Condition: New.

Manuscript in Binder. Condition: Good. 3rd Edition. 29 cm. 317 leaves. This dissertation was later published in a modified version by the U.S. Department of Interior (1960). Inscribed by Author(s).

Condition: BUONO USATO. Geological Survey Professional Paper INGLESE Volume numero 328 della serie Geological Survey Professional Paper, preparato nell'ambito del programma del Dipartimento dell'Interno per lo sviluppo del bacino del fiume Missouri. Brossura in cartoncino, appena brunita, con lievi segni d'uso e con traccia di inchiostro nero in copertina. Pagine ottime, con testo a due colonne e corredate da figure e tabelle nel testo; alla controguardia posteriore busta contenete al suo interno 5 carte ripiegate. Numero pagine 124.

Condition: New.

Condition: New.

Brossura. Condition: come nuovo. Dust Jacket Condition: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.