Siegelaub (85 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Soft cover. Condition: Near Fine. very good condition, tiny nick in top corner otherwise as new.

Soft cover. Condition: As New. Dust Jacket Condition: Near Fine. 1st Edition. 559 pages, illustrated in B&W and color playes. Text in English by Beatrix Ruf, Marja Bloem, Leontine Coelwij and Sara Martinetti. Intervie between Seth Siegelaub and Ursual Meyer. - Beyond Conceptual Art - Seth Siegelaub - Xerox book January 5-13, 1969 - Art Without Space - The Halifax Conference . - Book design by Irma Boom - Soft cover : 240 x 170 mm - Very fine as new the book, the delicate paper of the cover shows one closed tear at the rear (3 cm). Book.

Paperback. Condition: Brand New. 01 edition. 382 pages. 11.00x7.50x1.25 inches. In Stock.

Paperback. Condition: Very Good.

2 vol. : [unpaginated] ; [unpaginated]; 2 vol. : 15 x 10.7 cm. (vol. 1) ; 15 x 10.7 cm. (vol. 2); sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue for a two part multi-venue exhibition held April 5 - June 15, 2008. Curated by Adam Szymczyk and Elena Filipovic. Artists include: Danai Anesiadou, Caner Aslan, Michel Auder, Pedro Barateiro, Ursula Block, Cezary Bodzianowski, Manon de Boer, Nairy Baghramian, Alexandra Bachzetsis, Balázs Béla Studio, Ludovic Balland, Augusto Boal, Oksana Bulgakowa, Banu Cennetoglu, Philippine Hoegen, Marc Camille Chaimowicz, Banu Cennetoglu, Dorit Chrysler, Holk Cruse, Luc Steels, Thea Djordjadze, Aleana Egan, Haris Epaminonda, Patricia Esquivias, Chris Evans, Maria Eichhorn, Seth Siegelaub, Matthias Einhoff, Philip Horst, Markus Lohmann, Harry Sachs, Dan Seiple, Cyprien Gaillard, Jos De Gruyter, Harald Thys, Masist Gül, Daniel Guzmán, Goodiepal, Susan Hiller, Dieter Hacker, Emma Hedditch, IDEA arts + society, Cameron Jamie, Sung Hwan Kim, Daniel Knorr, Susanne Kriemann, Gabriel Kuri, Tellervo Kalleinen, Oliver Kochta-Kalleinen, Miss Le Bomb, Joachim Koester, Luciana Lamothe, Lars Laumann, Janette Laverrière, Zhao Liang, Jacques Lacan, David Maljkovic, Babette Mangolte, Jacob Mishori, Ulrike Mohr, Ania Molska, Melvin Moti, Goshka Macuga, Thomas Macho, Kobe, Matthias, James McFarland, Nashashibi / Skaer, Kristina Norman + Paul Davies, Ahmet Ögüt, Paulina Olowska, Giulia Piscitelli, Paola Pivi, Pushwagner, Pil und Gala Kollectiv, Falke Pisano, Lili Reynaud-Dewar, Pamela Rosenkranz, Kilian Rüthemann, Rebond pour la Commune + Arbeiter- und Veteranenchor Neukölln, Dieter Roelstraete, Jimmy Robert, Paul Sietsema, Ettore Sottsass, Zofia Stryjenska, Superflex, Wilhelm Sasnal, Aaron Schuster, Stefan Thater, Pilvi Takala, Harald Thys & Erik Thys, Piotr Uklanski, Tris Vonna-Michell, Mona Vatamanu / Florin Tudor, Roi Vaara, Annie Vigier & Franck Apertet, Vinyl-Terror & -Horror & Dr. Nexus, Bettina Vismann, Susanne M. Winterling, What, How & for Whom (WHW), Kohei Yoshiyuki, Dolores Zinny, Juan Maidagan, Andrzej Zulawski and Artur Zmijewski. "The exhibition When things cast no shadow consisted of two parts one taking place by day, one by night. The daytime part of the 5th Berlin Biennale presented mainly new productions by 50 artists of four generations shown at four different venues--at the KW Institute for Contemporary Art, the Neue Nationalgalerie, the Skulpturenpark Berlin_Zentrum and the Schinkel Pavilion. Many of the participating artists conceptualized and built their commissioned artworks explicitly in response to the specifically designated exhibition site. Already a few weeks prior to the official opening the first in a series of five solo exhibitions (curated by artists participating in the biennial) was launched at the Schinkel Pavilion as part of the 5th Berlin Biennale. Throughout the duration of the biennial these exhibitions gave insights into ways in which younger artists deal with topics such as the legacy of previous generations, modernity or various exhibition formats." -- publisher''s statement. Fine. Two volumes, both with covers and contents clean and unmarked.

Paper. Condition: As New. 1st Edition. PROJECT SERIES: SETH SIEGELAUB. Conducted in 2011, this is the first edition, second issue, of an interview between Ben Kinmont and Seth Siegelaub. The discussion focuses on Siegelaubs activity as a book collector, publisher, bibliographer, and dealer of antiquarian books in the history of textiles.Seth Siegelaub (1941-2013) was a gallery owner, independent curator, publisher, event facilitator, and seminal figure in the conceptual art movement of the 1960s and 1970s. In Alexander Alberro and Blake Stimsons Conceptual Art: A Critical Anthology, Siegelaub is described as "the single most influential figure" in the history of conceptual art. Yet, there is little written about Siegelaubs activity as an antiquarian book dealer and bibliographer, an activity to which he devoted considerably more of his time than to art activities.This interview was made to remedy that problem. During the interview, Siegelaub describes how he became a book collector (before being an art dealer); his life publishing Marxist literature in Paris (after being an art dealer); how he became an antiquarian book dealer; and whether he saw a connection between his activities with art and his life as a bookman.The illustrations reproduce two of Siegelaubs bookseller catalogues; one of Kinmonts antiquarian bookseller catalogues about gastronomy; the title page of Theophrastus Libellus de odoribus (1556); the cover of Seigelaubs Bibliographica Textilia Historiae; and a portrait of Siegelaub holding his Bibliographica. - Antinomian Press 48 pages, paper. Staple bound. 8 1/2" x 11". Edition of 40, numbered. As new.

Soft cover. Condition: Near Fine. Original stiff wrappers (softcover), 216p, illustrations, 20 cm. Very good/fine, clean, crisp, unmarked.

Condition: Good. 4to, Original wraps. 80th anniversary. Articles on Adrian Stokes.

Condition: Good. 4to, Original wraps. 80th anniversary. Articles on William Turnbull and Robert Young. 3 signatures loose.

paperback. Condition: Fine. Prima edizione (First Edition). Catalogo della mostra allo Stedelijk Museum di Amsterdam, 12 dicembre 2015 - 17 aprile 2016. Testi di Beatrix Ruf, Marja Bloem, Leontine Coelewij, Sara Martinetti, Julia Bryan-Wilson et al. Illustrato a colori . Cm 24x17. pp. 560. . Ottimo (Fine). . Prima edizione (First Edition). . "La mostra occuperà il piano inferiore della nuova ala del museo e si svilupperà in diversi capitoli che esploreranno le varie sfaccettature e connessioni del lavoro di Siegelaub, dai suoi progetti innovativi con artisti concettuali, alle sue ricerche e pubblicazioni sui mass media e sulle teorie della comunicazione, fino al suo interesse per i tessuti a mano e i tessuti non occidentali. Verrà inoltre messa in luce la sua attività di collezionista, che culmina in un insieme unico di libri sulla storia sociale del tessile e in una collezione di tessuti che comprende oltre 750 articoli provenienti da ogni parte del mondo."Seth Siegelaub è stato gallerista, curatore indipendente, editore, ricercatore, archivista, collezionista e bibliografo. Spesso definito il ?padre dell'arte concettuale?, Seth Siegelaub ha esercitato - e continua a esercitare - un'influenza fondamentale su curatori, artisti e pensatori culturali, a livello internazionale e ad Amsterdam, dove si è stabilito negli anni Novanta. Book.

Paperback. Condition: Good. 2011 Walther Konig out of print paperback edition. Light reading wear else very good condition.

Paperback. Condition: Near fine in wraps. First Edition. 18 x 26cm 64pp stapled wrappers with some illustrations. Exhibition catalogue.

Soft cover. Condition: Good. Book is in good condition. 448pp with b/w illustrations.

Soft cover. Condition: Good. 8vo. Unpaginated [24pp] ringbound catalog of Siegelaub's groundbreaking "January 5-31, 1969" conceptual art exhibit featuring Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner (indeed, the only physical object produced for the exhibition). White card covers are rubbed, two plastic rings missing from binding. Contents are clean and unmarked.

Paperback. Condition: Very Good. 2004 Navado Press large format out of print paperback edition.Light reading wear else very good condition.

Soft cover. Condition: Fine. 2nd Edition. Amsterdam: Roma Publications, 2015. Second edition, first edition thus. Softcover, [372]pp., 11 x 8.5 inches. Fine, as new in publishers shrink wrap. Orignialy issued in 1968 by gallerists Seth Siegelaub and John W. Wendler, this collaborative project known as "The Xerox Book" features contributions from artists Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, and Lawrence Weiner. Each participant contributed an original twenty-five page, 11 x 8.5 inch artwork that would only exist on the printed page - not on a gallery wall. This 2015 facsimile edition was published in conjunction with the Amsterdam's Stedelijk Museum and De Appel arts centre's exhibition "Seth Siegelaub: Beyond Conceptual Art".

Softcover, 272 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Fair. Volumes 1 & 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:0884770117.

Condition: Very good.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

In-4, 28 cm, 248pp., illustr., liste des expositions p. 242-244, bibliog. p. 245-247, reliure cart. souple de l'editeur, bon etat, Ats25,

paperback. Condition: Good. Ex-library book with stickers and/or stamps throughout.

Softcover First Edition. Book design by Irma Boom. Thick trade paperbound format in printed paper dustwrapper. 559 pp. Colour illustrations. A survey of the life and work of the man widely known as "The Godfather of Conceptual Art". With essays by Sara Martinetti, Leontine Coelewij and others.VG.

248 pp.; 27.5 x 23 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 22, 1989 - February 18, 1990. Preface by Suzanne Pagé. Essays by Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, and Seth Siegelaub. Includes bibliography. Illustrated in black-and-white. First edition includes text, in English, by Joseph Kosuth in response to Buchloh's essay printed on sticker and affixed to page 54. Artists include: Art & Language, Michael Asher, John Baldessari, Robert Barry, Mel Bochner, Alighiero e Boetti, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Andre Cadere, Hanne Darboven, Jan Dibbets, Marcel Duchamp, Dan Flavin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Jasper Johns, On Kawara, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Robert Morris, Bruce Nauman, Claes Oldenburg, Roman Opalka, Adrian Piper, Robert Rauschenberg, Edward Ruscha, Robert Smithson, Bernar Venet, Lawrence Weiner, Ian Wilson, and Art & Project. Texts in English and French. Good. Bumping of corners and cover edges with adjacent creasing. Yellowing and dust soiling of covers with additional 4.2 cm. area of soiling to verso. Light bumping of page corners. Contents clean and unmarked. Includes "compliments of" card from the Musée d'Art Moderne de la Ville de Paris, in French. This copy includes the tipped-in text by Joseph Kosuth, "Joseph Kosuth Responds to Benjamin Buchloh" [in English], affixed to page 54. Due to large size and weight additional shipping charges will be required for international orders.

Couverture souple. Condition: Très bon. 2ème Édition. Paris 1989. 1 Volume/1. -- Parfait état -- Broché cousu. Format in-4°( 27,6 x 22,6 cm )( 1220 gr ). ------- 260 pages.

24:16,5 cm. Enthält einen Text von Siegelaub zur Entstehungsgeschichte des oben genannten Projektes, das zusammen mit denGaleristinnen undBuchhändlerinnen Marion und Roswitha Fricke entwickelt wurde. Das Buch erschien 2004/05. Vorliegende Nummer enthält u.a. auch einen Beitrag von Michael Newman über Concept Art der 1960er und 1990er Jahre.