2 vol. : [unpaginated] ; [unpaginated]; 2 vol. : 15 x 10.7 cm. (vol. 1) ; 15 x 10.7 cm. (vol. 2); sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue for a two part multi-venue exhibition held April 5 - June 15, 2008. Curated by Adam Szymczyk and Elena Filipovic. Artists include: Danai Anesiadou, Caner Aslan, Michel Auder, Pedro Barateiro, Ursula Block, Cezary Bodzianowski, Manon de Boer, Nairy Baghramian, Alexandra Bachzetsis, Bal�zs B�la Studio, Ludovic Balland, Augusto Boal, Oksana Bulgakowa, Banu Cennetoglu, Philippine Hoegen, Marc Camille Chaimowicz, Banu Cennetoglu, Dorit Chrysler, Holk Cruse, Luc Steels, Thea Djordjadze, Aleana Egan, Haris Epaminonda, Patricia Esquivias, Chris Evans, Maria Eichhorn, Seth Siegelaub, Matthias Einhoff, Philip Horst, Markus Lohmann, Harry Sachs, Dan Seiple, Cyprien Gaillard, Jos De Gruyter, Harald Thys, Masist G�l, Daniel Guzm�n, Goodiepal, Susan Hiller, Dieter Hacker, Emma Hedditch, IDEA arts + society, Cameron Jamie, Sung Hwan Kim, Daniel Knorr, Susanne Kriemann, Gabriel Kuri, Tellervo Kalleinen, Oliver Kochta-Kalleinen, Miss Le Bomb, Joachim Koester, Luciana Lamothe, Lars Laumann, Janette Laverri�re, Zhao Liang, Jacques Lacan, David Maljkovic, Babette Mangolte, Jacob Mishori, Ulrike Mohr, Ania Molska, Melvin Moti, Goshka Macuga, Thomas Macho, Kobe, Matthias, James McFarland, Nashashibi / Skaer, Kristina Norman + Paul Davies, Ahmet �g�t, Paulina Olowska, Giulia Piscitelli, Paola Pivi, Pushwagner, Pil und Gala Kollectiv, Falke Pisano, Lili Reynaud-Dewar, Pamela Rosenkranz, Kilian R�themann, Rebond pour la Commune + Arbeiter- und Veteranenchor Neuk�lln, Dieter Roelstraete, Jimmy Robert, Paul Sietsema, Ettore Sottsass, Zofia Stryjenska, Superflex, Wilhelm Sasnal, Aaron Schuster, Stefan Thater, Pilvi Takala, Harald Thys & Erik Thys, Piotr Uklanski, Tris Vonna-Michell, Mona Vatamanu / Florin Tudor, Roi Vaara, Annie Vigier & Franck Apertet, Vinyl-Terror & -Horror & Dr. Nexus, Bettina Vismann, Susanne M. Winterling, What, How & for Whom (WHW), Kohei Yoshiyuki, Dolores Zinny, Juan Maidagan, Andrzej Zulawski and Artur Zmijewski. "The exhibition When things cast no shadow consisted of two parts one taking place by day, one by night. The daytime part of the 5th Berlin Biennale presented mainly new productions by 50 artists of four generations shown at four different venues--at the KW Institute for Contemporary Art, the Neue Nationalgalerie, the Skulpturenpark Berlin_Zentrum and the Schinkel Pavilion. Many of the participating artists conceptualized and built their commissioned artworks explicitly in response to the specifically designated exhibition site. Already a few weeks prior to the official opening the first in a series of five solo exhibitions (curated by artists participating in the biennial) was launched at the Schinkel Pavilion as part of the 5th Berlin Biennale. Throughout the duration of the biennial these exhibitions gave insights into ways in which younger artists deal with topics such as the legacy of previous generations, modernity or various exhibition formats." -- publisher''s statement. Fine. Two volumes, both with covers and contents clean and unmarked. Seller Inventory # 35887

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Bibliographic Details

Title: When Things Cast No Shadow : 5th Berlin ...

Publisher: KW Institute for Contemporary Art Berlin, Germany

Publication Date: 2008

Binding: Soft cover

Store Description

Specific Object is a gallery, bookstore and think-tank dedicated to art post 1958 ? specifically pop, Fluxus, minimal and conceptual ? with an interest in the art that informed the 1960s and 1970s, as well artists whose works organically followed from the era. Specific Object is always interested in purchasing artwork as well as used books, ephemera and other objects of interest. Specific Object works to isolate distinct works of value ? historically, monetarily and / or intellectually valuable ? and show them in isolated contexts allowing these works, or objects, their own place, space and time. The material Specific Object presented ranged from artists? publications, ephemera, prints, multiples and other editions to literature, music / audio works and unique artworks of the contemporary world. In November 2004 Specific Object acquired the inventory of Barbara Moore?s bookstore Bound & Unbound. Through her bookshops Bound & Unbound and its predecessor Backworks, founded in 1976, Moore has been a seminal and innovative champion of artists working in alternative mediums. From 1998 through 2004 David Platzker was the Executive Director of the non-profit institution Printed Matter, Inc. He is also the co-author, and co-curator - with Elizabeth Wyckoff - of "Hard Pressed: 600 Years of Prints and Process" (International Print Center New York & Hudson Hills Press, 2000); and - with Richard H. Axsom - the book and exhibition entitled "Printed Stuff: Prints, Posters, and Ephemera by Claes Oldenburg : A Catalogue Raisonn� 1958-1996" (Madison Art Center & Hudson Hills Press, 1997), which was awarded the George Wittenborn Award for Best Art Publication of 1997 by the Art Libraries Society of North America. He has curated exhibitions of the works of Art & Project, John Baldessari, Marcel Broodthaers, Documenta 5, Conceptual Art, Marcel Duchamp, Donald Judd, John McLaughlin, Bruce Nauman, Oldenburg, Raymond Pettibon, Dieter Roth, and Edward Ruscha in addition to commissioning or curating exhibitions at Printed Matter of Angelblood, Larry Clark, Erin Cosgrove, Meg Cranston, General Idea, Jenny Holzer, Reverend Jen, Allan Kaprow, Yoko Ono, Ryan McGinness, Sonic Youth, Tom Sachs, David Tremlett, Richard Tuttle and the Guerrilla Girls. Platzker was also the host of WPS1.org's Recorded Matter on-line radio program. Archived programs can be found at www.artonair.org. His writings have been included in Claude Closky: Hello And Welcome, I Love John Giorno, Jonathan Monk: In Relief (My Collection of Sol LeWitt Books - Exact Size, Shape and Occasionally Colour), 2015. From 2013 through 2018 Platzker was Curator of Drawings and Prints at The Museum of Modern Art, New York, where he curated the exhibitions "There Will Never Be Silence: Scoring John Cage?s 4'33"" with Jon Hendricks; "Sites of Reason: A Selection of Recent Acquisitions" with Erica Papernik; "Gilbert & George: The Early Years; and Adrian Piper: A Synthesis of Intuitions, 1965?2016" with Connie Butler and Christophe Cherix. He authored essays for the catalogues "Yoko Ono: One Woman Show, 1960-1971," "Louise Lawler : Receptions," "Being Modern: Building the Collection of The Museum of Modern Art," and the critical theory volume "Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology" (MoMA Primary Documents). His additional MoMA publications include the vinyl LPs "There Will Never Be Silence," "The Thoughts of Gilbert & George," and "Antonio Dias: The Space Between" as well as the artists' books "Yoko Ono: Grapefruit" and "The Conquest of Space: Atlas for the Use of Artists and the Military" by Marcel Broodthaers. Recent writings also include "A Love Supreme: Charles Gaines and Trees," in "Charles Gaines : Palm Trees and Other Works" (Hauser & Wirth) and "John Baldessari Gets Booked" in "John Baldessari Catalogue Raisonn�, Volume Six: 2011 ? 2019" (Marian Goodman / Yale Univ. Press). Visit www.specificobject.com for our complete inventory.

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