Shrum Wesley Monroe (31 results)
- Softcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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£ 2.10
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Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
- Softcover
Seller: Dunaway Books, St. Louis, MO, U.S.A.Dunaway Books
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£ 3.79
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Soft cover. Condition: Acceptable.
- Softcover
Seller: Priceless Books, Urbana, IL, U.S.A.Priceless Books
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£ 6.06
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Paperback. Condition: VG-. 284pp. Wear and rubbing wraps.
Language: English
Published by Princeton University Press, Princeton, New Jersey, 1996
- Softcover
- Signed
Seller: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.Willis Monie-Books, ABAA
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£ 5.69
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softcover. Condition: Very Good. No Dust Jacket. INSCRIBED by the author on the half-title page. Typed letter SIGNED by the author also laid in.
- Softcover
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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£ 5.17
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Condition: New. 1996. paperback. . . . . . Books ship from the US and Ireland.
- Softcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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£ 5.16
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Condition: New. 1996. paperback. . . . . .
- Softcover
Seller: Murphy-Brookfield Books, Iowa City SE, IA, U.S.A.Murphy-Brookfield Books
Contact seller4-star sellerCondition: Used - Fine
£ 11.36
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Trade Paperback. Condition: Fine.
- Softcover
Seller: Anybook.com, Lincoln, United KingdomAnybook.com
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£ 2.50
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Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:97806910…26572.
- Softcover
Seller: Reuseabook, Gloucester, GLOS, United KingdomReuseabook
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£ 7.33
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Paperback. Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.
- Hardcover
- First Edition
Seller: Priceless Books, Urbana, IL, U.S.A.Priceless Books
Contact seller4-star sellerCondition: Used - Very good
£ 18.94
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Hb. Condition: VG. None. 1st. 284pp. Index, Biblio., Notes, Appendix. Wear boards.
Language: English
Published by Princeton, NJ : Princeton University Press, 1996
- Softcover
- First Edition
Seller: MW Books Ltd., Galway, IrelandMW Books Ltd.
Contact seller5-star sellerCondition: Used
£ 9.67
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1st edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description: xvi, 284 pages. Series: Princeton paperbacks. Contents: Frontmatter -- Contents -- Illustrations -- Tables -- Preface -- Introduction. A Critic's New Clothes -- Part One. The Critic -- Chapter One. Cultural Mediation and… the Status Bargain -- Chapter Two. Critics in the Performing Arts -- Part Two. The Fringe -- Chapter Three. Development of the Festival Fringe -- Chapter Four. Festivals and the Modern Fringe -- Chapter Five. Myth of the Fringe -- Part Three. The Triangle of Mediation -- Chapter Six. Do Critics Matter? -- Chapter Seven. Critical Evaluation -- Chapter Eight. Do Performers Listen? -- Part Four. Beyond the Fringe -- Chapter Nine. Beyond Formal Evaluation -- Chapter Ten. Discourse and Hierarchy -- Epilogue -- Appendix A. Review Genres -- Appendix B. Methodological -- Appendix C. Note on the Study of Mediation and Reception -- Appendix D. Tables -- Notes -- Bibliography -- Index -- About the Author. Subject: Edinburgh Festival Fringe ; Case studies. Art and society. Art criticism. Popular culture. Social classes. PERFORMING ARTS / Theater / History & Criticism. 1 Kg.
Language: English
Published by Princeton, NJ : Princeton University Press, 1996
- Softcover
- First Edition
Seller: MW Books, New York, NY, U.S.A.MW Books
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£ 23.59
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1st edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description: xvi, 284 pages. Series: Princeton paperbacks. Contents: Frontmatter -- Contents -- Illustrations -- Tables -- Preface -- Introduction. A Critic's New Clothes -- Part One. The Critic -- Chapter One. Cultural Mediation and… the Status Bargain -- Chapter Two. Critics in the Performing Arts -- Part Two. The Fringe -- Chapter Three. Development of the Festival Fringe -- Chapter Four. Festivals and the Modern Fringe -- Chapter Five. Myth of the Fringe -- Part Three. The Triangle of Mediation -- Chapter Six. Do Critics Matter? -- Chapter Seven. Critical Evaluation -- Chapter Eight. Do Performers Listen? -- Part Four. Beyond the Fringe -- Chapter Nine. Beyond Formal Evaluation -- Chapter Ten. Discourse and Hierarchy -- Epilogue -- Appendix A. Review Genres -- Appendix B. Methodological -- Appendix C. Note on the Study of Mediation and Reception -- Appendix D. Tables -- Notes -- Bibliography -- Index -- About the Author. Subject: Edinburgh Festival Fringe ; Case studies. Art and society. Art criticism. Popular culture. Social classes. PERFORMING ARTS / Theater / History & Criticism. 1 Kg.
Published by Princeton University Press, NJ, 1996
- Softcover
- First Edition
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.Between the Covers-Rare Books, Inc. ABAA
Contact seller5-star sellerCondition: Used - Fine
£ 14.78
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Softcover. Condition: Fine. First Edition. First edition. Fine in wrappers. Paperback is in fine condition.
Language: English
Published by Princeton University Press, Princeton, New Jersey, 1996
- Softcover
- First Edition
Seller: Attic Books, cheltenham, GLOS, United KingdomAttic Books
Contact seller5-star sellerCondition: Used - Good
£ 6.40
£ 24.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Soft cover. Condition: Good. First Edition. - 235 mm. Trade paperback. Illustrated. Diagrams. Charts. Figures. B&W photographs. Pp. xvi, 284. Some creasing and rubbing to cover. Title page is somewhat creased. Crumpling and creasing to outermost upper corner. Various paragraphs have been highlighted or underlined in blue ink, wi…th occasional marginal annotations. Paragraph of text written on verso of half title page. Overall, G.
- Hardcover
Seller: Labyrinth Books, Princeton, NJ, U.S.A.Labyrinth Books
Contact seller5-star sellerCondition: New
£ 31.80
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Condition: New.
Language: English
Published by Princeton University Press, Princeton, New Jersey, 1996
- Softcover
Seller: George Longden, Macclesfield, United KingdomGeorge Longden
Contact seller5-star sellerCondition: Used - Very good
£ 12.00
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Paperback. Condition: VG. Spine not creased. Includes appendices, end-notes, bibliography, index. 284pp. Book.
Published by Princeton: Princeton University Press, 1996
- Softcover
Seller: Theatreshire Books, Dacre, NYK, United KingdomTheatreshire Books
Contact seller3-star sellerCondition: Used
£ 6.00
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Add to basketpaperback, very good condition, 284pp.
- Softcover
Seller: Bookfinder-General, Nr Warrington, United KingdomBookfinder-General
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£ 9.45
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Soft cover. Condition: Fine. Bx33. Your book will be dispatched in cardboard packaging usually the same day if I receive it before 14:00 on weekdays, otherwise the next working day.
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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£ 61.78
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Condition: New.
- Softcover
Seller: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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£ 63.79
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Paperback. Condition: New. Why does the distinction between high and popular art persist in spite of postmodernist predictions that it should vanish? Departing from the conventional view that such distinctions are class-related, Wesley Shrum concentrates instead on the way individuals form opinions about culture through the medi…ation of critics. He shows that it is the extent to which critics shape the reception of an art form that determines its place in the cultural hierarchy. Those who patronize "lowbrow" art--stand-up comedy, cabaret, movies, and popular music--do not heed critical opinions nearly as much as do those who patronize "highbrow" art--theater, opera, and classical music. Thus the role of critics is crucial to understanding the nature of cultural hierarchy and its persistence. Shrum supports his argument through an inquiry into the performing arts, focusing on the Edinburgh Fringe, the world's largest and most diverse art festival. Beginning with eighteenth-century London playhouses and print media, where performance art criticism flourished, Shrum examines the triangle of mediation involving critics, spectators, and performers.The Fringe is shown to parallel modern art worlds, where choices proliferate along with the demand for guidance. Using interviews with critics and performers, analysis of audiences, and published reviews as well as dramatic vignettes, Shrum reveals the impact of critics on high art forms and explores the "status bargain" in which consumers are influenced by experts in return for prestige.
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: Used - As new
£ 70.32
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Condition: As New. Unread book in perfect condition.
- Softcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
Contact seller5-star sellerCondition: New
£ 67.16
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
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£ 56.82
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Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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£ 63.95
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Condition: New.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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£ 73.43
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Condition: As New. Unread book in perfect condition.
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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£ 88.64
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Paperback. Condition: Brand New. 315 pages. 9.50x6.25x1.00 inches. In Stock.
- Softcover
Seller: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
£ 63.96
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Paperback. Condition: New. Why does the distinction between high and popular art persist in spite of postmodernist predictions that it should vanish? Departing from the conventional view that such distinctions are class-related, Wesley Shrum concentrates instead on the way individuals form opinions about culture through the medi…ation of critics. He shows that it is the extent to which critics shape the reception of an art form that determines its place in the cultural hierarchy. Those who patronize "lowbrow" art--stand-up comedy, cabaret, movies, and popular music--do not heed critical opinions nearly as much as do those who patronize "highbrow" art--theater, opera, and classical music. Thus the role of critics is crucial to understanding the nature of cultural hierarchy and its persistence. Shrum supports his argument through an inquiry into the performing arts, focusing on the Edinburgh Fringe, the world's largest and most diverse art festival. Beginning with eighteenth-century London playhouses and print media, where performance art criticism flourished, Shrum examines the triangle of mediation involving critics, spectators, and performers.The Fringe is shown to parallel modern art worlds, where choices proliferate along with the demand for guidance. Using interviews with critics and performers, analysis of audiences, and published reviews as well as dramatic vignettes, Shrum reveals the impact of critics on high art forms and explores the "status bargain" in which consumers are influenced by experts in return for prestige.
- Softcover
- Print on Demand
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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£ 65.33
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Paperback. Condition: Brand New. 315 pages. 9.50x6.25x1.00 inches. In Stock. This item is printed on demand.
Language: English
Published by Princeton University Press, New Jersey, 1996
- Softcover
- Print on Demand
Seller: CitiRetail, Stevenage, United KingdomCitiRetail
Contact seller5-star sellerCondition: New
£ 81.49
£ 37.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paperback. Condition: new. Paperback. Why does the distinction between high and popular art persist in spite of postmodernist predictions that it should vanish? Departing from the conventional view that such distinctions are class-related, Wesley Shrum concentrates instead on the way individuals form opinions about culture throu…gh the mediation of critics. He shows that it is the extent to which critics shape the reception of an art form that determines its place in the cultural hierarchy. Those who patronize "lowbrow" art--stand-up comedy, cabaret, movies, and popular music--do not heed critical opinions nearly as much as do those who patronize "highbrow" art--theater, opera, and classical music. Thus the role of critics is crucial to understanding the nature of cultural hierarchy and its persistence. Shrum supports his argument through an inquiry into the performing arts, focusing on the Edinburgh Fringe, the world's largest and most diverse art festival. Beginning with eighteenth-century London playhouses and print media, where performance art criticism flourished, Shrum examines the triangle of mediation involving critics, spectators, and performers.The Fringe is shown to parallel modern art worlds, where choices proliferate along with the demand for guidance.Using interviews with critics and performers, analysis of audiences, and published reviews as well as dramatic vignettes, Shrum reveals the impact of critics on high art forms and explores the "status bargain" in which consumers are influenced by experts in return for prestige. Focuses on the way individuals form opinions about culture through the mediation of critics. This book shows that it is the extent to which critics shape the reception of an art form that determines its place in the cultural hierarchy. It supports this argument through an inquiry into the performing arts, focusing on the Edinburgh Fringe. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
- Softcover
- Print on Demand
Seller: preigu, Osnabrück, Germanypreigu
Contact seller5-star sellerCondition: New
£ 69.32
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Taschenbuch. Condition: Neu. Fringe and Fortune | The Role of Critics in High and Popular Art | Jr. Wesley Monroe Shrum | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1996 | Princeton University Press | EAN 9780691026572 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[do…t]de | Anbieter: preigu Print on Demand.
