Sheldon Museum Art (28 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condition: As New. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. 2013. paperback. . . . . Books ship from the US and Ireland.

Condition: As New. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. 2013. paperback. . . . .

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: New. Brand New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First Sq. 4to, cloth, 221 pp, 153 illustrations (6 in color), bibliography. Ed. 2500. Catalog of the first major retrospective of Bishop's work in America, with additional showings at the Whitney Museum and the Brooks Memorial Art Gallery of Wichita State University. Freitag 735; Karpel M31a. Limited to 2,500 copies. Very good in dj.

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Hard Cover. Condition: Collectible-Very Good. Dust Jacket Condition: Collectible-Good. Illustrated (illustrator). 10.5 x 14 hard cover book. Black lettering on the white dust jacket spine with a color illustrated cover. A Sense of Place, walking with several painters through American scenery, sets out on a course entirely and stimulatingly different from the courses taken by the twenty-five Sierra Club and Friends of the Earth Books in this format that have gone before. Implicit here is an insight into what will happen if, through mistaken ideas of progress, we continue to throw the geometric curve of increasing demand at American space and wildness. 160 pages. Inscription and signature of Gussow on first illustrated. Owner's name written on first blank several times. Tight binding. Some soil to jacket. Signed By Author.

Condition: New.

Condition: New.

Hardcover. Condition: Very Good. No Jacket. 193 pages : illustrations (some color) ; 30 cm ; ISBN: 3791309668 ((hardcover ed.)); 9783791309668 ((hardcover ed.)); 3791324896; 9783791324890; National Library: 901222917; 379-13096 LCCN: 90-33501 ; LC: ND237.P85; Dewey: 760/.092 ; OCLC: 21228605 ; To accompany an exhibition at the Whitney Museum of American Art, New York, May 31, 1990-Sept. 2, 1990 and at other museums./ Includes bibliographical references (pages 179-180) and indexes. ; [this exhibition has been organized by the Williams College Museum of Art, Williamstown, Massachusetts ; exhibition itinerary: Whitney Museum of American Art, New York, May 31, 1990 - September 2, 1990 . The Phillips Collection, Washington, DC, May 18, 1991 - August 25, 1991] ; cloth ; no dustjacket ; tiny ding on spine ; Contents: La Belle Epoque : Observations on modern life (1891-1906) - Early modernism : studies in color and form (1907-1913) - Persol vision : Myth, fantasy and the idyll (1914-1924) - Postscript : the monotypes - Plates - Chronology - Selcetedbibliography - Catalogue of works ; "Maurice Prendergast's joyous, light-filled canvases have made him one of America's best-loved painters. His unique perception endowed his sensuous experiments in pattern and textures, in atmosphere and light with a stature achieved by few artists. Working in the last decade of the nineteenth century and the first several decades of the twentieth, he perfected his distinctive style, becoming one of the great colorists of all time. This major reappraisal contributes a wealth of new scholarship. Based on letters, sketchbooks, contemporary articles and reviews, it also brings to life an exciting and pivotal era, for Prendergast was in the forefront of modern painting in America. He exhibited as one of The Eight, becoming known as one of the "Red Hots, " and participated in the Armory Show. His experiences, including living and working in Europe, allowed him to draw on a wide variety of sources - including Cezanne, Signac, the Renaissance Italian painter, and Watteau. Out of these he created his own truly unique idiom." ; VG. Book.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction, charting the style's aesthetic, intellectual, and social implications. Sharon L. Kennedy's essay draws on the Sheldon's collection to trace the style's beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry in new directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art. Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand. Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: new. Paperback. In this volume, the Sheldon Museum of Art presents more than one hundred examples from its distinguished photography collection, which contains nearly twenty-five hundred objects. Encompassing the full range of photographic history, Encounters showcases recognized masterpieces, recent acquisitions, and rarely seen treasures by a diverse range of artists, including Berenice Abbott, Manuel Alvarez Bravo, Julia Margaret Cameron, Gertrude Kasebier, Andre Kertesz, Robert Mapplethorpe, Yinka Shonibare, Paul Strand, William Henry Fox Talbot, and Carrie Mae Weems. Encounters explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image. Arranged thematically rather than chronologically, the catalog addresses issues such as tourism, souvenir production, and the search for authenticity in the face of increasing industrialization; the transmission of American, European, and Mexican forms of modernism; gender identity and sexuality; the real and perceived tensions between nature and the built environment; and the convergences of art and science, craft and technology. Images are set within their context by the catalog's principal author, Brandon K. Ruud, and are accompanied by lively, thought-provoking essays by a team of scholars that includes Zeynep Celik, Keith F. Davis, Gregory Nosan, Robert G. O'Meally, Britt Salveson, and the museum's director, Jorge Daniel Veneciano. In this volume, the Sheldon Museum of Art presents more than one hundred examples from its distinguished photography collection, which contains nearly twenty-five hundred objects. Encompassing the full range of photographic history, Encounters showcases recognized masterpieces, recent acquisitions, and rarely seen treasures by a diverse range of artists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. Adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Editor(s): Veneciano, Jorge Daniel. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 208 pages, 99 plates, 39 figures. BIC Classification: ACX. Category: (P) Professional & Vocational. Dimension: 229 x 303 x 15. Weight in Grams: 1134. . 2012. Paperback. . . . .

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 145 pages; Description: 145 p. : front., chiefly col. ill. ; 33 cm. Subjects: Davis, James G. --Artists --Artists --Exhibition. 4 Kg.

Paperback. Condition: Brand New. 0th edition edition. 256 pages. 11.75x9.00x0.75 inches. In Stock.

Condition: New. Adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Editor(s): Veneciano, Jorge Daniel. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 208 pages, 99 plates, 39 figures. BIC Classification: ACX. Category: (P) Professional & Vocational. Dimension: 229 x 303 x 15. Weight in Grams: 1134. . 2012. Paperback. . . . . Books ship from the US and Ireland.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 145 pages; Description: 145 p. : front., chiefly col. ill. ; 33 cm. Subjects: Davis, James G. --Artists --Artists --Exhibition. 2 Kg.

Condition: Good. 8vo. 124 pp. Oblong. Very Good. Soft Cover. Illustrated paper wraps. Some shelf wear to wraps, front and verso. Light spots of foxing to title page, else pages fine. B&W plates throughout.From the Collection of the Art Historian Peter Selz.ISBN: 9780803276451 0803276451.

VG .gift quality. Book in excellent condition with no markings. or inscriptions. not price clipped. internally a good crisp clean copy.

VG .gift quality. Book in excellent condition with no markings. or inscriptions. not price clipped. internally a good crisp clean copy.

VG .gift quality. Book in excellent condition with no markings. or inscriptions. not price clipped. internally a good crisp clean copy.

Paperback. Condition: Brand New. 208 pages. 11.90x8.80x0.70 inches. In Stock.

Paperback. Condition: Brand New. 0th edition edition. 256 pages. 11.75x9.00x0.75 inches. In Stock.

Taschenbuch. Condition: Neu. Neuware - Brandon K. Ruud is the curator of transnational American art at the Sheldon Museum of Art. He is the editor of Karl Bodmer¿s North American Prints (Nebraska, 2004), which was named a New York Times notable book. More recently, he contributed to the catalogs American Modernism at the Art Institute of Chicago and Apostles of Beauty: Arts and Crafts from Britain to Chicago.

Taschenbuch. Condition: Neu. Neuware - Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction, charting the style's aesthetic, intellectual, and social implications. Sharon L. Kennedy's essay draws on the Sheldon's collection to trace the style's beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry innew directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art. Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand.