Serres Louis (80 results)

Paperback. Condition: Very Good. Binding sound, text clean, light shelf wear. 276 pages. French text. Heavy paperback, may require additional charges for expedited or international shipping. Book.

Paperback or Softback. Condition: New. Instruction de l'Infanterie Dans Le Service En Campagne. Book.

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Paperback. Condition: New. The myth of Van Gogh today is linked as much to his extraordinary life as it is to his stunning paintings. His biography has often shaped the way that his self-portraits have been (mis)understood. Van Gogh. Self-Portraits reconsiders this aspect of his production and places the artist's self-representation in context to reveal the role it plays in his oeuvre. It also explores the power and profound emotion of these highly personal paintings. Van Gogh. Self-Portraits is the first time this theme has been exclusively addressed. Self-portraits painted during Van Gogh's time in Paris (February 1886 - February 1888) have been the subject of two exhibitions (in 1960 at Marlborough Fine Arts in London and in 1995 at the Kunsthalle in Hamburg) but never has the full chronological range been explored. The exhibition at The Courtauld Gallery, which this volume accompanies, features paintings from both the Parisian and Provençal periods. It brings together half of Van Gogh's thirty-five known self-portraits to examine the ways the artist approached this particular subject-matter. On a practical level, painting himself provided Van Gogh with the cheapest and most patient of models and represented an important conduit for stylistic experimentation. He also used self-portraiture as an homage to his illustrious Dutch predecessor Rembrandt, as well as a way of fashioning his own identity and presenting himself to the outside world. Of particular interest is the striking way the evolution of Van Gogh's self-representation over the short years of his artistic activity can be seen as a microcosm of his development as a painter. In addition to the world-famous Self-Portrait with Bandaged Ear in The Courtauld's collection, the exhibition showcases a group of major masterpieces brought together from international collections, including the Van Gogh Museum in Amsterdam, the Muse d'Orsay in Paris, the Art Institute of Chicago and the National Gallery of Art in Washington, D.C., among others. This beautifully illustrated catalogue includes detailed entries on each work, an appendix illustrating all of Van Gogh's self-portraits and three insightful essays on the theme.…

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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Condition: New. 2022. 1st Edition. Paperback. . . . . .

Condition: New. pp. 152.

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Condition: New. 2022. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

First Edition. Fine paperback copy; slightly dust-dulled. Remains well-preserved overall. Summary; The Courtauld Collection: A Vision for Impressionism' accompanies a landmark exhibition at the Fondation Louis Vuitton in Paris exploring Samuel Courtauld's role as one of the great collectors of the twentieth century. The catalogue and exhibition showcase Courtauld's extraordinary collection, which will be on display in Paris for the first time in over sixty years. One of the finest collections of Impressionism anywhere in the world was assembled by the English industrialist and philanthropist Samuel Courtauld (1876-1947). During the 1920s, Courtauld acquired seminal works by all of the major Impressionists, from Renoir's early masterpiece La Loge to Manet's last great work, A Bar at the Folies-Bergere. His collection grew to include such iconic works as Gauguin's great Tahitian nude Nevermore and one of Van Gogh's most famous paintings, Self-Portrait with Bandaged Ear. Courtauld was particularly devoted to Cezanne and put together the largest collection of his work in the United Kingdom, including the epic Montagne Sainte-Victoire with Large Pine and one of the celebrated Card Players. After a decade of collecting, Courtauld gave the majority of these remarkable works to establish The Courtauld Institute of Art and Gallery in London. Physical Description; xxi, 346 pages : illustrations (chiefly color) ; 29 cm. Notes; Published on the occasion of the exhibition held at the Foundation Louis Vuitton, Paris, France, February 20-June 17, 2019. Subjects; 1900-1999. Art Private collections. Art Private collections England London 20th century Exhibitions. Courtauld (Samuel) Collection. Courtauld (Stephen) Collection. Courtauld Institute Gallery (London). Courtauld Institute of Art Courtauld Collection. Courtauld, Samuel, 1876-1947. Courtauld, Samuel, 1876-1947 Art collections Exhibitions. England London. Essays. Exhibition catalogs. Fondation Louis Vuitton (Paris, France). Fondation Louis Vuitton (Paris, France) Exhibitions. Fondation Louis Vuitton (Paris, France) Expositions. Illustrated works. Impressionism (Art). Impressionism (Art) Exhibitions. 1 Kg.…

Paperback. Condition: Brand New. 152 pages. 10.25x8.50x0.47 inches. In Stock.

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Condition: New. pp. 152.

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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

brochés. 904 pages, en pagination continue, illustré de 294 gravures dans le texte. 3 volumes in-8 Couvertures défraichies, légèrement piquées et tachées ; dos avec petits manques et recollés, mais excepté quelques rares et faibles rousseurs, l'intérieur des 3 volumes est en excellent état.

Paperback. Condition: Brand New. 412 pages. 9.00x6.00x1.25 inches. In Stock.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

MORAS - 1855 - Copie d'acte notarié en un cahier de 50 feuillets [30,5x20,5 cm] manuscrits sur 31 feuillets (62 pages) sous couverture de papier jaunâtre titré à la main, ficelle de maintien; papier blanc. Pliure verticale. Manque 3 feuillets vierges in-fine, proprement coupés. Ensemble manuscrit très lisible et en bon état. 26 xbre 1854 - N° 5,695 - Ouverture de liquidation et partage L'an mil huit cent cinquante quatre et le mardi vingt six décembre, a neuf heures du matin, Par devant Me Pierre Joseph Gauthier, notaire à la résidence de Moras, canton de grand Serres, (Drôme) et en son étude au dit lieu Ont comparu 1° Mr Ferdinand Ribaud Goubernard, père, propriétaire rentier, demeurant à Jarcieu, (Isère) En sa qualité d'usufrutier pour une portion des biens délaissés par Mme Louise Josephine Revouz, son épouse, décédée au dit lieu de Jarcieu, le vingt trois Janvier mil huit cent cinquante quatre, aux termes de leur contrat de mariage, intervenu devant Me Pérouse, notaire à St Alban du Rhône, en date du seize septembre 1813 2° Mr Ernest Ribaud Goubernard, propriétaire rentier, demeurant à Moras, auparavant à Anneyron 3° Mr Joseph Maurice Falque Ribaud Goubernard, propriétaire rentier, demeurant au Péage, canton de Roussillon, (Isère) 4° & Mr Jean Baptiste Pierre Auguste Alfred Bal, propriétaire rentier, demeurant à St Romain d'Albon; Agissanten qualité de mari constitutaire général des droits de Mme Marie Louise Eugenie Herminie Rebaud Goubernard [.] [.] Dont acte. Fait, passé et lu aux comparants, à Moras, en l'étude, en présence des Sieurs Pierre Guiton, marchand, et Jean Louis Robin, fils ainé, agriculteur, domiciliés à Moras, témoins instrumentaires qui ont signé avec les comparants et le notaire. Suivent mes signatures: F. Ribaud Goubernard; Ernest Goubernard; Joseph Goubernard; Bal; Robin; Guiton; Gauthier (notaire) Enregistré, à Grand-Serres, le vingt six Janvier mil huit cent cinquante cinq, Folio 197. Recto. Case 7. Reçu Cinq Francs, dixième cinquante centimes. signé Paillade. Français Acte notarié.…