Sandler Lucy Freeman (137 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

softcover. Condition: Fine copy. 1st. 4to, 61 pp. Well-illustrated (illustrator).

softcover. Condition: Fine copy. 1st. 4to, 85 pp. Well-illustrated (illustrator).

softcover. Condition: Fine copy. 1st. 4to, 152 pp. Well-illustrated (illustrator).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition.

Hardcover. Condition: Good. The book is in good physical condition with a sturdy hardcover binding. The exterior shows minimal wear, indicating careful handling. The dust jacket condition is unknown, but the book itself appears well-preserved. No inscriptions, signatures, or library markings are present, suggesting it has been privately owned.…

Hardcover. Size: 7.75"x10.5", 814pp., 548 black & white illustrations. Very light foxing to the top edge else near new condition, covers bright, text clean and binding tight in a like dust jacket which is now in a clear protective mylar sleeve.

Paperback. Condition: Fine. Crisp, bright, clean; no owners' marks or wear; as new. More issues available.; 4to.

paperback. Condition: fine. Illustrated with 25 color plates and some b/w images. 120 pages. Slim 4to, pictorial wrappers. (London): Harvey Miller, (1999). A fine copy.

Paperback. Condition: Good. covers have minor edge wear, corners lightly bumped, binding tight, pages unmarked, 88 pages, periodical published by the International Center of Medieval Art, some of the articles in this issue are 'The Audiences for the Medieval Cult of Saints' by Barbar about-El-Haj; 'The Cantharus and Pigna at Old St. Peter's' by Margaret Finch; 'Early Heraldry: How to Crack the Code' by Meredith Parsons Lillich and ' A Reconstruction of the Cloisters Ivory Cross with the Caiaphas Plaque Restored at its Base' by Bernice R. Jones, bw illustrations Size: 8.5 x 11. …

Paperback. Condition: Good. covers have heavy edge wear and chipping, corners heavily bumped and creased, binding tight, pages unmarked, 72 pages, periodical published by the International Center of Medieval Art, articles in this issue are 'Visualization And Memory: The Illustration of Troubadour Lyric In A Thirteenth-Century Manuscript' by Sylvia Huot; 'The Margins of Society in Marginal Romanesque Sculpture' by Nurith Kenaan-Kedar; 'The Susanna Crystal of Lothar II: Chastity, the Church, and Royal Justice' by Genevra Kornbluth; 'Concerning the Cotton Genesis and Other Illustrated Manuscripts of Genesis' by John Lowden and 'Images of St. Matthew Commissioned by the Arte del Cambio for Orsanmichele in Florence: Some Observations on Conservatism in Form and Patronage' by Laurie Taylore-Mitchell, bw illustrations Size: 8.5 x 11.…

Paperback. Condition: Good. covers have minor edge wear and chipping, corners heavily bumped and creased, binding tight, pages unmarked, 80 pages, periodical published by the International Center of Medieval Art, articles in this issue are 'The Eleanor of Aquitaine Vase, William IX of Aquitaine, and Muslim Spain' by George T. Beech; 'Margaret of Antioch the Demon-Slayer, East and West: The Iconography of the Predella of the Boston Mystic Marriage of St. Catherine' by Lois Drewer; 'Considering a Marginal Master: The Work of an Early Fifteenth-Century Parisian Manuscript Decorator' by Allen S. Farber; 'Mulitple Contracting in the Saint-Denis Chevet' by John James; 'Medieval Mappaemundi and Ptolemy's Chorographia' by John F. Moffitt and ''The Wise Mother': The Image of St. Anne Teaching the Virgin Mary' by Pamela Sheingorn, bw illustrations Size: 8.5 x 11.…

Hardback. Condition: New. The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for 'book'-sefer in Hebrew, biblia in Greek, and liber in Latin-was identified with sacred writings--the Holy Scriptures of Jews and Christians, who were known as 'people of the book'.The centrality of the book to medieval thought is reflected materially in the countless images of books that appear in the manuscripts of the era, be they in the most treasured, highly decorated, sacred texts or in devotional and secular works as well. In Penned and Painted, Lucy Freeman Sandler, one of one of the world's most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Library's most precious manuscript holdings and describes the many uses and meanings of these 'books in books'. Through the fascinating face-to-face discovery of 60 manuscripts, she investigates the various types and forms of books as depicted in the era. How were they produced and what did they look like? What do they tell us of the lives and skills of the scribes and illuminators? What did these books record and signify? How were they displayed, consumed and how did some of these objects of supreme beauty even come to be wantonly destroyed? Penned and Painted is presented in full-colour throughout and includes a high number of images specially photographed for this volume.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft Cover. Condition: Like New. 76 pp. Vol. XXXII/2, 1993 issue only! An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, clean text, and very light shelf wear. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments. …

Soft Cover. Condition: Like New. 72 pp. Vol. XXXI/1, 1992 issue only! An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, clean text, and very light shelf wear. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments. …

Soft Cover. Condition: Like New. 62 pp. Vol. XXXI/2, 1992 issue only! An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, clean text, and very light shelf wear. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments. …

Paperback. Condition: Very Good. The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for 'book'-sefer in Hebrew, biblia in Greek, and liber in Latin-was identified with sacred writings--the Holy Scriptures of Jews and Christians, who were known as 'people of the book'. The centrality of the book to medieval thought is reflected materially in the countless images of books that appear in the manuscripts of the era, be they in the most treasured, highly decorated, sacred texts or in devotional and secular works as well. In Penned & Painted, Lucy Freeman Sandler, one of one of the world's most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Library's most precious manuscript holdings and describes the many uses and meanings of these 'books in books'. Through the fascinating face-to-face discovery of 60 manuscripts, she investigates the various types and forms of books as depicted in the era. How were they produced and what did they look like? What do they tell us of the lives and skills of the scribes and illuminators? What did these books record and signify? How were they displayed, consumed and how did some of these objects of supreme beauty even come to be wantonly destroyed? Penned & Painted is presented in full-colour throughout and includes a high number of images specially photographed for this volume. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

paperback. Condition: New.

Hardcover. Condition: new. Hardcover. The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for booksefer in Hebrew, biblia in Greek, and liber in Latinwas identified with sacred writings--the Holy Scriptures of Jews and Christians, who were known as people of the book.The centrality of the book to medieval thought is reflected materially in the countless images of books that appear in the manuscripts of the era, be they in the most treasured, highly decorated, sacred texts or in devotional and secular works as well. In Penned & Painted, Lucy Freeman Sandler, one of one of the worlds most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Librarys most precious manuscript holdings and describes the many uses and meanings of these books in books. Through the fascinating face-to-face discovery of 60 manuscripts, she investigates the various types and forms of books as depicted in the era. How were they produced and what did they look like? What do they tell us of the lives and skills of the scribes and illuminators? What did these books record and signify? How were they displayed, consumed and how did some of these objects of supreme beauty even come to be wantonly destroyed? Penned & Painted is presented in full-colour throughout and includes a high number of images specially photographed for this volume. In Penned & Painted, Lucy Freeman Sandler, one of one of the worlds most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Librarys most precious manuscript holdings and describes the many uses and meanings of these books in books. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New. The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for 'book'-sefer in Hebrew, biblia in Greek, and liber in Latin-was identified with sacred writings--the Holy Scriptures of Jews and Christians, who were known as 'people of the book'.The centrality of the book to medieval thought is reflected materially in the countless images of books that appear in the manuscripts of the era, be they in the most treasured, highly decorated, sacred texts or in devotional and secular works as well. In Penned and Painted, Lucy Freeman Sandler, one of one of the world's most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Library's most precious manuscript holdings and describes the many uses and meanings of these 'books in books'. Through the fascinating face-to-face discovery of 60 manuscripts, she investigates the various types and forms of books as depicted in the era. How were they produced and what did they look like? What do they tell us of the lives and skills of the scribes and illuminators? What did these books record and signify? How were they displayed, consumed and how did some of these objects of supreme beauty even come to be wantonly destroyed? Penned and Painted is presented in full-colour throughout and includes a high number of images specially photographed for this volume.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First Edition. Frontispiece, x, 814 pp; many figs. Original cloth, 4to. Near Fine, in near fine dust jacket. Contains 49 essays by eminent scholars. Prentice-Hall ISBN: 0130466239.

Soft Cover. Condition: Very Good. 123 + pp. March 1964, Vol. XLVI, No. 1 issue only! A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments.…

Soft Cover. Condition: Very Good. 141 pp. June 1964, Vol. 46, No. 2 issue only! Solidly bound copy with moderate external wear, crisp pages and clean text. Small tear on bottom of spine. Whiteout spot and pen writing on spine. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments. …

Soft Cover. Condition: Good. 87 pp. March 1963, Vol. 45, No. 1 issue only! Solidly bound copy with moderate wear and use, save cover pulling away from binding and whiteout at top of spine. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments.…

Condition: New.

Hardcover. Condition: Brand New. 176 pages. 7.50x10.00x0.75 inches. In Stock.