Sanders Reginald (51 results)

Single Issue Magazine. Condition: Very Good. original wraps show minor wear, tear, chipping. pages tanned.

Hardcover. Condition: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Condition: New. In English.

Hardcover. Condition: Acceptable. With cracked hinges This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Oversized.

Soft cover. Condition: VG+. A fair or better 11.5" X 17" folded 4-page local theater herald from the Shea Theates in western New York. Includes ads, articles and photos from several films. Rare. Book.

Hardcover. Condition: Good. 1929 William Edwin Rudge hardcover - with some wear; missing dj; standard-sized, GOOD Standard-sized.

Wraps. Condition: Good+ to Very Good-. Vol. XLIX, No. 5. Pulp magazine. Cover art by Charles Durant. Includes "Chico" (complete novel) by Walter J. Coburn; "Star-shine Bill's Curtained Trail" (complete novel) by Reginald C. Barker; "Beyond teh outposts" (pt. 3 of 6) by Peter Henry Morland [aka Max Brand, Frederick Faust]; "Trouble Range" (pt. 7 of 7) by Charles Wesley Sanders; "Prints in the Sand" by Hugh F. Grinstead; "In Wolves' Clothes" by Harley P. Lathrop; "Pick 'Em Green!" by Miles Overholt; "Lightning Helped" by Robert Ormond Case; "The Little Cayuse" (poem) by Agnes Pearson; "Pure Cussedness" (porm) by James Edward Hungerfoot. Article: "Lost Mines (The Lost Cabin)" by Roderick O'Hargan. Miscellaneous: "Marines Fight Forest Fires"; "The Californiw Quail"; "Their Bite Is Not Fatal"; "Woman Kills Wolf"; "Two Western Women Governors"; "Coyote a Poor Mascot"; "Deer Attacks Car"; "Too Many Deer in Kaibab Forest"; "Stopped by an Eagle"; "Bees Attack a Cannery"; "Giant Salmon"; "Freak Apple Trees". Departments: "The Round-up"; "The Hollow Tree" by Louise Rice; "Where to Go and How to Get There" by John North; "Missing". Illustrations are uncredited. Wraps partially reglued with some small tears, stress and losses; minor scars; mild wet stain at upper spien corners with loss to same at rear. Magazine.…

Tapa Dura con Sobrecubierta. Condition: Bien. Dust Jacket Condition: Good. . English; Dutch; French; German; Spanish 276 p.

Condition: New.

Paperback. Condition: New. Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach's vocal compositions-including his Passions, Masses, Magnificat, and cantatas-with particular attention to how such meaning arises out of the intentionality of Bach's own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach's vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach's artistic intentions within the framework of broader cultural trends-social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach's vocal music taken by the authors in this volume, as seen across the book's four parts: Part I: How might the study of historical theology inform our understanding of Bach's compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach's compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach's self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work's context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work's meaning(s) in Bach's time, during the time of his immediate successors, and at various points since then (including our present)?The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach's compositions.…

Condition: As New. Unread book in perfect condition.

Condition: New. Print on Demand.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New.

Condition: New. In English.

Softcover. Condition: Near Fine. First edition. [First Issue]. Octavo. 75pp. Stapled photographically-illustrated wrappers. Wrappers age-toned, small nicks on spine ends, near fine. Contributions by Allen Ginsberg, Saul Gotlieb, Taylor Mead, Leroy House, William Shari, Ed Sanders, Gina Overman, John Harriman, Peter Hartman, and more.…

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: Brand New. reprint edition. 328 pages. 8.75x5.75x1.00 inches. In Stock.

Paperback. Condition: New. Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach's vocal compositions-including his Passions, Masses, Magnificat, and cantatas-with particular attention to how such meaning arises out of the intentionality of Bach's own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach's vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach's artistic intentions within the framework of broader cultural trends-social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach's vocal music taken by the authors in this volume, as seen across the book's four parts: Part I: How might the study of historical theology inform our understanding of Bach's compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach's compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach's self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work's context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work's meaning(s) in Bach's time, during the time of his immediate successors, and at various points since then (including our present)?The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach's compositions.…

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach's vocal compositions-including his Passions, Masses, Magnificat, and cantatas-with particular attention to how such meaning arises out of the intentionality of Bach's own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach's vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach's artistic intentions within the framework of broader cultural trends-social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach's vocal music taken by the authors in this volume, as seen across the book's four parts: Part I: How might the study of historical theology inform our understanding of Bach's compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach's compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach's self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work's context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work's meaning(s) in Bach's time, during the time of his immediate successors, and at various points since then (including our present)?The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach's compositions.…

Hardcover. Condition: Brand New. 328 pages. 9.00x6.00x1.00 inches. In Stock.

Hardback. Condition: New. Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach's vocal compositions-including his Passions, Masses, Magnificat, and cantatas-with particular attention to how such meaning arises out of the intentionality of Bach's own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach's vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach's artistic intentions within the framework of broader cultural trends-social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach's vocal music taken by the authors in this volume, as seen across the book's four parts: Part I: How might the study of historical theology inform our understanding of Bach's compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach's compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach's self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work's context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work's meaning(s) in Bach's time, during the time of his immediate successors, and at various points since then (including our present)?The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach's compositions.…

Condition: Very Good. Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. During production, several of the camels became dehydrated and drank too much water too quickly, causing them to become intoxicated. The camels had to be run in the heat until they regained their composure! NominatedAcademy Awards: Best Cinematography - Charles Lang, Original Score - Miklós Rózsa, Best Art Direction (Alexander Golitzen, Richard Irvine). In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].…