Compositional Choices and Meaning in the Vocal Music of J. S. Bach
Language: English
Published by Lexington Books, 2018
- Hardcover
- New
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
AbeBooks seller since January 6, 2003
Condition: New
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328 pages. 9.00x6.00x1.00 inches. In Stock.
Seller Inventory # x-1498554954
- Title
- Compositional Choices and Meaning in the Vocal Music of J. S. Bach
- Author
- Peters, Mark A. (Editor)/ Sanders, Reginald L. (Editor)/ Leaver, Robin A. (Foreward By)/ Allanbrook, Wye J. (Contributor)/ Butler, Gregory (Contributor)
- Publisher
- Lexington Books
- Publication year
- 2018
- Condition
- Brand New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1498554954
- ISBN 13
- 9781498554954
- Item weight
- 0.77 kilograms
Such questions of compositional choice and meaning frame the four primary approaches to Bach’s vocal music taken by the authors in this volume, as seen across the book’s four parts: Part I: How might the study of historical theology inform our understanding of Bach’s compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach’s compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach’s self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work’s context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work’s meaning(s) in Bach’s time, during the time of his immediate successors, and at various points since then (including our present)?
The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach’s compositions.
"Synopsis" may belong to another edition of this title.
About the Author
Reginald L. Sanders is professor of music at Kenyon College.
Markus Rathey is the Robert S. Tangeman Professor of Music History at Yale University and author of Theology, Music, and Modernity: Struggles for Freedom.
"About the title" may belong to another edition of this title.
Revaluation Books
Exeter, United Kingdom
AbeBooks seller since January 6, 2003
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Edward Bowditch Ltd
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Exeter, United Kingdom EX3 0PP
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