Saint Amour (316 results)

Paperback. Condition: Acceptable. Barcode cut out; stamped "non-returnable". Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. 1 Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

hardcover. Condition: Very Good. Clean, sturdy copy. Minor age related dicoloration to top edge. No marks or wear. sg.

Condition: New.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Fine. Like new copy with tight unopened pages.

Paperback. Condition: Like New. FIRST THUS. First Edition Thus, First Printing. Published by Cornell University Press, 2010. Octavo. Paperback. Book is like new with light previous owner margin marks throughout. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Condition: New.

Paperback or Softback. Condition: New. Exposition universelle. Causerie artistique. Beaux-arts, peinture. Book.

Condition: As New. Unread book in perfect condition.

Condition: New.

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Paperback or Softback. Condition: New. The Copywrights: Intellectual Property and the Literary Imagination. Book.

Condition: New.

Condition: New.

Paperback. Condition: Fine. Large 8vo 9" - 10" tall; 381 pages; Trade paperback in glossy illustrated covers. Tight bright and fresh. Fresh unmarked copy feels and appears unread and just about as new. Fine.

Condition: As New. Unread book in perfect condition.

Condition: New.

Soft cover. Condition: Fine. First Edition. Fine in wrappers.

Condition: New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Includes dust jacket.

Condition: Fine. 1979. 185 pages. Fine.

Soft cover. Condition: Tres Bon. A very clean and cared-for copy. Book.

Paperback. Condition: New. They borrow from published works without attribution. They remake literary creation in the image of consumption. They celebrate the art of scissors and paste. Who are these outlaws? Postmodern culture-jammers or file-sharing teens? No, they are the Copywrights-Victorian and modernist writers, among them Oscar Wilde and James Joyce, whose work wrestled with the intellectual property laws of their day. In a highly readable and thought-provoking book that places today's copyright wars in historical context, Paul K. Saint-Amour asks: Would their art have survived the copyright laws of the new millennium? Revisiting major works by Wilde and Joyce as well as centos assembled by anonymous writers from existing poems, Saint-Amour sees the period 1830-1930 as a time when imaginative literature became aware of its own status as intellectual property and began to register that awareness in its subjects, plots, and formal architecture. The authors of these self-reflexive literary texts were more conscious than their precursors of the role played by consumption in both the composition and the consecration of literature. The texts in question became, in turn, part of what Saint-Amour characterizes as a "counterdiscourse" to extensive monopoly copyright, a vocal minority that insisted on a broadly conceived public domain not only as indispensable to free expression and fresh creation but as a good in itself. Recent events such as the court battle over the Copyright Term Extension Act (CTEA), which extends copyright terms by 20 years, the patenting of the human genome and of genetically altered seed lines, and high-stakes controversies over literary parody have increased public awareness of intellectual property law. In The Copywrights, Saint-Amour challenges the notion that copyright's function ends with the provision of private incentives to creation and innovation. The cases he examines lead him to argue that copyright performs a range of political, emotional, and even sacred functions that are too often ignored and that what seems to have emerged as copyright's primary function-the creation of private property incentives-must not be an end in itself.…

Paperback. Condition: Brand New. 1st blg edition. 159 pages. 9.00x5.75x0.50 inches. In Stock.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Tres Bon. A very clean and cared-for copy. Book.

Condition: New. In English.