Rushton Richard (272 results)

Paperback. Condition: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

No Binding. Condition: Very Good. ORIGINAL 2003 Article, disbound from journal; no covers; in very good condition. Journal.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: New. pp. 218.

Trade Paperback. Condition: Used - Very Good.

Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hard Cover with Dust Jacket. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Near fine, Shelfwear/VG, PC, 2 Clear Tape Repairs. 1st Edition. Expanded condition report/scan on request.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Paperback. Condition: New. Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies. From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze's writings on film - from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls's classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Film criticism has always been about more than aesthetics, and by staging an encounter between Deleuze's cinema project and his schizoanalysis work with Félix Guattari this volume attempts to open Deleuze's aesthetic and philosophical analysis of film into spaces that can address his cinema books as a project that is also political, historical, industrial, economic, or cartographic in nature. Cinema no longer exists solely inside the cinematic apparatus - cinema must become television, digital imagery, web broadcast, advertisement; it must become open to a field of moving images and visual culture at large, and this volume opens Deleuze's thought accordingly, inviting a range of leading scholars to question what can be done with Deleuze's cinematic analyses if we are made to think of them as a further study in schizoanalysis.Key Features*Tom Conley explores an intersection between Deleuze and Blanchot in order develop a cartographic theorisation of film and visual culture *Patricia Pisters asks what a cinematic conception of Deleuze's third synthesis of time might look like and begins to explore what she will call the Neuroimage*Richard Rushton charts the appearance of a Deleuzian imaginary in the films of Jean Renoir*Hanjo Berressem studies actual/virtual montage in Psycho and The Birds and uncovers a schizoanalytic Hitchcock of pure optical and sound images.…

Paperback. Condition: new. Paperback. Film criticism has always been about more than aesthetics, and by staging an encounter between Deleuzes cinema project and his schizoanalysis work with Felix Guattari this volume attempts to open Deleuzes aesthetic and philosophical analysis of film into spaces that can address his cinema books as a project that is also political, historical, industrial, economic, or cartographic in nature. Cinema no longer exists solely inside the cinematic apparatus cinema must become television, digital imagery, web broadcast, advertisement; it must become open to a field of moving images and visual culture at large, and this volume opens Deleuzes thought accordingly, inviting a range of leading scholars to question what can be done with Deleuzes cinematic analyses if we are made to think of them as a further study in schizoanalysis.Key Features*Tom Conley explores an intersection between Deleuze and Blanchot in order develop a cartographic theorisation of film and visual culture *Patricia Pisters asks what a cinematic conception of Deleuzes third synthesis of time might look like and begins to explore what she will call the Neuroimage*Richard Rushton charts the appearance of a Deleuzian imaginary in the films of Jean Renoir*Hanjo Berressem studies actual/virtual montage in Psycho and The Birds and uncovers a schizoanalytic Hitchcock of pure optical and sound images. Film criticism has always been about more than aesthetics, and by staging an encounter between Deleuze's cinema project and his schizoanalysis work with Felix Guattari this volume attempts to open Deleuze's aesthetic and philosophical analysis of film into spaces that can address his cinema books as a project that is also political, historical, industrial, economic, or cartographic in nature. Cinema no longer exists solely inside the cinematic apparatus -- cinema must become television, digital imagery, web broadcast, advertisement; it must become open to a field of moving images and visual culture at large, and this volume opens Deleuze's thought accordingly, inviting a range of leading scholars to question what can be done with Deleuze's cinematic analyses if we are made to think of them as a further study in schizoanalysis. Key Features *Tom Conley explores an intersection between Deleuze and Blanchot in order develop a cartographic theorisation of film and visual culture *Patricia Pisters asks what a cinematic conception of Deleuze's third synthesis of time might look like and begins to explore what she will call the Neuroimage *Richard Rushton charts the appearance of a Deleuzian imaginary in the films of Jean Renoir *Hanjo Berressem studies actual/virtual montage in Psycho and The Birds and uncovers a schizoanalytic Hitchcock of pure optical and sound images. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: like_new.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. First edition. Glossy boards, 10 1/8 x 7 1/2 inches, 160 pp. Extensively illustrated, including contributions by Ralph Steadman and Gerald Scarfe. Very good. (1722RO071).

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780335234233.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780335234233.

Paperback. Condition: New. By formulating a notion of 'filmic reality', The reality of film offers new ways of understanding our relationship with cinema. It argues that cinema does not merely refer to, reproduce or represent reality, but has the capacity to create its own kinds of realities.Filmic reality is explored through the work of six key film theorists: André Bazin, Christian Metz, Stanley Cavell, Gilles Deleuze, Slavoj Zizek and Jacques Rancière. Comprehensive introductions are provided to each of these thinkers, whilst many myths and misconceptions about them are effectively debunked. The notion of filmic reality that emerges from this discussion radically reconfigures our understanding of cinema.This book is essential reading for film scholars, students and philosophers of film, while it will also appeal to graduate students and specialists in other fields.…

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: Very Good +. First Edition - Paperback. 220 pages. Paperback covers, light wear to covers' corners. Page-edges lightly age-yellowed o/w pages clean and sound. Rushton, William (Illustrator) (illustrator).

Condition: New.